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DTSTART;TZID=Europe/Paris:20221206T193000
DTEND;TZID=Europe/Paris:20221206T203000
DTSTAMP:20260424T010157
CREATED:20220823T074856Z
LAST-MODIFIED:20220823T074856Z
UID:5722-1670355000-1670358600@myriamgarciafidalgo.com
SUMMARY:Beyond Pleasure - Schallfeld Ensemble
DESCRIPTION:[:es]A one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud’s theory of the “death drive” described in his book Beyond the Pleasure Principle. \n\nJonatan Sersam (SWE) | Konzept\, Text\, Komposition\, Performance \nAnna-Karin Rasmusson (SWE) | Videokunst \nmit Schallfeld Ensemble \n\n[:en]A one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud’s theory of the “death drive” described in his book Beyond the Pleasure Principle. \n\nJonatan Sersam (SWE) | Konzept\, Text\, Komposition\, Performance \nAnna-Karin Rasmusson (SWE) | Videokunst \nmit Schallfeld Ensemble \n\n[:de]Ein einaktiges Monodrama für einen Solodarsteller mit drei MusikerInnen. Die Inspiration stammt von Freuds Theorie des “Todestriebes”\, die in seinem Buch Jenseits des Lustprinzips beschrieben wird. \n\nJonatan Sersam (SWE) | Konzept\, Text\, Komposition\, Performance \nAnna-Karin Rasmusson (SWE) | Videokunst \nmit Schallfeld Ensemble \n\n[:]
URL:https://myriamgarciafidalgo.com/event/beyond-pleasure-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221201T200000
DTEND;TZID=Europe/Paris:20221201T210000
DTSTAMP:20260424T010157
CREATED:20221118T175443Z
LAST-MODIFIED:20221118T183504Z
UID:5986-1669924800-1669928400@myriamgarciafidalgo.com
SUMMARY:Ensemble Chromoson - Eppan
DESCRIPTION:[:es]Portrait concert Manuel Zwerger[:en]Portrait concert Manuel Zwerger \n [:de]Portrait concert Manuel Zwerger[:]
URL:https://myriamgarciafidalgo.com/event/ensemble-chromoson-eppan/
LOCATION:Lanserhaus\, Eppan\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221124T200000
DTEND;TZID=Europe/Paris:20221124T200000
DTSTAMP:20260424T010157
CREATED:20220926T120354Z
LAST-MODIFIED:20220926T120523Z
UID:5808-1669320000-1669320000@myriamgarciafidalgo.com
SUMMARY:Crossroads Festival - Names Ensemble
DESCRIPTION:Solitär\, Universität Mozarteum \nEnsemble NAMES (AT) \nWerke von | Works by: Anton Lindström\, Damian Gorandi\, Luca Guidarini\, Tianyu Zou
URL:https://myriamgarciafidalgo.com/event/crossroads-festival-names-ensemble/
LOCATION:Mozarteum Salzburg\, Universität Mozarteum\, Solitär\, Mirabellplatz 1\, Salzburg\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221109
DTEND;VALUE=DATE:20221110
DTSTAMP:20260424T010157
CREATED:20220823T155517Z
LAST-MODIFIED:20221107T192625Z
UID:5725-1667952000-1668038399@myriamgarciafidalgo.com
SUMMARY:The new normal - Schallfeld Ensemble
DESCRIPTION:[:es]William Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months. \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers. \nFree entry\, ticket reservation under office@schallfeldensemble.com.[:en]William Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months. \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers. \nFree entry\, ticket reservation under office@schallfeldensemble.com.[:de]William Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAls wir Ende 2021 unsere Saison 2022 konzipiert hatten\, wollten wir in unseren Projekten optimistisch\, wenn auch nicht unkritisch\, den Folgen von zwei Jahren Pandemie nachspüren\, die unser Leben und die Art\, wie wir Musik gemeinsam erleben\, verändert haben. \nSeit Februar 2022 haben Krieg und darauf folgende eskalierende Krisen in der Welt vielen Themen wie „Zerfall / Debris“ und „Nähe“ eine neue und unerwartete Wendung gegeben. \nDadurch ist das Motto dieses Konzerts\, „The New Normal“\, wahrscheinlich noch drängender und aktueller geworden als zuvor: wo und wie konstituieren wir Normalität in einer Welt\, die sich in unvorhergesehenen Wandlungsprozessen befindet? Das titelgebende Stück „the new normal“ von William Dougherty konfrontiert uns mit der Frage nach