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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220711T200000
DTEND;TZID=Europe/Paris:20220711T210000
DTSTAMP:20260424T024031
CREATED:20220616T170219Z
LAST-MODIFIED:20220616T170219Z
UID:5594-1657569600-1657573200@myriamgarciafidalgo.com
SUMMARY:Time of music II: Systema Naturae
DESCRIPTION:Schallfeld Ensemble  \nMauro Lanza & Andrea Valle: Systema Naturae \n*** \nPart of the Ulysses project co-funded by Creative Europe.
URL:https://myriamgarciafidalgo.com/event/time-of-music-ii-systema-naturae/
LOCATION:Viitasaari Arena\, Urheilutie 9\, 44500\, Viitasaari\, Finland
CATEGORIES:Schallfeld Ensemble
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220710T170000
DTEND;TZID=Europe/Paris:20220710T180000
DTSTAMP:20260424T024031
CREATED:20220616T163654Z
LAST-MODIFIED:20220616T164354Z
UID:5590-1657472400-1657476000@myriamgarciafidalgo.com
SUMMARY:Time of music I
DESCRIPTION:Composer course final concert I\nParish Hall | Free entrance \nSchallfeld Ensemble \nInternational Ensemble Modern Academy \nTímea Hvozdíková\nLi He\nMathias Schmidhammer\nZhuosheng Jin\nMatteo Gualandi\nÞorkell Nordal\nJinwook Jung \n(premieres)\n*** \nPart of the Ulysses project co-funded by Creative Europe
URL:https://myriamgarciafidalgo.com/event/time-of-music-i/
LOCATION:Parish Hall\, Pappilantie 6\, 44500\, Viitasaari\, Finland
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2022/06/1024682-mundi-novi-new-worlds-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220613T200000
DTEND;TZID=Europe/Paris:20220613T210000
DTSTAMP:20260424T024031
CREATED:20220412T100015Z
LAST-MODIFIED:20220412T100046Z
UID:5120-1655150400-1655154000@myriamgarciafidalgo.com
SUMMARY:KLANG - Schallfeld Ensemble
DESCRIPTION:KLANG-Festival is the largest\, international festival for contemporary musik in Denmark. Since 2009\, KLANG has been a permanent bastion in Danish cultural life. Every year\, KLANG is visited by thousands of audiences\, volunteers\, artists and other interested people who share the fascination for contemporary music. \nPROGRAMM\nElena Rykova: New Work (World Premiere)\nJoan Gómez Alemany: eros-tans-tngi-ugog-celö-esel\nSantiago Díez Fischer: New Work\nEmil Vijgen: //INPUT_PULLUP; (World Premiere)\nClara Iannotta: the people here go mad…
URL:https://myriamgarciafidalgo.com/event/deutsch-klang-schallfeld-ensemble/
LOCATION:Koncertkirken\, Blågårds Pl. 6A 2200\, Kopenhagen\, Denmark
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/Captura-de-pantalla-2022-04-07-a-las-10.58.24.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220525T200000
DTEND;TZID=Europe/Paris:20220525T213000
DTSTAMP:20260424T024031
CREATED:20220412T094932Z
LAST-MODIFIED:20220412T094932Z
UID:5116-1653508800-1653514200@myriamgarciafidalgo.com
SUMMARY:Nahe - Schallfeld Ensemble
DESCRIPTION:Pedro Berardinelli – NW\nErik Oña – Alles Nahe werde fern\nGerard Pesson\, Carmagnole\nWojtek Blecharz\, Small Talks\nEsaias Järnegard\, Y
URL:https://myriamgarciafidalgo.com/event/nahe-schallfeld-ensemble/
LOCATION:Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220422T193000
DTEND;TZID=Europe/Paris:20220422T203000
DTSTAMP:20260424T024031
CREATED:20210604T171405Z
LAST-MODIFIED:20210604T171405Z
UID:4095-1650655800-1650659400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Wiener Konzerthaus
DESCRIPTION:Stylianos Dimou – Les instances (Fassung für Oktett) (2019–2020) (UA) \nPanayiotis Kokoras – Asphyxia (2016) (EA) \nTheocharis Papatrechas – mitos (2021–2022) (UA) \nZesses Seglias – Conversations VII (2020) (UA) Kompositionsauftrag von Schallfeld und Wiener Konzerthaus \nGeorgia Koumará – Boojums & Bandersnatches (2019–2020) (UA) – Kompositionsauftrag von Schallfeld und Wiener Konzerthaus
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-wiener-konzerthaus/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220330T193000
DTEND;TZID=Europe/Paris:20220330T210000
DTSTAMP:20260424T024031
CREATED:20211230T201238Z
LAST-MODIFIED:20220211T183450Z
UID:4809-1648668600-1648674000@myriamgarciafidalgo.com
SUMMARY:HIER & JETZT - Schallfeld Ensemble
DESCRIPTION:[:es] \n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n[:en] \n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n[:de]Carola Bauckholt und ihre Schüler*innen \nWie klingt die Gegenwart? Auch die Saison 2021/22 geht in den Konzerten der Reihe Hier & Jetzt dieser Frage nach und zeigt dabei nicht zuletzt\, wie wichtig das Lehrer*innen-Schüler*innen-Verhältnis bis heute ist. Hörend nachvollziehen lässt sich das etwa im Rahmen des Eröffnungskonzerts des Festivals Leicht über Linz bei den Schüler*innen von Carola Bauckholt\, der vielfach ausgezeichneten Komponistin und Professorin für Komposition an der Anton Bruckner Privatuniversität. Acht Studierende aus sieben Nationen präsentieren mit tatkräftiger Unterstützung des Grazer Schallfeld Ensembles\, das als Botschafter für die zeitgenössische Musik international geschätzt wird\, ein wahres Füllhorn an Uraufführungen. Mehr und klangvollere Gegenwart war selten im Brucknerhaus Linz! \nEröffnungskonzert des Festivals Leicht über Linz \nPROGRAMM\n\n\n\n\n\n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/hier-jetzt-schallfeld-ensemble/
