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X-WR-CALNAME:Myriam García Fidalgo
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X-WR-CALDESC:Events for Myriam García Fidalgo
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DTSTART:20150329T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170919T180000
DTEND;TZID=Europe/Paris:20170919T190000
DTSTAMP:20260424T182109
CREATED:20170719T083157Z
LAST-MODIFIED:20170719T084318Z
UID:1837-1505844000-1505847600@myriamgarciafidalgo.com
SUMMARY:Klangspuren Schwaz
DESCRIPTION:HOMMAGE À JOAN LA BARBARA\nPia Palme Three Noises [Homage to Morton Feldman and Joan La Barbara] für Stimme und Zuspiel UA\nAnahita Abbasi n.n. für Stimme und Perkussion UA\nJoan La Barbara The River Also Changes for two voices\, chamber ensemble and ‚sonic atmosphere’ UA \nHOMMAGE À JOAN LA BARBARA\nClaudia Cervenca / Joan La Barbara Stimme\nSchallfeld Ensemble\nClaudia Cervenca Konzept
URL:https://myriamgarciafidalgo.com/event/klangspuren-schwaz-2/
LOCATION:Pfarrkirche Hl. Josef\, Itter\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170917T180000
DTEND;TZID=Europe/Paris:20170917T190000
DTSTAMP:20260424T182109
CREATED:20170619T210001Z
LAST-MODIFIED:20170619T210001Z
UID:2252-1505671200-1505674800@myriamgarciafidalgo.com
SUMMARY:Klangspuren Schwaz
DESCRIPTION:[:de]PILGERSTATION I\n09.00 Uhr\, Hintergranderhof\, Römerweg 56\, St. Johann \nMagnus Lindberg Ablauf für (Bass)Klarinette und zwei Basstrommeln \nPILGERSTATION II\n10.30 Uhr\, Pfarrkirche Hl. Kreuz\, Going \nPia Palme Vom Rausch im Schwarm für Ensemble und Windmaschine \nSchallfeld Ensemble \nPILGERSTATION III\n11.30 Uhr\, Pfarrkirche Hl. Michael\, Ellmau \nHOMMAGE À JOAN LA BARBARA\nJoan La Barbara Solitary Journeys of the Mind für Stimme\nClaudia Cervenca n.n. für Stimme und Zuspiel UA\nElisabeth Harnik n.n. für Stimme\, (Bass)Klarinette und Kontrabass UA\nJoan La Barbara Windows für Stimme und Zuspiel\nPILGERSTATION V\n18.00 Uhr\, Pfarrkirche Hl. Josef\, Itter \nHOMMAGE À JOAN LA BARBARA\nPia Palme Three Noises [Homage to Morton Feldman and Joan La Barbara] für Stimme und Zuspiel UA\nAnahita Abbasi n.n. für Stimme und Perkussion UA\nJoan La Barbara The River Also Changes for two voices\, chamber ensemble and ‚sonic atmosphere’ UA \nHOMMAGE À JOAN LA BARBARA\nClaudia Cervenca / Joan La Barbara Stimme\nSchallfeld Ensemble\nClaudia Cervenca Konzept[:en]PILGERSTATION I\n09.00 Uhr\, Hintergranderhof\, Römerweg 56\, St. Johann \nMagnus Lindberg Ablauf für (Bass)Klarinette und zwei Basstrommeln \nPILGERSTATION II\n10.30 Uhr\, Pfarrkirche Hl. Kreuz\, Going \nPia Palme Vom Rausch im Schwarm für Ensemble und Windmaschine \nSchallfeld Ensemble \nPILGERSTATION III\n11.30 Uhr\, Pfarrkirche Hl. Michael\, Ellmau \nHOMMAGE À JOAN LA BARBARA\nJoan La Barbara Solitary Journeys of the Mind für Stimme\nClaudia Cervenca n.n. für Stimme und Zuspiel UA\nElisabeth Harnik n.n. für Stimme\, (Bass)Klarinette und Kontrabass UA\nJoan La Barbara Windows für Stimme und Zuspiel \nPILGERSTATION V\n18.00 Uhr\, Pfarrkirche Hl. Josef\, Itter \nHOMMAGE À JOAN LA BARBARA\nPia Palme Three Noises [Homage to Morton Feldman and Joan La Barbara] für Stimme und Zuspiel UA\nAnahita Abbasi n.n. für Stimme und Perkussion UA\nJoan La Barbara The River Also Changes for two voices\, chamber ensemble and ‚sonic atmosphere’ UA \nHOMMAGE À JOAN LA BARBARA\nClaudia Cervenca / Joan La Barbara Stimme\nSchallfeld Ensemble\nClaudia Cervenca Konzept[:]
URL:https://myriamgarciafidalgo.com/event/klangspuren-schwaz-2-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170915T200000