sozialer Ungleichheit (auf der ganzen Welt wie auch im Heimatland des Komponisten\, den USA) und vermittelt dies auf direkte Weise an das Publikum. Dougherty komponiert dazu eine dichte Collage aus ethnomusikologischem Material\, Zitaten aus alter Musik und anderen Samples. Die Frage nach Normen und „common ground truth“ beschäftigt auch die Naturwissenschaft\, wo der Fund neuer Phänomene wie etwa in der Astrophysik ganze Weltmodelle in Frage stellen kann. Ausgehend von scheinbar objektiven wissenschaftlichen Phänomenen (Oxidation und Hybridisierung) führen uns die Werke von Milica Djordjevic und Misato Mochizuki in den Zwiespalt zwischen Stasis und Veränderung\, Vertrautheit und Entfremdung und lassen uns auf emotionale Weise an Transformationsprozessen teilhaben. \nAuch Claudio Panariello (Styrian Artist in Residence 2022) führt uns in seinem Stück „to learn the obscene art of suffering pain“ in ein Zwischenreich. Er reflektiert über innere\, existenzielle Prozesse des Schmerzes und seiner möglichen Narrativität in unserer Gesellschaft. Dazu entwirft er ein akustisches Modell das den „unmöglichen“ antiphonalen Dialog zwischen Innenwelt und Außenwelt simuliert und lässt ein (menschliches) Instrumentalensemble mit seinem unsichtbaren Doppelgänger – einem von Piezomikrofonen und Lautsprechern angetriebenen Rückkopplungssystem – in Kontakt treten. \n  \n„The New Normal“ zeigt die Konfrontation mit dringenden sozio-politischen und existenziellen Themen auf\, die wir während der Pandemie sowie in den letzten Monaten vergessen oder völlig neu kontextualisiert haben\, und führt diese Auseinandersetzung auf musikalischer Ebene. Vielleicht kann uns so das Erlebnis von Unsicherheit im Hören\, das Suchen nach akustischem „common ground“ dabei unterstützen\, der Suche nach neuen Normalitäten in unserem Leben gelassener zu begegnen.[:]
URL:https://myriamgarciafidalgo.com/event/the-new-normal-schallfeld-ensemble/
LOCATION:Next Liberty\, Kaiser-Josef-Platz 10\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221105T200000
DTEND;TZID=Europe/Paris:20221105T210000
DTSTAMP:20260424T010157
CREATED:20220412T101141Z
LAST-MODIFIED:20220412T101435Z
UID:5125-1667678400-1667682000@myriamgarciafidalgo.com
SUMMARY:TEXT IM KLANG #5 - Schallfeld Ensemble
DESCRIPTION:Premieres of impuls composition commissions & Reading\n \nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions.
URL:https://myriamgarciafidalgo.com/event/text-im-klang-5-schallfeld-ensemble/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2111.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221028T080000
DTEND;TZID=Europe/Paris:20221029T170000
DTSTAMP:20260424T010157
CREATED:20220926T121433Z
LAST-MODIFIED:20221107T191608Z
UID:5815-1666944000-1667062800@myriamgarciafidalgo.com
SUMMARY:Leicht über Linz II - Schallfeld Ensemble
DESCRIPTION:Programm\n\n\n\n\nDas Ensemble Schallfeld aus Graz führt an jedem Tag 4 Uraufführungen von Studierenden der ABPU auf. \nSchallfeld ist ein internationales Ensemble für zeitgenössische Musik mit Sitz in Graz. Die Gruppe begeistert durch Virtuosität und Klangsensibilität mit einer besonderen Aufmerksamkeit für KonzerCormate\, die sich mit den jeweiligen räumlichen Gegebenheiten krea)v auseinandersetzen und eine neue Dimension des Hörens eröffnen. Schallfeld wurde 2013 von Alumni des Klangforum Wien gegründet. In der künstlerischen Programmation spiegeln sich die Diversität und Interessen seiner\nMitglieder\, derzeit MusikerInnen aus 8 verschiedenen Ländern\, wieder. Aufmerksamkeit erregt das Ensemble sowohl durch spannende Programmgestaltung mit Fokus auf junge KomponistInnen und innovative Konzert-Inszenierungen. \n\n\n\n\nCost\n\n\n\nEintritt frei
URL:https://myriamgarciafidalgo.com/event/leicht-uber-linz-ii-schallfeld-ensemble/
LOCATION:Anton Bruckner Privatuniversität\, Hagenstraße 57\, Linz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221027T193000
DTEND;TZID=Europe/Paris:20221027T203000