LOCATION:Brucknerhaus Linz\, Untere Donaulände 7 4010\, Linz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220308T080000
DTEND;TZID=Europe/Paris:20220308T170000
DTSTAMP:20260424T024031
CREATED:20220308T194525Z
LAST-MODIFIED:20220308T194525Z
UID:4997-1646726400-1646758800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble: Text im Klang #5
DESCRIPTION:[:es] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n\nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:en] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n  \nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:de] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n  \nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:]
URL:https://myriamgarciafidalgo.com/event/text-im-klang-schallfeld/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/03/C0A2133.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220305T200000
DTEND;TZID=Europe/Paris:20220305T210000
DTSTAMP:20260424T024031
CREATED:20220224T155526Z
LAST-MODIFIED:20220224T155526Z
UID:4967-1646510400-1646514000@myriamgarciafidalgo.com
SUMMARY:Debris - Schallfeld Ensemble
DESCRIPTION:Das Ensemble Schallfeld widmet den ersten Abend des Konzertzyklus 2022 den offenen Fragen und ungelösten Problemen\, dem Kaputten und Unfertigen\, das uns alle trotz guter Vorsätze zum Jahresbeginn verfolgt. In welchem Zustand sind wir jetzt\, was bleibt von der letzen zwei Jahren Pandemie? Alles kaputt oder alles neu? In den musikalischen Beiträgen dieses Konzertabends hören\, spüren und schauen wir hinein in Ruinen\, wir sehen leere Stühle\, Monoliten und Fragmente\, die oft an die Grenzen der Wahrnehmbarkeit rühren oder deren Zerbrechlichkeit neue Formen der Aufmerksamkeit von uns verlangt. Kein Abend zum Aufatmen und Ausruhen\, aber vielleicht eine Art Neubeginn. \nEs erklingt Musik von Patricia Alessandrini\, Cathy van Eck\, Andrés Gutiérrez\, Hannes Kerschbaumer\, Dmitri Kourliandski und Salvatore Sciarrino. \nPROGRAMM \nCathy van Eck: Empty Chairs (ÖEA)\nAndres Gutiérrez: Monolito B (ÖEA)\nDmitri Kourliandsky: Punctuation Marks\nHannes Kerschbaumer: pedra-debris Expanded version II Salvatore Sciarrino: Codex Purpureus \nPatricia Alessandrini: Ada’s Song (ÖEA) \nSoprano: Kaoko Amano
URL:https://myriamgarciafidalgo.com/event/debris-schallfeld-ensemble/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/02/flyerdebris.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220228T193000
DTEND;TZID=Europe/Paris:20220228T203000
DTSTAMP:20260424T024031
CREATED:20220301T140141Z
LAST-MODIFIED:20220301T140141Z
UID:4978-1646076600-1646080200@myriamgarciafidalgo.com
SUMMARY:Crossing Lines - Vienna
DESCRIPTION:[:es] \nSalvatore Sciarrino \nLet me die before I wake (1982) \nDaniel Apodaka \nCristalli di ghiaccio (2018) (EA) \nSalvatore Sciarrino \nUltime rose (Vanitas) (1981) \nPablo Carrascosa \nPrelude to darkness (2017) (EA) \nSalvatore Sciarrino \nIl giardino di Sara (2008) \n[:en] \nSalvatore Sciarrino \nLet me die before I wake (1982) \nDaniel Apodaka \nCristalli di ghiaccio (2018) (EA) \nSalvatore Sciarrino \nUltime rose (Vanitas) (1981) \nPablo Carrascosa \nPrelude to darkness (2017) (EA) \nSalvatore Sciarrino \nIl giardino di Sara (2008) \n[:de]Program: \nSalvatore Sciarrino \nLet me die before I wake (1982) \nDaniel Apodaka \nCristalli di ghiaccio (2018) (EA) \nSalvatore Sciarrino \nUltime rose (Vanitas) (1981) \nPablo Carrascosa \nPrelude to darkness (2017) (EA) \nSalvatore Sciarrino \nIl giardino di Sara (2008) \n[:]
URL:https://myriamgarciafidalgo.com/event/crossing-lines-vienna/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220222T203000
DTEND;TZID=Europe/Paris:20220222T213000
DTSTAMP:20260424T024031
CREATED:20220211T185719Z
LAST-MODIFIED:20220211T185719Z
UID:4942-1645561800-1645565400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble Milan
DESCRIPTION:The ULYSSES network selected Schallfeld as one of Europe’s best Young Ensembles and offered the group the opportunity to tour the venues of some of its partners. \nRachel Beja (1984)\, Frammenti di memoria abolita per strumenti ed elettronica* (2021) \nZeno Baldi (1988)\, Fondali (2019) \nDiana Soh (1984)\, Of Smaller Things (2020) \nSylvain Marty (nn)\, Discreet (2018) \nAgostino Di Scipio (1962)\, Texture multiple (1993-2005) \n* commissioned by Divertimento Ensemble and IRCAM\, endorsed by ULYSSES Network
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-milan-2/
LOCATION:Sala Donatoni\, Via Procaccini 4\, Milan\, Italy
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/02/C0A2319-e1759663518945.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220201
DTEND;VALUE=DATE:20220202
DTSTAMP:20260424T024031
CREATED:20211230T215404Z
LAST-MODIFIED:20211230T215404Z
UID:4815-1643673600-1643759999@myriamgarciafidalgo.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES – Vienna
DESCRIPTION:In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. The central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice \nLili M. Rampre (DE/BE) | Choreografie\, Movement \nConny Zenk (AT) | Light architecture \nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \nMore details coming soon!