DTEND;TZID=Europe/Paris:20170915T220000
DTSTAMP:20260424T182109
CREATED:20170719T081852Z
LAST-MODIFIED:20170719T081853Z
UID:1833-1505505600-1505512800@myriamgarciafidalgo.com
SUMMARY:Klangspuren Schwaz
DESCRIPTION:Programm\nAgostino di Scipio Texture – Multiple für Ensemble und Live Elektronik\nAnahita Abbasi Situation II / Dialoge für Ensemble\nYing Wang Glissadulation für Ensemble\nJamilia Jazylbekova Chiaroscuro II für Ensemble\nLorenzo Romano Furore für Ensemble und Live Elektronik ÖEA
URL:https://myriamgarciafidalgo.com/event/klangspuren-schwaz/
LOCATION:Innsbruck\, Treibhaus\, Unterm Volksgarten\, Angerzellgasse 8\, Innsbruck\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170830T200000
DTEND;TZID=Europe/Paris:20170830T220000
DTSTAMP:20260424T182109
CREATED:20170725T134657Z
LAST-MODIFIED:20170725T134657Z
UID:2264-1504123200-1504130400@myriamgarciafidalgo.com
SUMMARY:Novalis Festival
DESCRIPTION:Novalis Festival focuses on contemporary music repertoire that collaborates with other art forms. Instead of having a fixed set-up each year\, Novalis migrates around Croatia’s beautiful landscapes\, offering the excellent combination of high quality music with charming Mediterranean surroundings. The three concepts that best represent this festival are: innovation\, instruction and interaction. \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/novalis-festival-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170830T200000
DTEND;TZID=Europe/Paris:20170830T213000
DTSTAMP:20260424T182109
CREATED:20170715T084702Z
LAST-MODIFIED:20170715T084746Z
UID:1828-1504123200-1504128600@myriamgarciafidalgo.com
SUMMARY:Novalis Festival - Schallfeld Ensemble
DESCRIPTION:Novalis Festival focuses on contemporary music repertoire that collaborates with other art forms. Instead of having a fixed set-up each year\, Novalis migrates around Croatia’s beautiful landscapes\, offering the excellent combination of high quality music with charming Mediterranean surroundings. The three concepts that best represent this festival are: innovation\, instruction and interaction. \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/novalis-festival-schallfeld-ensemble-2/
LOCATION:Zagreb\, Zagreb\, Croacia
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170828T210000
DTEND;TZID=Europe/Paris:20170828T223000
DTSTAMP:20260424T182109
CREATED:20170715T083314Z
LAST-MODIFIED:20170715T083944Z
UID:1823-1503954000-1503959400@myriamgarciafidalgo.com
SUMMARY:Novalis Festival - Schallfeld Ensemble
DESCRIPTION:[:es] \nNovalis Festival focuses on contemporary music repertoire that collaborates with other art forms. Instead of having a fixed set-up each year\, Novalis migrates around Croatia’s beautiful landscapes\, offering the excellent combination of high quality music with charming Mediterranean surroundings. The three concepts that best represent this festival are: innovation\, instruction and interaction. \nMore info coming soon[:en] \nNovalis Festival focuses on contemporary music repertoire that collaborates with other art forms. Instead of having a fixed set-up each year\, Novalis migrates around Croatia’s beautiful landscapes\, offering the excellent combination of high quality music with charming Mediterranean surroundings. The three concepts that best represent this festival are: innovation\, instruction and interaction. \nMore info coming soon[:de] \nNovalis Festival focuses on contemporary music repertoire that collaborates with other art forms. Instead of having a fixed set-up each year\, Novalis migrates around Croatia’s beautiful landscapes\, offering the excellent combination of high quality music with charming Mediterranean surroundings. The three concepts that best represent this festival are: innovation\, instruction and interaction. \nMore info coming soon \n [:]