DTSTAMP:20260424T010157
CREATED:20220926T121049Z
LAST-MODIFIED:20220926T121544Z
UID:5812-1666899000-1666902600@myriamgarciafidalgo.com
SUMMARY:Leicht über Linz I - Schallfeld Ensemble
DESCRIPTION:[:es] \nProgramm\n\n\n\n\nDas Ensemble Schallfeld aus Graz führt an jedem Tag 4 Uraufführungen von Studierenden der ABPU auf. \nSchallfeld ist ein internationales Ensemble für zeitgenössische Musik mit Sitz in Graz. Die Gruppe begeistert durch Virtuosität und Klangsensibilität mit einer besonderen Aufmerksamkeit für KonzerCormate\, die sich mit den jeweiligen räumlichen Gegebenheiten krea)v auseinandersetzen und eine neue Dimension des Hörens eröffnen. Schallfeld wurde 2013 von Alumni des Klangforum Wien gegründet. In der künstlerischen Programma)on spiegeln sich die Diversität und Interessen seiner\nMitglieder\, derzeit MusikerInnen aus 8 verschiedenen Ländern\, wieder. Aufmerksamkeit erregt das Ensemble sowohl durch spannende Programmgestaltung mit Fokus auf junge KomponistInnen und innovative Konzert-Inszenierungen. \n\n\n\n\nCost\n\n\n\nEintritt frei\n\n\n\n[:en] \nProgramm\n\n\n\nDas Ensemble Schallfeld aus Graz führt an jedem Tag 4 Uraufführungen von Studierenden der ABPU auf. \nSchallfeld ist ein internationales Ensemble für zeitgenössische Musik mit Sitz in Graz. Die Gruppe begeistert durch Virtuosität und Klangsensibilität mit einer besonderen Aufmerksamkeit für KonzerCormate\, die sich mit den jeweiligen räumlichen Gegebenheiten krea)v auseinandersetzen und eine neue Dimension des Hörens eröffnen. Schallfeld wurde 2013 von Alumni des Klangforum Wien gegründet. In der künstlerischen Programma)on spiegeln sich die Diversität und Interessen seiner\nMitglieder\, derzeit MusikerInnen aus 8 verschiedenen Ländern\, wieder. Aufmerksamkeit erregt das Ensemble sowohl durch spannende Programmgestaltung mit Fokus auf junge KomponistInnen und innovative Konzert-Inszenierungen. \n\n\n\nCost\n\n\n\nEintritt frei\n\n\n\n[:de] \nProgramm\n\n\n\n\nDas Ensemble Schallfeld aus Graz führt an jedem Tag 4 Uraufführungen von Studierenden der ABPU auf. \nSchallfeld ist ein internationales Ensemble für zeitgenössische Musik mit Sitz in Graz. Die Gruppe begeistert durch Virtuosität und Klangsensibilität mit einer besonderen Aufmerksamkeit für KonzerCormate\, die sich mit den jeweiligen räumlichen Gegebenheiten krea)v auseinandersetzen und eine neue Dimension des Hörens eröffnen. Schallfeld wurde 2013 von Alumni des Klangforum Wien gegründet. In der künstlerischen Programma)on spiegeln sich die Diversität und Interessen seiner\nMitglieder\, derzeit MusikerInnen aus 8 verschiedenen Ländern\, wieder. Aufmerksamkeit erregt das Ensemble sowohl durch spannende Programmgestaltung mit Fokus auf junge KomponistInnen und innovative Konzert-Inszenierungen. \n\n\n\n\nCost\n\n\n\nEintritt frei\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/leicht-uber-linz-i-schallfeld-ensemble/
LOCATION:Anton Bruckner Privatuniversität\, Hagenstraße 57\, Linz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221020
DTEND;VALUE=DATE:20221021
DTSTAMP:20260424T010157
CREATED:20220926T115813Z
LAST-MODIFIED:20220926T115813Z
UID:5805-1666224000-1666310399@myriamgarciafidalgo.com
SUMMARY:Intrada Festival - Schallfeld Ensemble
DESCRIPTION:PROGRAM\nBeat Furrer –  Aer \nFrancesco Filidei – Gagliarda \nFrancesco Filidei – Corde Vuote \nJohannes Maria Staud –  Lagrein \n\nMihai Măniceanu – NW\n\nDoina Rotaru – Metamorphosis\n\n\nSCHALLLFELD ENSEMBLE\nSzilárd Benes – clarinets\nPatrick Skrilecz – piano\nLorenzo Derinni – violin\nMyriam Garcia Fidalgo – violoncello\n\nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/intrada-festival-schallfeld-ensemble/
LOCATION:Timisoara\, Timisoara\, Romania
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221014T200000
DTEND;TZID=Europe/Paris:20221014T210000
DTSTAMP:20260424T010157
CREATED:20220926T115107Z
LAST-MODIFIED:20220926T115107Z
UID:5802-1665777600-1665781200@myriamgarciafidalgo.com