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-vienna/
LOCATION:Brick5\, Fünfhausgasse 5\, Wien
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2021/12/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220131T200000
DTEND;TZID=Europe/Paris:20220131T210000
DTSTAMP:20260424T024031
CREATED:20211230T215003Z
LAST-MODIFIED:20211230T215003Z
UID:4812-1643659200-1643662800@myriamgarciafidalgo.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES - Schallfeld Ensemble
DESCRIPTION:[:es]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:en]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:de]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:]
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2021/12/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211218T200000
DTEND;TZID=Europe/Paris:20211218T213000
DTSTAMP:20260424T024031
CREATED:20211017T152636Z
LAST-MODIFIED:20211017T152636Z
UID:4566-1639857600-1639863000@myriamgarciafidalgo.com
SUMMARY:Attentional Disorders - Schallfeld Ensemble
DESCRIPTION:Santiago Díez Fischer –  Moving as not moving \nKatharina Rosenberger – Blur \nAndreas Eduardo Frank – Noise is a common sound \nFausto Romitelli – Blood on the floor\, painting 1986
URL:https://myriamgarciafidalgo.com/event/attentional-disorders-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211214
DTEND;VALUE=DATE:20211215
DTSTAMP:20260424T024031
CREATED:20210906T172325Z
LAST-MODIFIED:20210906T172325Z
UID:4397-1639440000-1639526399@myriamgarciafidalgo.com
SUMMARY:NOW - Schallfeld Ensemble
DESCRIPTION:  \nYoav Levi Time Islands UA: sax\, percussion\, cello\, electronic \nFrederick Neyrinck – NW Saxophon\, Akkordeon und Schlagwerk UA \nZeno Baldi – Glaskörper für  Saxophon\, Akkordeon und Schlagwerk UA \nPedro Berardinelli –  “Contra” für Akkordeon (12’)
URL:https://myriamgarciafidalgo.com/event/now-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211127T193000
DTEND;TZID=Europe/Paris:20211127T203000
DTSTAMP:20260424T024031
CREATED:20210906T094626Z
LAST-MODIFIED:20210906T094626Z
UID:4391-1638041400-1638045000@myriamgarciafidalgo.com
SUMMARY:Leicht über Linz - Schallfeld Ensemble
DESCRIPTION:[:es] \n\n\n\n\n\n\nPROGRAMM \n  \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\n\n\n\n\n[:en] \n\n\n\n\n\n\nPROGRAM \n  \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\n\n\n\n\n[:de] \n\n\n\n\n\n\nPROGRAMM \n  \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/leicht-uber-linz-schallfeld-ensemble-2/
LOCATION:Brucknerhaus Linz\, Untere Donaulände 7 4010\, Linz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211106T200000
DTEND;TZID=Europe/Paris:20211106T213000
DTSTAMP:20260424T024031
CREATED:20211017T151918Z
LAST-MODIFIED:20211017T151918Z
UID:4564-1636228800-1636234200@myriamgarciafidalgo.com
SUMMARY:Self-Portraits in Imaginary Places – Ljubljana
DESCRIPTION:Self-Portraits in Imaginary Places is a scenic musical work for a female singer/performer\, ensemble\, electronics\, movement\, video and light\, which was awarded with the Theodor Körner Förderpreis 2020. \nCreative team\nAleksandra Bajde | concept\, composition\, voice\nLili M. Rampre | choreography\, movement\nConny Zenk | light architecture \nin collaboration with \nIsabella Forciniti | electronics\, modular synthesizers\nSchallfeld Ensemble \nIn cooperation with International Society for Contemporary Music-Austrian Section\, NOW! Oper der Gegenwart\, Cankarjev dom\, REAKTOR and Festival City of Women\nSupported by the Federal Ministry for Arts\, Culture\, Civil Service and Sport\, City of Vienna\, Theodor Körner Fonds\, SKE\, State of Styria\, City of Graz\, LSG and GFÖM.
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-ljubljana/
LOCATION:Cankarjev Dom\, Prešernova cesta 10\, Ljubljana
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211104T190000
DTEND;TZID=Europe/Paris:20211104T200000
DTSTAMP:20260424T024031
CREATED:20211017T151252Z
LAST-MODIFIED:20211017T151252Z
UID:4561-1636052400-1636056000@myriamgarciafidalgo.com
SUMMARY:Wien Modern - Schallfeld Ensemble
DESCRIPTION:[:es] \nPierluigi Billone: MAAT ME (2020) – 30′ \n(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:en] \nPierluigi Billone: MAAT ME (2020) – 30′(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:de] \nPierluigi Billone: MAAT ME (2020) – 30′ \n(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:]
URL:https://myriamgarciafidalgo.com/event/wien-modern-schallfeld-ensemble-3/
LOCATION:Reaktor\, Geblergasse 36-40\, Wien\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211102
DTEND;VALUE=DATE:20211103
DTSTAMP:20260424T024031
CREATED:20210906T094934Z
LAST-MODIFIED:20211017T152905Z
UID:4394-1635811200-1635897599@myriamgarciafidalgo.com
SUMMARY:Hot - Schallfeld Ensemble
DESCRIPTION:Diana Soh – of smaller things UA \nFranco Donatoni: Hot \nTomoya Yokokawa – Hi Hu Mi \nR. Saunders – Fury II \n  \nFree entry. Reservations under office (@) schallfeldensemble.com
URL:https://myriamgarciafidalgo.com/event/hot-schallfeld-ensemble/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211022T193000
DTEND;TZID=Europe/Paris:20211022T203000
DTSTAMP:20260424T024031
CREATED:20210126T185624Z
LAST-MODIFIED:20210126T190129Z