URL:https://myriamgarciafidalgo.com/event/novalis-festival-schallfeld-ensemble/
LOCATION:Zadar\, Zadar\, Croacia
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170622
DTEND;VALUE=DATE:20170623
DTSTAMP:20260424T182109
CREATED:20170306T193240Z
LAST-MODIFIED:20170306T193240Z
UID:1769-1498089600-1498175999@myriamgarciafidalgo.com
SUMMARY:[:es]Schallfeld Ensemble - DCMF Competition Concert[:]
DESCRIPTION:[:es] \n\n\n\n\n\n Final concert\n. \n\n \n \n\n\n\n\n\n\n\n[:en] \n\n\n\n\n\n\n. \n\n \n \n\n\n\n\n[:de] \n\n\n\n\n\n\n. \n\n \n \n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-dcmf-competition-concert/
LOCATION:Daegu\, Corea del Sur
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170621T193000
DTEND;TZID=Europe/Paris:20170621T210000
DTSTAMP:20260424T182109
CREATED:20170306T184643Z
LAST-MODIFIED:20170306T184643Z
UID:1765-1498073400-1498078800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Daegu Festival for Contemporary Music
DESCRIPTION:[:es]Oliver Schneller – Topoi (2000) \nCho – für Fl\, Kl. Vl\, Vc und Schlagzeug (mit Dirigent) \nSeung Eun Lee – für Fl\, Kl\, Sax\, Pf\, Vl\, Vc\, Schlag.\nAnahita Abbasi: Moving Surfaces III / Another Birth (2015) \nLorenzo Romano: Trio Neues Werk für Vl\, Vlc\, Kv\nAndrés Martínez: Gitterfenster für Fl\, Kl\, Kv\, Vl\, Vlc[:de] \n\n\n\n\n\n\nOliver Schneller – Topoi (2000) \n\n\n\nCho – für Fl\, Kl. Vl\, Vc und Schlagzeug \nSeung Eun Lee – für Fl\, Kl\, Sax\, Pf\, Vl\, Vc\, Schlag.\nAnahita Abbasi: Moving Surfaces III / Another Birth (2015) \nLorenzo Romano: Trio Neues Werk für Vl\, Vlc\, Kv\nAndrés Martínez: Gitterfenster für Fl\, Kl\, Kv\, Vl\, Vlc \n \n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-daegu-festival-for-contemporary-music/
LOCATION:Daegu\, Corea del Sur
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170612
DTEND;VALUE=DATE:20170613
DTSTAMP:20260424T182109
CREATED:20170306T170524Z
LAST-MODIFIED:20170604T175305Z
UID:1763-1497225600-1497311999@myriamgarciafidalgo.com
SUMMARY:Multiple Räume
DESCRIPTION:[:es] \nPrograma\nREBECCA SAUNDERS (*1967) Quartett für Akkordeon\, Kontrabass\, Schlagzeug und Klarinette (1998) \nUROS ROJKO (*1954) Stone Wind VI für Ensemble (2015) \nGEORG FRIEDRICH HAAS (*1953) Tria ex Uno für 6 Instrumente (2001) \nANAHITA ABBASI (*1985) Situation I / Incidents (2016) für Akk\, tenorsax\, Klav\, Schlag\, Cello\, Kb \nSEHYUNG KIM (*1987) Sijo_171116 das Gesicht des Anderen (Kompositionsauftrag von ORF und Jeunesse)[:en]REBECCA SAUNDERS (*1967) Quartett für Akkordeon\, Kontrabass\, Schlagzeug und Klarinette (1998) 15 ́ \nUROS ROJKO (*1954) Stone Wind VI für Ensemble (2015) 12 ́ \nGEORG FRIEDRICH HAAS (*1953) Tria ex Uno für 6 Instrumente (2001) 16 ́ \nANAHITA ABBASI (*1985) Situation I / Incidents (2016) für Akk\, tenorsax\, Klav\, Schlag\, Cello\, Kb 9 ́ \nSEHYUNG KIM (*1987) Sijo_171116 das Gesicht des Anderen (Kompositionsauftrag von ORF und Jeunesse)[:de] \n\n\n\n\n\n\nEnsemble Schallfeld unternimmt mit dem Programm „Multiple Räume“ eine Expedition in metaphorische und klingende Raumideen mit Werken für Ensemble. \nWährend Uros Rojkos Stone Wind VI durch rhythmische und melodische Elemente an Musiktraditionen