SUMMARY:Mixtur - Schallfeld Ensemble
DESCRIPTION:Program\nIn the Presence of Absence (2022)\, Elena Rykova (RU) – 10’* \neros-tans-tngi-ugog-celö-ese (2020)\, Joan Gómez Alemany (ES) 12’ \n//INPUT_PULLUP; (2022)\, Emil Vijgen (DK) – 15’ ** \nBreak Through Capestrano (2022)\, June Young Will Kim(KR) –   3’  (Mixtur Composition Workshop Student) \nMiniature (2022)\, Sara Stevanovic (RS) –   3’  (Mixtur Composition Workshop Student) \n…after (2022)\, Ryan Carraher (US) –   3’  (Mixtur Composition Workshop Student) \nTerritorio interior (2015)\, José María Sánchez-Verdú(ES/DE) – 9’ (Mixtur Workshops Teacher) \n  \nZinajda Kodrič (IT)\, fl / Johannes Feuchter (AT)\, cl / Patrick Skrilecz (AT)\, pn  / Mirko Jevtović (RS)\, ac / Lorenzo Derinni (IT)\, vl / Myriam García Fidalgo (ES)\, vc \nDirector: Leonhard Garms (IT) \nSound Director: Davide Gagliardi (IT) \n  \n* A commission by Festival Mixtur and International Ensemble Modern Academy supported by the European Commission. \n** Festival Klang commission. \nTickets: https://entradium.com/es/events/festival-mixtur-2022/sessions/14-10-2022-20-00 \nSchallfeld Ensemble is one of the young ensembles most recognized in Europe and will perform at Festival Mixtur for the first time. Schallfeld was selected as young ensemble in residence by Ulysses network and will perform in Spain the following premieres: In the presence of absence by Elena Rykova\, INPUT_PullUP by Emil Vijgen and eros-tans-tngi-ugog-celö-esel by Joan Gómez Alemany. The programme will be rounded off by Territorio interior by José María Sánchez-Verdú and three miniatures composed by students from the Composition and Sound Experimentation Workshop Mixtur 2022. \nSchallfeld is a contemporary music ensemble based in Gaz (Austria). The ensemble has attracted the interest of international audiences due to its virtuosity and its refined chamber sound\, as well as their attention to the concert formats that they seek to create a new dimension of listening.\nSchallfeld has participated in festivals such as Wien Modern\, Impuls\, Klangspuren\, Darmstadt\, Afekt (Estonia)\, Romaeuropa\, Signale (Graz) and Daegu Festival (South Korea)\, among others\, and has been ensemble-in-residence in Darmstadt\, Impuls\, California San Diego University and Harvard University.
URL:https://myriamgarciafidalgo.com/event/mixtur-schallfeld-ensemble/
LOCATION:Institut Français Barcelona\, Carrer de Moià\, 8\, 08006\, Barcelona\, Spain
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221008T200000
DTEND;TZID=Europe/Paris:20221008T210000
DTSTAMP:20260424T010157
CREATED:20220818T111755Z
LAST-MODIFIED:20220818T111755Z
UID:5710-1665259200-1665262800@myriamgarciafidalgo.com
SUMMARY:Bludenzer Tage zeitgemäßer Musik  - Schallfeld Ensemble
DESCRIPTION:Programm\nAnqi Liu \nNeues Werk (2022)\, UA\, für Ensemble Auftragswerk der BTZM Kompositionsauftrag gefördert von Ernst von Siemens Musikstiftung \nIsaac Roth Blumfield \n\n\n\n\nNeues Werk (2022)\, UA\, für Ensemble Auftragswerk der BTZM Kompositionsauftrag gefördert von der Ernst von Siemens Musikstiftung \nCathy van Eck \nWings (2007–2008)\nfür 3 Performer und Electronics \nClaudio Panariello \nNeues Werk (2022)\, UA\, für Ensemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark
URL:https://myriamgarciafidalgo.com/event/bludenzer-tage-zeitgemaser-musik-schallfeld-ensemble/
LOCATION:Remise\, Am Raiffeisenplatz 1\, A 6700\, Bludenz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220922T200000
DTEND;TZID=Europe/Paris:20220922T210000
DTSTAMP:20260424T010157
CREATED:20220211T185143Z
LAST-MODIFIED:20220211T185143Z
UID:4939-1663876800-1663880400@myriamgarciafidalgo.com
SUMMARY:VANG Schallfeld Ensemble