UID:3725-1634931000-1634934600@myriamgarciafidalgo.com
SUMMARY:[:es]Signale - Portrait: Annea Lockwood  - Schallfeld Ensemble[:en]Signale - Portrait: Annea Lockwood  - Schallfeld Ensemble[:de]Signale - Portrait: Annea Lockwood - Schallfeld Ensemble[:]
DESCRIPTION:[:es] \n\n\n\n19h30 im MUMUTH GRAZ (Lichtenfelsgasse 14\, György Ligeti Saal) \nProgramm: \nBuoyant (2013)\, stereo electroacoustic\nEar-Walking Woman (1996)\, prepared piano\nRuth Anderson\, I come out of your sleep (1979\, revised 1997)\, 4-channel electroacoustic\nbayou–borne for Pauline (2016)\, six players\, vocal and/or instrumental \nEnsemble Schallfeld\nKlangregie: Ulrich Gladisch \nEintritt frei \nACHTUNG: \n18.10.2021\, 14h00 (Inffeldgasse 10/3\, IEM CUBE)\nsignalegraz Interview und Lecture mit Annea Lockwood \n20.10. – 22.10.2021\, ganztägig im MUMUTH GRAZ (Lichtenfelsgasse 14\, Foyer)\nKlanginstallation\nA Sound Map of the Housatonic River (2010)\, 4-channel sound installation \n\n\n\n\n  \n\n\n\n\n\n\n\n\nSignale Graz\n\n\nKUG-Home\nSignale\nKonzerte\nRahmenprogramm\nThemen\nLinks\nDownloads\nFreunde und Förderer\nKontakt\n\n\n\n\n[:en] \n\n\n\nProgramm: \nBuoyant (2013)\, stereo electroacoustic\nEar-Walking Woman (1996)\, prepared piano\nRuth Anderson\, I come out of your sleep (1979\, revised 1997)\, 4-channel electroacoustic\nbayou–borne for Pauline (2016)\, six players\, vocal and/or instrumental \nEnsemble Schallfeld\nKlangregie: Ulrich Gladisch \nEintritt frei \nACHTUNG: \n18.10.2021\, 14h00 (Inffeldgasse 10/3\, IEM CUBE)\nsignalegraz Interview und Lecture mit Annea Lockwood \n20.10. – 22.10.2021\, ganztägig im MUMUTH GRAZ (Lichtenfelsgasse 14\, Foyer)\nKlanginstallation\nA Sound Map of the Housatonic River (2010)\, 4-channel sound installation \n\n\n\n\n  \n\n\n\n\n\n\n\n\nSignale Graz\n\n\nKUG-Home\nSignale\nKonzerte\nRahmenprogramm\nThemen\nLinks\nDownloads\nFreunde und Förderer\nKontakt\n\n\n\n\n[:de] \n\n\n\nKonzertbeginn: 19h30 im MUMUTH GRAZ (Lichtenfelsgasse 14\, György Ligeti Saal) \nProgramm: \nBuoyant (2013)\, stereo electroacoustic\nEar-Walking Woman (1996)\, prepared piano\nRuth Anderson\, I come out of your sleep (1979\, revised 1997)\, 4-channel electroacoustic\nbayou–borne for Pauline (2016)\, six players\, vocal and/or instrumental \nEnsemble Schallfeld\nKlangregie: Ulrich Gladisch \nEintritt frei \n\nACHTUNG: \n18.10.2021\, 14h00 (Inffeldgasse 10/3\, IEM CUBE)\nsignalegraz Interview und Lecture mit Annea Lockwood \n20.10. – 22.10.2021\, ganztägig im MUMUTH GRAZ (Lichtenfelsgasse 14\, Foyer)\nKlanginstallation\nA Sound Map of the Housatonic River (2010)\, 4-channel sound installation \n\n\n\n\n  \n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/signale-portrait-annea-lockwood-schallfeld-ensemble/
LOCATION:Ligeti Saal Graz\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211020T193000
DTEND;TZID=Europe/Paris:20211020T203000
DTSTAMP:20260424T024031
CREATED:20211017T150838Z
LAST-MODIFIED:20211017T150838Z
UID:4559-1634758200-1634761800@myriamgarciafidalgo.com
SUMMARY:ZZM Neofonia
DESCRIPTION:[:es]Music by U. Rojko\, E. Seyedi\, U. Pompe\, C. Castellarnau and P. Clift.[:en]Music by U. Rojko\, E. Seyedi\, U. Pompe\, C. Castellarnau and P. Clift.[:de]Auf dem Programm stehen 5 völlig unterschiedliche Stücke\, vier von weniger bekannten jüngeren Komponist*innen und eines\, das Uroš Rojko für Neofonía geschrieben hat. Jedes Stück lebt in einer sehr eindrucksvollen und einzigartigen Klangwelt und präsentiert betörende Klänge\, die die Sinne und Erinnerungen des Hörers beharrlich zerstören\, bis etwas Kostbares gefunden wird: ein längst vergessenes Fragment einer Erinnerung\, das verschwindet\, bevor es wieder erfasst werden kann.[:]
URL:https://myriamgarciafidalgo.com/event/zzm-neofonia/
LOCATION:Konzerthaus Klagenfurt\, Mießtalerstraße 8\, 9020\, Klagenfurt am Wörthersee
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210816
DTEND;VALUE=DATE:20210829
DTSTAMP:20260424T024031
CREATED:20210127T175600Z
LAST-MODIFIED:20210127T175600Z
UID:3738-1629072000-1630195199@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Impuls Festival and Academy
DESCRIPTION:[:es]Schallfeld will be Ensemble in Residence in the next edition of the Impuls Festival and Academy. \nMore info about our concerts will come soon!! \nCheck the impuls website for updates! \n\nSpecial Programs with \nEnsemble Schallfeld \nCall for Scores + Reading Sessions + Feedback-Meetings  \n  \nwith Manuel Alcaraz Clemente \nSound Session with Percussion  \n  \nwith Szilárd Benes \n(Bass-)Clarinet: Demonstration-Workshop and Call \n  \nwith Elisa Azzarà and Margarethe Maierhofer-Lischka \nInstruments + Voices . Call + Workshop \n  \n             [:en]Schallfeld will be Ensemble in Residence in the next edition of the Impuls Festival and Academy. \nMore info about our concerts will come soon!! \nCheck the impuls website for updates! \n\nSpecial Programs with \nEnsemble Schallfeld \nCall for Scores + Reading Sessions + Feedback-Meetings  \n  \nwith Manuel Alcaraz Clemente \nSound Session with Percussion  \n  \nwith Szilárd Benes \n(Bass-)Clarinet: Demonstration-Workshop and Call \n  \nwith Elisa Azzarà and Margarethe Maierhofer-Lischka \nInstruments + Voices . Call + Workshop \n  \n[:de]Schallfeld will be Ensemble in Residence in the next edition of the Impuls Festival and Academy. \nMore info about our concerts will come soon!! \nCheck the impuls website for updates! \n\nSpecial Programs with \nEnsemble Schallfeld \nCall for Scores + Reading Sessions + Feedback-Meetings  \n  \nwith Manuel Alcaraz Clemente \nSound Session with Percussion  \n  \nwith Szilárd Benes \n(Bass-)Clarinet: Demonstration-Workshop and Call \n  \nwith Elisa Azzarà and Margarethe Maierhofer-Lischka \nInstruments + Voices . Call + Workshop \n  \n             [:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-impuls-festival-and-academy/