eines bestimmten geografischen Raums anknüpft\, öffnen Sehyung Kim und Anahita Abbasi mit ihren Werken Einblicke in persönliche\, imaginäre Vorstellungsräume. Georg Friedrich Haas entwirft mit Tria Ex Uno einen Klangraum\, der Historisches und Gegenwart auf sehr persönliche Art verbindet. Von der bildenen Kunst geprägt ist dagegen Rebecca Saunders’ kompositorische Idee: „Wenn ich komponiere\, stelle ich mir vor\, dass ich die Klänge und Geräusche in meinen Händen halte\, ihr Potential fühle\, sie abwäge.. Dann\, wie Gemälde in einem großen leeren Raum\, setze ich sie in die Stille\, neben-\, über-\, in- und gegeneinander.“ \nProgramm\nREBECCA SAUNDERS (*1967) Quartett für Akkordeon\, Kontrabass\, Schlagzeug und Klarinette (1998) 15 ́ \n\n\n\nUROS ROJKO (*1954) Stone Wind VI für Ensemble (2015) 12 ́ \n\n\n\nGEORG FRIEDRICH HAAS (*1953) Tria ex Uno für 6 Instrumente (2001) 16 ́ \nANAHITA ABBASI (*1985) Situation I / Incidents (2016) für Akk\, tenorsax\, Klav\, Schlag\, Cello\, Kb 9 ́ \nSEHYUNG KIM (*1987) Sijo_171116 das Gesicht des Anderen (Kompositionsauftrag von ORF und Jeunesse) \n\n\n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/multiple-raume/
LOCATION:Minoritensaal\, Graz
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2017/03/flyerschallfeld12.06.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170604T080000
DTEND;TZID=Europe/Paris:20170604T170000
DTSTAMP:20260424T182109
CREATED:20170604T180544Z
LAST-MODIFIED:20170604T180544Z
UID:1791-1496563200-1496595600@myriamgarciafidalgo.com
SUMMARY:[:es]Nou Ensemble - Covers Festival Ensems (Valencia)[:]
DESCRIPTION:[:es]Ritual I :: Commitment :: BiiM para percusionista\, luces y audio-tape \nJessie Marino (USA\, 1984) \nNueva obra para clarinete bajo y guitarra eléctrica \nCamilo Méndez San Juan (Colombia\, 1982) \nRitratto senza voce – Billie Holiday para percusionista y video \nAlberto Bernal (España\, 1978) \nNueva obra para cello\, clarinete bajo y guitarra eléctrica \nGermán Alonso (España\, 1984) \nBorn to be wild para percusionista \nSttepenwolf/David Lang (USA\, 1957) \nAdagio para 3 intérpretes escuchando Bruckner \nCarolyn Cheng (USA\, 1983) \nGagliarda para cello solo \nFrancesco Filidei (Italia\, 1973) \n1\,2. 1\,2\,3\,4 para 4 intérpretes \nGavin Bryars (UK\, 1943) \n\nLiteralmente\, el término anglosajón COVER significa “cubierta”\, “portada”\, “tapa”. Durante la segunda mitad del siglo XX pasó a utilizarse para denominar a aquellas versiones/recreaciones de canciones grabadas con anterioridad por otros músicos. \nPartiendo de la premisa de revisar/reinterpretar nuestra historia musical\, tanto la clásica como la popular\, Nou Ensemble propone un recorrido por obras/canciones del repertorio universal (W. Byrd\, A. Bruckner\, B. Holiday\, The Beatles\, Sttepenwolf…) a través de la mirada de compositores actuales de estilos y estéticas contrastantes; desde el concepto de “arreglo” en Born to be wild de David Lang\, pasando por la utilización del vídeo como material musical en Ritratto senza voce – Billie Holiday de Alberto Bernal hasta – entre otros – el “teatro mudo” de la compositora americana Carolyn Cheng para interpretar el segundo movimiento de la séptima sinfonía de A. Bruckner. \nMás información sobre el programa aquí \n [:]
URL:https://myriamgarciafidalgo.com/event/nou-ensemble-covers-festival-ensems-valencia/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170510
DTEND;VALUE=DATE:20170513
DTSTAMP:20260424T182109
CREATED:20170129T133235Z
LAST-MODIFIED:20170129T133235Z
