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DTSTART;TZID=Europe/Vienna:20261003T130000
DTEND;TZID=Europe/Vienna:20261003T130000
DTSTAMP:20260423T164050
CREATED:20260331T163724Z
LAST-MODIFIED:20260331T163819Z
UID:30535-1791032400-1791032400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Voices of Today
DESCRIPTION:Programme\n\n\n\nPATRICIA ALESSANDRINI (b. 1970) A place no one lives for soprano and ensemble (an extended version for live performance) (world première) [1] \n\n\n\nBEAT FURRER (b. 1954) Aria for soprano and six instruments \n\n\n\nEDA ER (b. 1989) Happily Ever After \n\n\n\nPATRICIA ALESSANDRINI New commission (for 2 sopranos and ensemble) (world première) [1] \n\n\n\n[1] Commissioned by Wigmore Hall (with the generous support of the Marchus Trust and the Wigmore Hall Endowment Fund) \n\n\n\n\n\n\n\nOverview\n\n\n\nPatricia Alessandrini’s intricate sound sculptures encompass a seemingly unlimited range of tonal colours and textures\, both acoustic and electronic. The American composer and sound artist\, whose teachers include Tristan Murail and Thea Musgrave\, received praise from Gramophone for ‘her formidably disciplined manipulation of febrile emotions’. Her captivating art\, including a major new composition\, is complemented by the restless energy of Beat Furrer’s Aria from 1998-9.
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-voices-of-today/
LOCATION:Wigmore Hall\, 36 Wigmore Hall\, London\, United Kingdom
CATEGORIES:Schallfeld Ensemble
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261016T193000
DTEND;TZID=Europe/Vienna:20261016T210000
DTSTAMP:20260423T164050
CREATED:20251005T091332Z
LAST-MODIFIED:20251005T091333Z
UID:30093-1792179000-1792184400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Text im Klang #7
DESCRIPTION:Klaus Kastberger Introduction to the work of Friederike Mayröcker \n\n\n\nLuca Bardelle New Work (2026\, world premiere) \n\n\n\nForrest Moody New Work (2026\, world premiere) \n\n\n\nDilay Doğanay New Work (2026\, world premiere) \n\n\n\nJoanna Wozny New Work (2026\, world premiere) \n\n\n\nSchallfeld Ensemble \n\n\n\nElisa Azzarà flute \n\n\n\nSzilárd Benes clarinet \n\n\n\nNN piano \n\n\n\nLorenzo Derinni violin \n\n\n\nMyriam García Fidalgo cello \n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \n\n\n\nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \n\n\n\nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Elfriede Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences\, giving an introduction also at the day of the premieres. Once more „Text im Klang“ offers a dramaturgically coherent program on October 16th\, and concludes the following day with an open brunch\, allowing reflections on the overall process of the project and an exchange with the audience on their impressions.
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-text-im-klang-7/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261017T100000
DTEND;TZID=Europe/Vienna:20261017T120000
DTSTAMP:20260423T164050
CREATED:20251005T111642Z
LAST-MODIFIED:20251005T183025Z
UID:30146-1792231200-1792238400@myriamgarciafidalgo.com
SUMMARY:Text im Klang #7 Discourse : Open Brunch
DESCRIPTION:Statements by and discussion with the involved artists of the project “Text im Klang” after the premieres on October 16th with Luca Bardelle | Forrest Moody | Dilay Doğanay | Joanna Wozny | Schallfeld Ensemble as well as Klaus Kastberger \n\n\n\n\n\n\n\nFree admission / guests are asked to pay for their consumption though.
URL:https://myriamgarciafidalgo.com/event/text-im-klang-7-discourse-open-brunch/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261020T000000
DTEND;TZID=Europe/Vienna:20261020T235959
DTSTAMP:20260423T164050
CREATED:20251028T182720Z
LAST-MODIFIED:20251028T182721Z
UID:30465-1792454400-1792540799@myriamgarciafidalgo.com
SUMMARY:Text im Klang #7 Vienna
DESCRIPTION:Impuls composition commissions \n\n\n\nLuca Bardelle New Work (2026) \n\n\n\nForrest Moody New Work (2026) \n\n\n\nDilay Doğanay New Work (2026) \n\n\n\nJoanna Wozny New Work (2026) \n\n\n\nSchallfeld Ensemble \n\n\n\nElisa Azzarà flute \n\n\n\nSzilárd Benes clarinet \n\n\n\nNN piano \n\n\n\nLorenzo Derinni violin \n\n\n\nMyriam García Fidalgo cello \n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \n\n\n\nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \n\n\n\nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Elfriede Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences. \n\n\n\nThe pieces will be premiered on the 16.10.2026 in Graz. More info in the impuls website
URL:https://myriamgarciafidalgo.com/event/text-im-klang-7-vienna/
LOCATION:echoraum\, Sechshauser Str. 66 \, Wien\, Austria
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