LOCATION:Graz\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210718
DTEND;VALUE=DATE:20210727
DTSTAMP:20260424T024031
CREATED:20210127T181903Z
LAST-MODIFIED:20210127T181903Z
UID:3740-1626566400-1627343999@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble -  INTERNATIONAL ilSUONO CONTEMPORARY MUSIC WEEK
DESCRIPTION:More info coming soon! \nhttps://www.ilsuonoacademy.com
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-international-ilsuono-contemporary-music-week/
LOCATION:Città di Castello\, Città di Castello\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210718
DTEND;VALUE=DATE:20210723
DTSTAMP:20260424T024031
CREATED:20210126T190547Z
LAST-MODIFIED:20210126T190547Z
UID:3728-1626566400-1626998399@myriamgarciafidalgo.com
SUMMARY:[:es]AIMC 2021 2nd Conference on AI Music Creativity[:en]AIMC 2021 2nd Conference on AI Music Creativity[:de]AIMC 2021 2nd Conference on AI Music Creativity - Schallfeld Ensemble[:]
DESCRIPTION:18.-22. July 2021\, online\n\n\n\n\n\n\nThe second Conference on AI Music Creativity brings together two overlapping research forums: The Computer Simulation of Music Creativity Conference (est. 2016) and The International Workshop on Musical Metacreation (est. 2012). The objective of the conference is to bring together scholars and artists interested in the emulation and extension of musical creativity through computational means and to provide them with an interdisciplinary platform in which to present and discuss their work in scientific and artistic contexts. \n\n\n\n\n\n\nThe 2021 Conference on AI Music Creativity will be hosted by the Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz\, Austria and held online. The five-day program will feature paper presentations\, concerts\, panel discussions\, workshops\, tutorials\, sound installations and two keynotes. \n\nCALL FOR SCORES
URL:https://myriamgarciafidalgo.com/event/aimc-2021-2nd-conference-on-ai-music-creativity/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210620
DTEND;VALUE=DATE:20210621
DTSTAMP:20260424T024031
CREATED:20210604T162733Z
LAST-MODIFIED:20210604T162733Z
UID:4089-1624147200-1624233599@myriamgarciafidalgo.com
SUMMARY:Mostra Sonora de Sueca - Schallfeld Ensemble
DESCRIPTION:[:es]Moving Surfaces\nSchallfeld Ensemble is presented for the first time at the Mostra Sonora de Sueca with a chamber music program articulated around two works by two of the most important authors in the international contemporary music scene: Beat Furrer and Giorgio Netti.\nThe program will be completed by Charisma of Iannis Xenakis and two works by young composers with whom Schallfeld has developed a close collaboration over the years: Anahita Abassi and Diego Jiménez Tamame\, both students at the University of Music and Performing Arts in Graz . \n  \nGiorgio  Netti  :   due  lune  più  in  là (clarinet\, sax\, cello\, piano\, percussion ) \nBeat Furrer: Aer (2010): clarinet\, cello\, piano \nAnahita Abassi: Moving Surfaces III / Another birth (Piano\, Tenor Sax\, Percussion )  \nI. Xenakis: Charisma (violoncello\, clarinet) \nDiego Jiménez Tamame: …and they’ve got us in their cage\, ruined of grace and senses… : clarinet and cello[:en]Moving Surfaces\nSchallfeld Ensemble is presented for the first time at the Mostra Sonora de Sueca with a chamber music program articulated around two works by two of the most important authors in the international contemporary music scene: Beat Furrer and Giorgio Netti.\nThe program will be completed by Charisma of Iannis Xenakis and two works by young composers with whom Schallfeld has developed a close collaboration over the years: Anahita Abassi and Diego Jiménez Tamame\, both students at the University of Music and Performing Arts in Graz . \n  \nGiorgio  Netti  :   due  lune  più  in  là (clarinet\, sax\, cello\, piano\, percussion ) \nBeat Furrer: Aer (2010): clarinet\, cello\, piano \nAnahita Abassi: Moving Surfaces III / Another birth (Piano\, Tenor Sax\, Percussion ) \nI. Xenakis: Charisma (violoncello\, clarinet) \nDiego Jiménez Tamame: …and they’ve got us in their cage\, ruined of grace and senses… : clarinet and cello[:de]Moving Surfaces\nSchallfeld Ensemble is presented for the first time at the Mostra Sonora de Sueca with a chamber music program articulated around two works by two of the most important authors in the international contemporary music scene: Beat Furrer and Giorgio Netti.\nThe program will be completed by Charisma of Iannis Xenakis and two works by young composers with whom Schallfeld has developed a close collaboration over the years: Anahita Abassi and Diego Jiménez Tamame\, both students at the University of Music and Performing Arts in Graz . \n  \nGiorgio  Netti  :   due  lune  più  in  là (clarinet\, sax\, cello\, piano\, percussion ) \nBeat Furrer: Aer (2010): clarinet\, cello\, piano \nAnahita Abassi: Moving Surfaces III / Another birth (Piano\, Tenor Sax\, Percussion ) \nI. Xenakis: Charisma (violoncello\, clarinet) \nDiego Jiménez Tamame: …and they’ve got us in their cage\, ruined of grace and senses… : clarinet and cello[:]