DESCRIPTION:VANG #6\nSchallfeld Ensemble will perform in the Vang cicle (Centro Centro\, Madrid) a program for string trio\, with music by Arnold Schönberg\, Francisco Guerrero\, Anna Korsun and a world premiere by Lorenzo Troiani. \nProgram\nArnold Schönberg  \nString trio op. 45 (1946) \nFrancisco Guerrero  \nZayin V (1995) \nAnna Korsun \nSottilissime (2019)  \nLorenzo Troiani \nToccare. L’abisso che dunque sono (2022) * \n*World Premiere \n  \n\nSchallfeld Ensemble:\nLorenzo Derinni: violin \nFrancesca Piccioni: viola \nMyriam García Fidalgo: cello \n 
URL:https://myriamgarciafidalgo.com/event/vang-schallfeld-ensemble/
LOCATION:Centro Centro\, Plaza de Cibeles 1\, Madrid\, España
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/02/73A_CentroCentro_INTEGR._11_-850x596-web_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220920T193000
DTEND;TZID=Europe/Paris:20220920T210000
DTSTAMP:20260424T010157
CREATED:20220818T120557Z
LAST-MODIFIED:20220818T120800Z
UID:5713-1663702200-1663707600@myriamgarciafidalgo.com
SUMMARY:Warsaw Autumn
DESCRIPTION:Manuel Alcaraz Clemente percussion solo\nSCHALLFELD ENSEMBLE:\nElisa Azzarà flute\nSzilárd Benes clarinet\nMatej Bunderla saxophone\nStefan Obmann trombone\nPatrick Skrilecz piano\nHannes Schöggl percussion\nLorenzo Derinni violin\nMyriam García Fidalgo cello\nMargarethe Maierhofer-Lischka double bass\nLeonhard Garms conductor \nPierluigi Billone MAAT ME *\nintermission\nDominik Karski The Unknowable ** (Warsaw Autumn commission)\nAnna Korsun Spleen *\nFranck Bedrossian It * \n** first performance\n* first Polish performance
URL:https://myriamgarciafidalgo.com/event/warsaw-autumn/
LOCATION:Fryderyk Chopin University of Music\, Okólnik 2\, Warsaw\, Poland
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220711T200000
DTEND;TZID=Europe/Paris:20220711T210000
DTSTAMP:20260424T010157
CREATED:20220616T170219Z
LAST-MODIFIED:20220616T170219Z
UID:5594-1657569600-1657573200@myriamgarciafidalgo.com
SUMMARY:Time of music II: Systema Naturae
DESCRIPTION:Schallfeld Ensemble  \nMauro Lanza & Andrea Valle: Systema Naturae \n*** \nPart of the Ulysses project co-funded by Creative Europe.
URL:https://myriamgarciafidalgo.com/event/time-of-music-ii-systema-naturae/
LOCATION:Viitasaari Arena\, Urheilutie 9\, 44500\, Viitasaari\, Finland
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2022/06/1024682-mundi-novi-new-worlds-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220710T170000
DTEND;TZID=Europe/Paris:20220710T180000
DTSTAMP:20260424T010157
CREATED:20220616T163654Z
LAST-MODIFIED:20220616T164354Z
UID:5590-1657472400-1657476000@myriamgarciafidalgo.com
SUMMARY:Time of music I
DESCRIPTION:Composer course final concert I\nParish Hall | Free entrance \nSchallfeld Ensemble \nInternational Ensemble Modern Academy \nTímea Hvozdíková\nLi He\nMathias Schmidhammer\nZhuosheng Jin\nMatteo Gualandi\nÞorkell Nordal\nJinwook Jung \n(premieres)\n*** \nPart of the Ulysses project co-funded by Creative Europe
URL:https://myriamgarciafidalgo.com/event/time-of-music-i/
LOCATION:Parish Hall\, Pappilantie 6\, 44500\, Viitasaari\, Finland
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2022/06/1024682-mundi-novi-new-worlds-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220613T200000
DTEND;TZID=Europe/Paris:20220613T210000
DTSTAMP:20260424T010157
CREATED:20220412T100015Z
LAST-MODIFIED:20220412T100046Z
UID:5120-1655150400-1655154000@myriamgarciafidalgo.com
SUMMARY:KLANG - Schallfeld Ensemble
DESCRIPTION:KLANG-Festival is the largest\, international festival for contemporary musik in Denmark. Since 2009\, KLANG has been a permanent bastion in Danish cultural life. Every year\, KLANG is visited by thousands of audiences\, volunteers\, artists and other interested people who share the fascination for contemporary music. \nPROGRAMM\nElena Rykova: New Work (World Premiere)\nJoan Gómez Alemany: eros-tans-tngi-ugog-celö-esel\nSantiago Díez Fischer: New Work\nEmil Vijgen: //INPUT_PULLUP; (World Premiere)\nClara Iannotta: the people here go mad…
URL:https://myriamgarciafidalgo.com/event/deutsch-klang-schallfeld-ensemble/
LOCATION:Koncertkirken\, Blågårds Pl. 6A 2200\, Kopenhagen\, Denmark