UID:1745-1494374400-1494633599@myriamgarciafidalgo.com
SUMMARY:[:es]Curso en el Conservatorio Superior de Córdoba [:]
DESCRIPTION:[:es]Más información aquí[:]
URL:https://myriamgarciafidalgo.com/event/curso-conservatorio-superior-cordoba/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170506T180000
DTEND;TZID=Europe/Paris:20170506T200000
DTSTAMP:20260424T182109
CREATED:20160817T185258Z
LAST-MODIFIED:20160817T185258Z
UID:1693-1494093600-1494100800@myriamgarciafidalgo.com
SUMMARY:Nou Ensemble - Sampler Series
DESCRIPTION:[:es]NOU ENSEMBLE:\n\nEl grupo instrumental mallorquín Nou Ensemble centra su actividad en la exploración de nuevas posibilidades musicales basándose en la coherencia temática de cada programa\, apostando por la experimentación y la interdisciplinariedad y ampliando el concepto tradicional de concierto. Covers gira en torno a la idea de versión-revisión-remix y contiene un programa continuo de obras de diferentes épocas y estilos\, revisadas desde una perspectiva contemporánea por ocho compositores. \nFRAMES PERCUSSION:\nGérard Grisey descubrió en 1985 los sonidos de los púlsares y decidió componer una obra que los pudiera contener sin manipularlos\, utilizando sus frecuencias como tempo y desarrollando las ideas de rotación\, periodicidad\, desaceleración\, aceleración y glitches (o errores) que el estudio de los púlsares sugiere a los astrónomos. El resultado es una obra inmersiva de casi una hora de duración:  Le Noir de L’Étoile \, para seis percusionistas alrededor del público\, banda magnética y transmisiones astronómicas pregrabadas. La interpretación estará a cargo de Frames Percussion\, formado por destacados percusionistas de la escena musical catalana. \nAXEL DÖRNER + RAMON PRATS: \nEl inclasificable trompetista alemán Axel Dörner y el batería y compositor Ramon Prats nos ofrecerán una prometedora sesión de improvisación libre. Dörner\, formado en el ámbito de la clásica y contemporánea\, se consolidó como músico de jazz e improvisador durante los años ochenta\, en la heterogénea escena musical de Colonia y\, progresivamente\, evolucionó hacia un lenguaje personal\, de búsqueda de nuevas sonoridades y nuevas formas de expresión musical. Ramon Prats es uno de los músicos de jazz más inquietos y talentosos de nuestra casa\, triplemente premiado en 2014 como músico del año\, grupo del año (por su cuarteto) y disco del año por la Associació de Músics de Jazz i de Música Moderna de Catalunya\, el músico de Banyoles es uno de los principales actores de la improvisación libre en Barcelona.[:en]NOU ENSEMBLE\nCovers \nFRAMES PERCUSSION\nGRISEY: Le Noir de l’Étoile \nAXEL DÖRNER + RAMON PRATS[:de]NOU ENSEMBLE\nCovers \nFRAMES PERCUSSION\nGRISEY: Le Noir de l’Étoile \nAXEL DÖRNER + RAMON PRATS \n [:]
URL:https://myriamgarciafidalgo.com/event/nou-ensemble-sampler-series/
LOCATION:Arts Santa Mònica\, Barcelona
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170430
DTEND;VALUE=DATE:20170501
DTSTAMP:20260424T182109
CREATED:20170306T165311Z
LAST-MODIFIED:20170306T165311Z
UID:1760-1493510400-1493596799@myriamgarciafidalgo.com
SUMMARY:Saisonkonzert Land Steiermark – Artists in Residence