URL:https://myriamgarciafidalgo.com/event/mostra-sonora-de-sueca-schallfeld-ensemble/
LOCATION:Sueca\, Sueca\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210617T200000
DTEND;TZID=Europe/Paris:20210617T210000
DTSTAMP:20260424T024031
CREATED:20210525T162352Z
LAST-MODIFIED:20210525T164412Z
UID:4062-1623960000-1623963600@myriamgarciafidalgo.com
SUMMARY:[:es]Schallfeld Ensemble - ManiFeste Festival[:en]Schallfeld Ensemble - ManiFeste Festival Paris[:de]Schallfeld Ensemble - ManiFeste Festival Paris[:]
DESCRIPTION:[:es]For its first appearance at ManiFeste\, the Austrian ensemble Schallfeld has chosen to focus on the adventure of the young Italian composer Maurizio Azzan\, who set out on the traces of Ariadne. She who helped Theseus to destroy the Minotaur\, embodies sleeping beauty\, abandonment and solitude on her island\, perplexity and doubt\, all mythological and contemporary attributes. An intimate voice diffracted in the audience\, the non-linear narration conceived by librettist Daniele Bellomi\, Ariadne embodies wandering more than a marked path. From Ariadne to Beat Furrer’s Aria\, a family history emerges that explores dramaturgy in space and the constant ambiguity between instrumental and vocal. Between these two universes\, the young composer Rachel Beja experiments with a new kind of music: strings\, electronics\, and the beating of a Daf\, a large drum from the Persian tradition. \nAnna Piroli soprano\nEnsemble Schallfeld\nLeonhard Garms conductor\nÉtienne Démoulin IRCAM computer-music design \n  \nMaurizio Azzan Ariadne – French premiere\nRachel Beja Frammenti di memoria abolita – premiere 2021\ncommissiond by IRCAM-Centre Pompidou and the Divertimento ensemble with the support of the ULYSSES network\, supported by the European Union’s Creative Europe program\nBeat Furrer Aria \nMore info here[:en]For its first appearance at ManiFeste\, the Austrian ensemble Schallfeld has chosen to focus on the adventure of the young Italian composer Maurizio Azzan\, who set out on the traces of Ariadne. She who helped Theseus to destroy the Minotaur\, embodies sleeping beauty\, abandonment and solitude on her island\, perplexity and doubt\, all mythological and contemporary attributes. An intimate voice diffracted in the audience\, the non-linear narration conceived by librettist Daniele Bellomi\, Ariadne embodies wandering more than a marked path. From Ariadne to Beat Furrer’s Aria\, a family history emerges that explores dramaturgy in space and the constant ambiguity between instrumental and vocal. Between these two universes\, the young composer Rachel Beja experiments with a new kind of music: strings\, electronics\, and the beating of a Daf\, a large drum from the Persian tradition. \nAnna Piroli soprano\nEnsemble Schallfeld\nLeonhard Garms conductor\nÉtienne Démoulin IRCAM computer-music design \n  \nMaurizio Azzan Ariadne – French premiere\nRachel Beja Frammenti di memoria abolita – premiere 2021\ncommissiond by IRCAM-Centre Pompidou and the Divertimento ensemble with the support of the ULYSSES network\, supported by the European Union’s Creative Europe program\nBeat Furrer Aria \n\nMore info here \n\n[:de]For its first appearance at ManiFeste\, the Austrian ensemble Schallfeld has chosen to focus on the adventure of the young Italian composer Maurizio Azzan\, who set out on the traces of Ariadne. She who helped Theseus to destroy the Minotaur\, embodies sleeping beauty\, abandonment and solitude on her island\, perplexity and doubt\, all mythological and contemporary attributes. An intimate voice diffracted in the audience\, the non-linear narration conceived by librettist Daniele Bellomi\, Ariadne embodies wandering more than a marked path. From Ariadne to Beat Furrer’s Aria\, a family history emerges that explores dramaturgy in space and the constant ambiguity between instrumental and vocal. Between these two universes\, the young composer Rachel Beja experiments with a new kind of music: strings\, electronics\, and the beating of a Daf\, a large drum from the Persian tradition. \nAnna Piroli soprano\nEnsemble Schallfeld\nLeonhard Garms conductor\nÉtienne Démoulin IRCAM computer-music design \n  \nMaurizio Azzan Ariadne – French premiere\nRachel Beja Frammenti di memoria abolita – premiere 2021\ncommissiond by IRCAM-Centre Pompidou and the Divertimento ensemble with the support of the ULYSSES network\, supported by the European Union’s Creative Europe program\nBeat Furrer Aria \n\nMore info here \n\n[:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-manifeste-festival-paris/