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/Captura-de-pantalla-2022-04-07-a-las-10.58.24.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220525T200000
DTEND;TZID=Europe/Paris:20220525T213000
DTSTAMP:20260424T010157
CREATED:20220412T094932Z
LAST-MODIFIED:20220412T094932Z
UID:5116-1653508800-1653514200@myriamgarciafidalgo.com
SUMMARY:Nahe - Schallfeld Ensemble
DESCRIPTION:Pedro Berardinelli – NW\nErik Oña – Alles Nahe werde fern\nGerard Pesson\, Carmagnole\nWojtek Blecharz\, Small Talks\nEsaias Järnegard\, Y
URL:https://myriamgarciafidalgo.com/event/nahe-schallfeld-ensemble/
LOCATION:Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220422T193000
DTEND;TZID=Europe/Paris:20220422T203000
DTSTAMP:20260424T010157
CREATED:20210604T171405Z
LAST-MODIFIED:20210604T171405Z
UID:4095-1650655800-1650659400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Wiener Konzerthaus
DESCRIPTION:Stylianos Dimou – Les instances (Fassung für Oktett) (2019–2020) (UA) \nPanayiotis Kokoras – Asphyxia (2016) (EA) \nTheocharis Papatrechas – mitos (2021–2022) (UA) \nZesses Seglias – Conversations VII (2020) (UA) Kompositionsauftrag von Schallfeld und Wiener Konzerthaus \nGeorgia Koumará – Boojums & Bandersnatches (2019–2020) (UA) – Kompositionsauftrag von Schallfeld und Wiener Konzerthaus
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-wiener-konzerthaus/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220330T193000
DTEND;TZID=Europe/Paris:20220330T210000
DTSTAMP:20260424T010157
CREATED:20211230T201238Z
LAST-MODIFIED:20220211T183450Z
UID:4809-1648668600-1648674000@myriamgarciafidalgo.com
SUMMARY:HIER & JETZT - Schallfeld Ensemble
DESCRIPTION:[:es] \n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n[:en] \n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n[:de]Carola Bauckholt und ihre Schüler*innen \nWie klingt die Gegenwart? Auch die Saison 2021/22 geht in den Konzerten der Reihe Hier & Jetzt dieser Frage nach und zeigt dabei nicht zuletzt\, wie wichtig das Lehrer*innen-Schüler*innen-Verhältnis bis heute ist. Hörend nachvollziehen lässt sich das etwa im Rahmen des Eröffnungskonzerts des Festivals Leicht über Linz bei den Schüler*innen von Carola Bauckholt\, der vielfach ausgezeichneten Komponistin und Professorin für Komposition an der Anton Bruckner Privatuniversität. Acht Studierende aus sieben Nationen präsentieren mit tatkräftiger Unterstützung des Grazer Schallfeld Ensembles\, das als Botschafter für die zeitgenössische Musik international geschätzt wird\, ein wahres Füllhorn an Uraufführungen. Mehr und klangvollere Gegenwart war selten im Brucknerhaus Linz! \nEröffnungskonzert des Festivals Leicht über Linz \nPROGRAMM\n\n\n\n\n\n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/hier-jetzt-schallfeld-ensemble/
LOCATION:Brucknerhaus Linz\, Untere Donaulände 7 4010\, Linz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220308T080000
DTEND;TZID=Europe/Paris:20220308T170000
DTSTAMP:20260424T010157
CREATED:20220308T194525Z
LAST-MODIFIED:20220308T194525Z
UID:4997-1646726400-1646758800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble: Text im Klang #5
DESCRIPTION:[:es] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n\nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:en] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n  \nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:de] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n  \nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:]
URL:https://myriamgarciafidalgo.com/event/text-im-klang-schallfeld/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/03/C0A2133.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220305T200000
DTEND;TZID=Europe/Paris:20220305T210000
DTSTAMP:20260424T010157
CREATED:20220224T155526Z
LAST-MODIFIED:20220224T155526Z
UID:4967-1646510400-1646514000@myriamgarciafidalgo.com
SUMMARY:Debris - Schallfeld Ensemble