DESCRIPTION:[:es] \nPrograma\n\n\n\nSalvatore Sciarrino: Lo Spazio Inverso für Celesta\, Flöte\, Klarinette\, Geige\, Cello \nDaniela Fantechi: Corale\, Impressioni su Rotkho Stück für Flöte\, Bassklarinette\, Altosax\, Geige\, Cello\, Kontrabass \nJorge Diego Vázquez Salvagno: Kenko für Flöte\, Klarinette\, Sax\, Schlagzeug\, Geige\, Cello\, Elektronik \nDante Grela: Ecos de lejanias für Flöte\, Klarinette\, Geige\, Cello \, Klavier \nHelmut Lachenmann: Pression für solo Cello \nAnsgar Beste: Incontro Concertante für Flöte\, Klarinette\, Cello\, Klavier \n\n\n\n[:en] \nProgram\nSalvatore Sciarrino: Lo Spazio Inverso für Celesta\, Flöte\, Klarinette\, Geige\, Cello \nDaniela Fantechi: Corale\, Impressioni su Rotkho Stück für Flöte\, Bassklarinette\, Altosax\, Geige\, Cello\, Kontrabass \nJorge Diego Vázquez Salvagno: Kenko für Flöte\, Klarinette\, Sax\, Schlagzeug\, Geige\, Cello\, Elektronik \nDante Grela: Ecos de lejanias für Flöte\, Klarinette\, Geige\, Cello \, Klavier \nHelmut Lachenmann: Pression für solo Cello\nAnsgar: Incontro Concertante für Flöte\, Klarinette\, Cello\, Klavier[:de] \nProgramm\n\n\n\nSalvatore Sciarrino: Lo Spazio Inverso für Celesta\, Flöte\, Klarinette\, Geige\, Cello \nDaniela Fantechi: Corale\, Impressioni su Rotkho Stück für Flöte\, Bassklarinette\, Altosax\, Geige\, Cello\, Kontrabass \nJorge Diego Vázquez Salvagno: Kenko für Flöte\, Klarinette\, Sax\, Schlagzeug\, Geige\, Cello\, Elektronik \nDante Grela: Ecos de lejanias für Flöte\, Klarinette\, Geige\, Cello \, Klavier \nHelmut Lachenmann: Pression für solo Cello \nAnsgar: Incontro Concertante für Flöte\, Klarinette\, Cello\, Klavier \n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/saisonkonzert-land-steiermark-artists-in-residence/
LOCATION:Fux Konservatorium\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170401
DTEND;VALUE=DATE:20170402
DTSTAMP:20260424T182109
CREATED:20170306T163424Z
LAST-MODIFIED:20170306T164208Z
UID:1756-1491004800-1491091199@myriamgarciafidalgo.com
SUMMARY:[:es]Schallfeld - Varsovia[:en]Schallfeld - Warschau[:de]Schallfeld Ensemble - Warschau Rundfunk[:]
DESCRIPTION:[:es] \nPrograma\nJohannes Maria Staud Lagrein for clarinet\, violin\, cello and piano (2008) [13’] \nAnton Svetlichny The Whale (total loneliness) for violin\, cello and contrabass (2011) [8′] \nFrancesco Filidei Corde Vuote for violin\, cello and piano (2010) [10’] \nAndrés Gutiérrez Martínez Draht for violin\, cello and contrabass (2016) [13′] \nSonja Mutić Borderline for clarinet\, cello and piano (2014) [7′][:en] \nProgram\nJohannes Maria Staud Lagrein for clarinet\, violin\, cello and piano (2008) [13’] \nAnton Svetlichny The Whale (total loneliness) for violin\, cello and contrabass (2011) [8′] \nFrancesco Filidei Corde Vuote for violin\, cello and piano (2010) [10’] \nAndrés Gutiérrez Martínez Draht for violin\, cello and contrabass (2016) [13′] \nSonja Mutić Borderline for clarinet\, cello and piano (2014) [7′][:de] \nProgramm\nJohannes Maria Staud Lagrein for clarinet\, violin\, cello and piano (2008) [13’] \nAnton Svetlichny The Whale (total loneliness) for violin\, cello and contrabass (2011) [8′] \nFrancesco Filidei Corde Vuote for violin\, cello and piano (2010) [10’] \nAndrés Gutiérrez Martínez Draht for violin\, cello and contrabass (2016) [13′] \nSonja Mutić Borderline for clarinet\, cello and piano (2014) [7′][:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-warschau-rundfunk/
LOCATION:Varsovia\, Varsovia\, Polonia
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170329
DTEND;VALUE=DATE:20170330
DTSTAMP:20260424T182109
CREATED:20161128T161702Z
LAST-MODIFIED:20161128T161702Z
UID:1714-1490745600-1490831999@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Poznan
DESCRIPTION:
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-poznan/
LOCATION:Poznan\, Polonia
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170325T200000