LOCATION:Théâtre de Gennevilliers\, 41 Av. des Grésillons\, 92230 Gennevilliers\, Paris\, France
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210611T200000
DTEND;TZID=Europe/Paris:20210611T210000
DTSTAMP:20260424T024031
CREATED:20210604T170400Z
LAST-MODIFIED:20210604T170400Z
UID:4092-1623441600-1623445200@myriamgarciafidalgo.com
SUMMARY:VOICE.ONLY: Pas de deux - Helena Sorokina & Myriam Garcia Fidalgo
DESCRIPTION:[:es]In diesem Konzert verschmelzen die Klänge eines Violoncellos mit jenen einer Stimme\, wobei das Paradoxon zwischen dem instrumentalen Klang einer menschlichen Stimme und dem gesangsähnlichen Sound eines Cellos\, des „menschlichsten“ aller Instrumente\, dazu einlädt\, zeitgenössische Werke neu zu entdecken. Die Mezzosopranistin Helena Sorokina\, Altistin des Grazer Vokalensembles Cantando Admont\, und Myriam Garcia Fidalgo\, Cellistin des in Graz beheimateten Schallfeld Ensembles präsentieren ihre Sammlung an Gesangs- und Spieltechniken anhand sorgsam ausgewählter Werke von u.a. Morton Feldman\, Younghi Pagh-Paan und Onutė Narbutaitė und drei neuer Werke von Pablo Ortiz\, Josiah Catalan\, Max Roomsky und Jeeyoung Yoo. Mal vereinen sich beide Stimmen zu einer kaum voneinander unterscheidbaren Symbiose\, mal wetteifern sie klar und virtuos um die Gunst des Publikums. Diese persönliche Kollektion zeitgenössischen Repertoires für diese ungewöhnliche\, reduzierte\, doch harmonische Besetzung zeigt die verschiedensten Soundfarben und Vielfältigkeit der klanglichen Möglichkeiten einer Alt- und einer Cello-Stimme in einem stimmungsvollen Aufführungsort mit außergewöhnlicher Akustik.\n#\nEintritt – freie Spende\n#\nDas Konzert findet unter Einhaltung der verordneten Covid-19 Maßnahmen statt!\n#\nUm Voranmeldung wird gebeten:\nstimmkubator@gmail.com\n#\nMit freundlicher Unterstützung von:\nKulturverein StimmKubator\, Land Steiermark A9 – Kultur\, Europa\, Sport\, Bundesministerium für Kunst\, Kultur\, öffentlichen Dienst und Sport\, Stadt Graz Kultur\, Steiermärkische Sparkasse\, Grazer Wechselseitige\, SKE Fonds\, Katholische Hochschulgemeinde Graz\, Kulturverein Achteck und Musik in Krumegg[:en]In diesem Konzert verschmelzen die Klänge eines Violoncellos mit jenen einer Stimme\, wobei das Paradoxon zwischen dem instrumentalen Klang einer menschlichen Stimme und dem gesangsähnlichen Sound eines Cellos\, des „menschlichsten“ aller Instrumente\, dazu einlädt\, zeitgenössische Werke neu zu entdecken. Die Mezzosopranistin Helena Sorokina\, Altistin des Grazer Vokalensembles Cantando Admont\, und Myriam Garcia Fidalgo\, Cellistin des in Graz beheimateten Schallfeld Ensembles präsentieren ihre Sammlung an Gesangs- und Spieltechniken anhand sorgsam ausgewählter Werke von u.a. Morton Feldman\, Younghi Pagh-Paan und Onutė Narbutaitė und drei neuer Werke von Pablo Ortiz\, Josiah Catalan\, Max Roomsky und Jeeyoung Yoo. Mal vereinen sich beide Stimmen zu einer kaum voneinander unterscheidbaren Symbiose\, mal wetteifern sie klar und virtuos um die Gunst des Publikums. Diese persönliche Kollektion zeitgenössischen Repertoires für diese ungewöhnliche\, reduzierte\, doch harmonische Besetzung zeigt die verschiedensten Soundfarben und Vielfältigkeit der klanglichen Möglichkeiten einer Alt- und einer Cello-Stimme in einem stimmungsvollen Aufführungsort mit außergewöhnlicher Akustik.\n#\nEintritt – freie Spende\n#\nDas Konzert findet unter Einhaltung der verordneten Covid-19 Maßnahmen statt!\n#\nUm Voranmeldung wird gebeten:\nstimmkubator@gmail.com\n#\nMit freundlicher Unterstützung von:\nKulturverein StimmKubator\, Land Steiermark A9 – Kultur\, Europa\, Sport\, Bundesministerium für Kunst\, Kultur\, öffentlichen Dienst und Sport\, Stadt Graz Kultur\, Steiermärkische Sparkasse\, Grazer Wechselseitige\, SKE Fonds\, Katholische Hochschulgemeinde Graz\, Kulturverein Achteck und Musik in Krumegg[:de]In diesem Konzert verschmelzen die Klänge eines Violoncellos mit jenen einer Stimme\, wobei das Paradoxon zwischen dem instrumentalen Klang einer menschlichen Stimme und dem gesangsähnlichen Sound eines Cellos\, des „menschlichsten“ aller Instrumente\, dazu einlädt\, zeitgenössische Werke neu zu entdecken. Die Mezzosopranistin Helena Sorokina\, Altistin des Grazer Vokalensembles Cantando Admont\, und Myriam Garcia Fidalgo\, Cellistin des in Graz beheimateten Schallfeld Ensembles präsentieren ihre Sammlung an Gesangs- und Spieltechniken anhand sorgsam ausgewählter Werke von u.a. Morton Feldman\, Younghi Pagh-Paan und Onutė Narbutaitė und drei neuer Werke von Pablo Ortiz\, Josiah Catalan\, Max Roomsky und Jeeyoung Yoo. Mal vereinen sich beide Stimmen zu einer kaum voneinander unterscheidbaren Symbiose\, mal wetteifern sie klar und virtuos um die Gunst des Publikums. Diese persönliche Kollektion zeitgenössischen Repertoires für diese ungewöhnliche\, reduzierte\, doch harmonische Besetzung zeigt die verschiedensten Soundfarben und Vielfältigkeit der klanglichen Möglichkeiten einer Alt- und einer Cello-Stimme in einem stimmungsvollen Aufführungsort mit außergewöhnlicher Akustik. \n#\nEintritt – freie Spende\n#\nDas Konzert findet unter Einhaltung der verordneten Covid-19 Maßnahmen statt!\n#\nUm Voranmeldung wird gebeten:\nstimmkubator@gmail.com\n#\nMit freundlicher Unterstützung von:\nKulturverein StimmKubator\, Land Steiermark A9 – Kultur\, Europa\, Sport\, Bundesministerium für Kunst\, Kultur\, öffentlichen Dienst und Sport\, Stadt Graz Kultur\, Steiermärkische Sparkasse\, Grazer Wechselseitige\, SKE Fonds\, Katholische Hochschulgemeinde Graz\, Kulturverein Achteck und Musik in Krumegg[:]