DESCRIPTION:Das Ensemble Schallfeld widmet den ersten Abend des Konzertzyklus 2022 den offenen Fragen und ungelösten Problemen\, dem Kaputten und Unfertigen\, das uns alle trotz guter Vorsätze zum Jahresbeginn verfolgt. In welchem Zustand sind wir jetzt\, was bleibt von der letzen zwei Jahren Pandemie? Alles kaputt oder alles neu? In den musikalischen Beiträgen dieses Konzertabends hören\, spüren und schauen wir hinein in Ruinen\, wir sehen leere Stühle\, Monoliten und Fragmente\, die oft an die Grenzen der Wahrnehmbarkeit rühren oder deren Zerbrechlichkeit neue Formen der Aufmerksamkeit von uns verlangt. Kein Abend zum Aufatmen und Ausruhen\, aber vielleicht eine Art Neubeginn. \nEs erklingt Musik von Patricia Alessandrini\, Cathy van Eck\, Andrés Gutiérrez\, Hannes Kerschbaumer\, Dmitri Kourliandski und Salvatore Sciarrino. \nPROGRAMM \nCathy van Eck: Empty Chairs (ÖEA)\nAndres Gutiérrez: Monolito B (ÖEA)\nDmitri Kourliandsky: Punctuation Marks\nHannes Kerschbaumer: pedra-debris Expanded version II Salvatore Sciarrino: Codex Purpureus \nPatricia Alessandrini: Ada’s Song (ÖEA) \nSoprano: Kaoko Amano
URL:https://myriamgarciafidalgo.com/event/debris-schallfeld-ensemble/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/02/flyerdebris.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220228T193000
DTEND;TZID=Europe/Paris:20220228T203000
DTSTAMP:20260424T010157
CREATED:20220301T140141Z
LAST-MODIFIED:20220301T140141Z
UID:4978-1646076600-1646080200@myriamgarciafidalgo.com
SUMMARY:Crossing Lines - Vienna
DESCRIPTION:[:es] \nSalvatore Sciarrino \nLet me die before I wake (1982) \nDaniel Apodaka \nCristalli di ghiaccio (2018) (EA) \nSalvatore Sciarrino \nUltime rose (Vanitas) (1981) \nPablo Carrascosa \nPrelude to darkness (2017) (EA) \nSalvatore Sciarrino \nIl giardino di Sara (2008) \n[:en] \nSalvatore Sciarrino \nLet me die before I wake (1982) \nDaniel Apodaka \nCristalli di ghiaccio (2018) (EA) \nSalvatore Sciarrino \nUltime rose (Vanitas) (1981) \nPablo Carrascosa \nPrelude to darkness (2017) (EA) \nSalvatore Sciarrino \nIl giardino di Sara (2008) \n[:de]Program: \nSalvatore Sciarrino \nLet me die before I wake (1982) \nDaniel Apodaka \nCristalli di ghiaccio (2018) (EA) \nSalvatore Sciarrino \nUltime rose (Vanitas) (1981) \nPablo Carrascosa \nPrelude to darkness (2017) (EA) \nSalvatore Sciarrino \nIl giardino di Sara (2008) \n[:]
URL:https://myriamgarciafidalgo.com/event/crossing-lines-vienna/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220222T203000
DTEND;TZID=Europe/Paris:20220222T213000
DTSTAMP:20260424T010157
CREATED:20220211T185719Z
LAST-MODIFIED:20220211T185719Z
UID:4942-1645561800-1645565400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble Milan
DESCRIPTION:The ULYSSES network selected Schallfeld as one of Europe’s best Young Ensembles and offered the group the opportunity to tour the venues of some of its partners. \nRachel Beja (1984)\, Frammenti di memoria abolita per strumenti ed elettronica* (2021) \nZeno Baldi (1988)\, Fondali (2019) \nDiana Soh (1984)\, Of Smaller Things (2020) \nSylvain Marty (nn)\, Discreet (2018) \nAgostino Di Scipio (1962)\, Texture multiple (1993-2005) \n* commissioned by Divertimento Ensemble and IRCAM\, endorsed by ULYSSES Network
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-milan-2/
LOCATION:Sala Donatoni\, Via Procaccini 4\, Milan\, Italy
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/02/C0A2319-e1759663518945.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220201
DTEND;VALUE=DATE:20220202
DTSTAMP:20260424T010157
CREATED:20211230T215404Z
LAST-MODIFIED:20211230T215404Z
UID:4815-1643673600-1643759999@myriamgarciafidalgo.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES – Vienna
DESCRIPTION:In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. The central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice \nLili M. Rampre (DE/BE) | Choreografie\, Movement \nConny Zenk (AT) | Light architecture \nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \nMore details coming soon!