DTEND;TZID=Europe/Paris:20170325T210000
DTSTAMP:20260424T182109
CREATED:20160817T184013Z
LAST-MODIFIED:20160817T184450Z
UID:1689-1490472000-1490475600@myriamgarciafidalgo.com
SUMMARY:[:es]Portrait concert Sehyung Kim - Schallfeld Ensemble[:en]Portrait concert Sehyung Kim - Schallfeld Ensemble[:de]Porträt Sehyung Kim - Schallfeld Ensemble[:]
DESCRIPTION:Sehyung Kim\nIgnition für Bassflöte\, Bassklarinette\, Violoncello und Kontrabass (UA) \nSehyung Kim\nNeues Werk (Kompositionsauftrag von ORF und Jeunesse) (UA) \nSehyung Kim\nSijo_271015_[Perle] für Saxophon\, Klavier und Kontrabass (2016) \nDimitri Kourliandski\nPunctuation Marks für Flöte\, Klarinette\, Klavier\, Violine und Violoncello \nSehyung Kim\nNeues Werk \nSehyung Kim\nQi II für Akkordeonistin oder Akkordeonisten \n\n»Sehyung Kim im Gespräch«
URL:https://myriamgarciafidalgo.com/event/portrait-concert-sehyung-kim-schallfeld-ensemble/
LOCATION:ORF RadioKulturhaus | Großer Sendesaal\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170316T193000
DTEND;TZID=Europe/Paris:20170316T210000
DTSTAMP:20260424T182109
CREATED:20161128T161537Z
LAST-MODIFIED:20170130T130335Z
UID:1711-1489692600-1489698000@myriamgarciafidalgo.com
SUMMARY:Nou Ensemble - Pamplona
DESCRIPTION:[:es]Technics es el resultado de una reflexión sobre los conceptos de técnica y tecnología y su aplicación en la composición musical. En el caso de la música\, se entiende la técnica como las normas relativas a cómo tocar un instrumento\, en sus variantes físicas e intelectuales. \nEn Technics los miembros de Nou Ensemble deben desarrollar una nueva tekné\, en los sentidos de desarrollo de habilidad y adaptación a la realidad: es el caso por ejemplo de la obra Todos Caníbales [trío; 2016] de Fran MM Cabeza de Vaca en la que los intérpretes desde un sentido dramático rodean diferentes instrumentos (cello\, clarinete bajo y guitarra eléctrica) ejecutándolos de forma simultánea produciendo con ello nuevas relaciones sonoras. \nPor otra parte\, en Technics se plantea el uso de la tecnología como resultado de la aplicación práctica de la técnica de varias formas: ya sea desde la transformación electrónica del sonido de un instrumento tradicional -el violín en la obra de Simon Steen-Andersen-\, la inclusión y puesta en primer plano de elementos no sonoros -la luz en la obra de Íñigo Giner-\, el vídeo como parte principal del discurso musical – Screen Sketch IV de Oscar Escudero- la utilización de objetos electrónicos cotidianos como pueden ser los tubos de neón que solicita Simon Loeffler en su pieza b o la conversión de metrónomos en instrumentos musicales como ocurre en la obra de Jose Pablo Polo\, donde el aprendizaje de la técnica “instrumental” es simultáneo al proceso de composición-interpretación. \nPrograma\nFuera del escenario: \nALBERTO BERNAL \nImpossible music #33 “Grito mudo” \nVideoinstalación interactiva \nEn el escenario: \nFRAN MM CABEZA DE VACA (1976-) \nTodos Caníbales [trío; 2016] \nClarinete\, cello\, guitarra eléctrica y electrónica \nSIMON STEEN ANDERSEN (1976-) \nStudy for string instrument #2 \nViolín y whammy pedal \nÓSCAR ESCUDERO (1992-) \nScreen Sketch IV \nEWI 5000 y video \nJOSE PABLO POLO (1984-) \nno-Tune / no-Tempo \nMetrónomo digital\, delay pedal\, whammy pedal y loop pedal \nIÑIGO GINER (1980-) \neen beetje licht voor T \nClarinete bajo\, violín\, cello y luces led \nSIMON LOEFFLER (1981-) \nb \n3 luces de neón\, pedales de efectos y cable jack. \n  \nGeorgia Privitera: Violín \nMyriam García: Cello \nDavid Romero – Pascual: Clarinete \nJose Pablo Polo: Guitarra y metrónomo \n[:]