URL:https://myriamgarciafidalgo.com/event/voice-only-pas-de-deux-helena-sorokina-myriam-garcia-fidalgo/
LOCATION:Kirche St. Andrä\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210518
DTEND;VALUE=DATE:20210519
DTSTAMP:20260424T024031
CREATED:20210126T185203Z
LAST-MODIFIED:20210126T185203Z
UID:3722-1621296000-1621382399@myriamgarciafidalgo.com
SUMMARY:Ariadne - Schallfeld Ensemble
DESCRIPTION:ARIADNE\nmonodrama-installationfor voice\, five performers\, sound objects and electronics\n\nlibretto by Daniele Bellomi \nmusic by Maurizio Azzan \n  \n\nCommissioned by Schallfeld Ensemble\, financed by the    \n \n  \nTheseus isn’t cruel because he leaves Ariadne. \n[…]\nNo\, Theseus is cruel because he leaves Ariadne in the island of Naxos. \n[…] \nJust a beach lashed by thundering waves\, \nan abstract place where only the seaweed moves. \nIt is the island where no one lives\, \nthe place where obsession turns round \nand round on itself\, with no way out. A constant \nflaunting of death. This is a place of the soul. \n(R. Calasso\, The Marriage of Cadmus and Harmony) \n  \nAriadne is a story of absence ad abandon. A woman marooned on a desert island tries to reassemble the pieces of her life\, marred by the abuses of men who egoistically took her\, used her and then disposed of her or carried her away without any regard\, treating her as a mere object. Fragmented memories emerge out of a dense fog where different versions of the myth blur together\, although the only constant is Ariadne’s unheard voice beneath the gods careless eyes. The protagonist\, as a final effort to escape her condition\, attempts to find her true self again\, in order to retrace a truth that in spite of all other versions might lead her to the end of her sufferings. \nAriadne is a monodrama for voice\, spatialized instruments and electronics\, thought of as a sort of immersive installation\, which starts even before the entering of the audience in the hall\, thus making so that the space of the performance\, instruments\, voice and public itself become all an active participant of the setup\, almost symbolically. From space\, which widens all the way to the foyer and its clatter\, to the piano\, which echoes the processed voice and its dialogue with the rest of the instruments\, scattered across the hall like rocks in the sea\, up to the public\, at once water that surrounds Ariadne and careless eyes of the gods that observe her pain. \nThe very same moment in which the audience enters the hall\, music starts to gradually take shape\, transforming the background noises in sound through live electronics in a process that blurs the boundaries between performance and audience by making the latter an active element of the setup. \n\n         
URL:https://myriamgarciafidalgo.com/event/ariadne-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210510
DTEND;VALUE=DATE:20210511
DTSTAMP:20260424T024031
CREATED:20210419T102622Z
LAST-MODIFIED:20210419T102622Z
UID:3928-1620604800-1620691199@myriamgarciafidalgo.com
SUMMARY:Ensems Festival - Schallfeld Ensemble
DESCRIPTION:MAAT – ME (2020) Pierluigi Billone (1960) 30′ Premiere \nCommissioned by Schallfeld\, funded by the Ernst von Siemens Music Foundation \nFIGURE / ICONOSONICS 1 (2009) Clemens Gadenstätter (1966) 30′
URL:https://myriamgarciafidalgo.com/event/ensems-festival-schallfeld-ensemble/
LOCATION:Palau de les Arts\, Valencia\, Valencia\, Spain
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210217
DTEND;VALUE=DATE:20210302
DTSTAMP:20260424T024031
CREATED:20200627T165633Z
LAST-MODIFIED:20210126T185340Z
UID:3438-1613520000-1614643199@myriamgarciafidalgo.com
SUMMARY:[:es]CANCELLED - Impuls Festival and academy - Schallfeld Ensemble[:en]CANCELLED - Impuls Festival and academy - Schallfeld Ensemble[:de]CANCELLED - Impuls Festival and academy - Schallfeld Ensemble [:]
DESCRIPTION:More info coming soon \nhttp://www.impuls.cc/en/academy-2021/tutors/ensemble-schallfeld.html
URL:https://myriamgarciafidalgo.com/event/impuls-festival-and-academy-schallfeld-ensemble/
LOCATION:Graz\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20201214T190000
DTEND;TZID=Europe/Paris:20201214T203000
DTSTAMP:20260424T024031
CREATED:20191217T202223Z
LAST-MODIFIED:20200920T061402Z
UID:3279-1607972400-1607977800@myriamgarciafidalgo.com
SUMMARY:CANCELLED Schallfeld Ensemble - Music current Dublin
DESCRIPTION:Marko Ciciliani – Tympanic Touch\nMarko Ciciliani – Stück for Monomi\nMarko Ciciliani – Time machine\nDavide Gagliardi – Traces of indivisible\nChristof Ressi – GIF frenzy – Trio Version
URL:https://myriamgarciafidalgo.com/event/music-current-dublin/
LOCATION:Project Arts Centre\, Dublin
END:VEVENT
END:VCALENDAR