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-vienna/
LOCATION:Brick5\, Fünfhausgasse 5\, Wien
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2021/12/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220131T200000
DTEND;TZID=Europe/Paris:20220131T210000
DTSTAMP:20260424T010157
CREATED:20211230T215003Z
LAST-MODIFIED:20211230T215003Z
UID:4812-1643659200-1643662800@myriamgarciafidalgo.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES - Schallfeld Ensemble
DESCRIPTION:[:es]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:en]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:de]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:]
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2021/12/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211218T200000
DTEND;TZID=Europe/Paris:20211218T213000
DTSTAMP:20260424T010157
CREATED:20211017T152636Z
LAST-MODIFIED:20211017T152636Z
UID:4566-1639857600-1639863000@myriamgarciafidalgo.com
SUMMARY:Attentional Disorders - Schallfeld Ensemble
DESCRIPTION:Santiago Díez Fischer –  Moving as not moving \nKatharina Rosenberger – Blur \nAndreas Eduardo Frank – Noise is a common sound \nFausto Romitelli – Blood on the floor\, painting 1986
URL:https://myriamgarciafidalgo.com/event/attentional-disorders-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211214
DTEND;VALUE=DATE:20211215
DTSTAMP:20260424T010157
CREATED:20210906T172325Z
LAST-MODIFIED:20210906T172325Z
UID:4397-1639440000-1639526399@myriamgarciafidalgo.com
SUMMARY:NOW - Schallfeld Ensemble
DESCRIPTION:  \nYoav Levi Time Islands UA: sax\, percussion\, cello\, electronic \nFrederick Neyrinck – NW Saxophon\, Akkordeon und Schlagwerk UA \nZeno Baldi – Glaskörper für  Saxophon\, Akkordeon und Schlagwerk UA \nPedro Berardinelli –  “Contra” für Akkordeon (12’)
URL:https://myriamgarciafidalgo.com/event/now-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211127T193000
DTEND;TZID=Europe/Paris:20211127T203000
DTSTAMP:20260424T010157
CREATED:20210906T094626Z
LAST-MODIFIED:20210906T094626Z
UID:4391-1638041400-1638045000@myriamgarciafidalgo.com
SUMMARY:Leicht über Linz - Schallfeld Ensemble
DESCRIPTION:[:es] \n\n\n\n\n\n\nPROGRAMM \n  \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\n\n\n\n\n[:en] \n\n\n\n\n\n\nPROGRAM \n  \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\n\n\n\n\n[:de] \n\n\n\n\n\n\nPROGRAMM \n  \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/leicht-uber-linz-schallfeld-ensemble-2/
LOCATION:Brucknerhaus Linz\, Untere Donaulände 7 4010\, Linz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211106T200000
DTEND;TZID=Europe/Paris:20211106T213000
DTSTAMP:20260424T010157
CREATED:20211017T151918Z
LAST-MODIFIED:20211017T151918Z
UID:4564-1636228800-1636234200@myriamgarciafidalgo.com
SUMMARY:Self-Portraits in Imaginary Places – Ljubljana
DESCRIPTION:Self-Portraits in Imaginary Places is a scenic musical work for a female singer/performer\, ensemble\, electronics\, movement\, video and light\, which was awarded with the Theodor Körner Förderpreis 2020. \nCreative team\nAleksandra Bajde | concept\, composition\, voice\nLili M. Rampre | choreography\, movement\nConny Zenk | light architecture \nin collaboration with \nIsabella Forciniti | electronics\, modular synthesizers\nSchallfeld Ensemble \nIn cooperation with International Society for Contemporary Music-Austrian Section\, NOW! Oper der Gegenwart\, Cankarjev dom\, REAKTOR and Festival City of Women\nSupported by the Federal Ministry for Arts\, Culture\, Civil Service and Sport\, City of Vienna\, Theodor Körner Fonds\, SKE\, State of Styria\, City of Graz\, LSG and GFÖM.
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-ljubljana/
LOCATION:Cankarjev Dom\, Prešernova cesta 10\, Ljubljana
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211104T190000
DTEND;TZID=Europe/Paris:20211104T200000
DTSTAMP:20260424T010157
CREATED:20211017T151252Z
LAST-MODIFIED:20211017T151252Z
UID:4561-1636052400-1636056000@myriamgarciafidalgo.com
SUMMARY:Wien Modern - Schallfeld Ensemble
DESCRIPTION:[:es] \nPierluigi Billone: MAAT ME (2020) – 30′ \n(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:en] \nPierluigi Billone: MAAT ME (2020) – 30′(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:de] \nPierluigi Billone: MAAT ME (2020) – 30′ \n(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:]
URL:https://myriamgarciafidalgo.com/event/wien-modern-schallfeld-ensemble-3/
LOCATION:Reaktor\, Geblergasse 36-40\, Wien\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211102
DTEND;VALUE=DATE:20211103
DTSTAMP:20260424T010157
CREATED:20210906T094934Z
LAST-MODIFIED:20211017T152905Z
UID:4394-1635811200-1635897599@myriamgarciafidalgo.com
SUMMARY:Hot - Schallfeld Ensemble
DESCRIPTION:Diana Soh – of smaller things UA \nFranco Donatoni: Hot \nTomoya Yokokawa – Hi Hu Mi \nR. Saunders – Fury II \n  \nFree entry. Reservations under office (@) schallfeldensemble.com
URL:https://myriamgarciafidalgo.com/event/hot-schallfeld-ensemble/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
END:VEVENT
END:VCALENDAR