URL:https://myriamgarciafidalgo.com/event/nou-ensemble-pamplona/
LOCATION:Museo Universidad de Navarra\, Pamplona
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170224T200000
DTEND;TZID=Europe/Paris:20170224T210000
DTSTAMP:20260424T182109
CREATED:20170207T193613Z
LAST-MODIFIED:20170207T193613Z
UID:2179-1487966400-1487970000@myriamgarciafidalgo.com
SUMMARY:Perioden – Perspektiven – Positionen
DESCRIPTION:[:de] \n[: P :] 3x \nPerioden – Perspektiven – Positionen\nEin Projekt von Ensemble Schallfeld \nAngesichts eines wachsenden interaktiven Informationsstroms in den sozialen Netzwerken scheint ein Format wie das „Konzert“ mehr und mehr einseitig\, altmodisch zu sein. Aber was wäre\, wenn wir unseren eigenen inneren Strom an Gefühlen\, Reaktionen\, Kommentaren „live“ mit anderen Positionen\, vielleicht sogar mit denen des Komponisten konfrontieren könnten? \nDas Ensemble Schallfeld schafft einen installativen Wahrnehmungsraum\, der Muster des Musikhörens und Konzertverhaltens hinterfragt und zum Neu-Entdecken von Neuer Musik einlädt. Anhand des Werkes „Periodes“ von Gerard Grisey\, das im Laufe der Performance aus mehreren klanglichen\, räumlichen\, medialen und inhaltlichen „Perspektiven“ durchmessen wird\, erfahren die Beteiligten unterschiedliche Hörhaltungen. Ensemble und Publikum treten miteinander in Kontakt\, werden zu einem Wahrnehmungsorganismus\, der sich selbst gestaltet und verändert.[:]
URL:https://myriamgarciafidalgo.com/event/perioden-perspektiven-positionen/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170221T193000
DTEND;TZID=Europe/Paris:20170221T193000
DTSTAMP:20260424T182109
CREATED:20161128T160255Z
LAST-MODIFIED:20161128T160255Z
UID:1709-1487705400-1487705400@myriamgarciafidalgo.com
SUMMARY:Klangforum Wien - Hinter den Spiegeln
DESCRIPTION:http://www.klangforum.at/konzertzyklus.html
URL:https://myriamgarciafidalgo.com/event/klangforum-wien-hinter-den-spiegeln/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170211
DTEND;VALUE=DATE:20170218
DTSTAMP:20260424T182109
CREATED:20160511T180840Z
LAST-MODIFIED:20160817T181611Z
UID:1670-1486771200-1487375999@myriamgarciafidalgo.com
SUMMARY:[:es]Schallfeld Ensemble en residencia en impuls [:en]Schallfeld Ensemble in Residency in impuls academy[:de]Schallfeld Ensemble in Residency in impuls[:]
DESCRIPTION:[:es]Más información aquí: \nhttp://www.impuls.cc/academy-2017/special-programs.html#c3428 \n[:en]More info here \nhttp://www.impuls.cc/academy-2017/special-programs.html#c3428 \n \n [:de]Info hier \nhttp://www.impuls.cc/de/akademie-2017/spezialprogramme.html#c3439 \n[:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-residency-impuls/
LOCATION:Unnamed Venue\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170127T200000
DTEND;TZID=Europe/Paris:20170127T213000
DTSTAMP:20260424T182109
CREATED:20170115T190424Z
LAST-MODIFIED:20170115T201448Z
UID:1718-1485547200-1485552600@myriamgarciafidalgo.com
SUMMARY:Schallfeld - Soirée acousmatique
DESCRIPTION:[:es] \n \n  \nPrograma: \nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Sound direction and Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Double bass\nSzilárd Benes – Clarinet\nPeter Venus – Sound direction and light[:en] \n \n  \nAn acousmatic sound is by definition a sound whereof the origin is unknown. In Soirée Acousmatique (Acousmatic evening)\, Schallfeld Ensemble presents an itinerary concert built upon the spaces of the Grazer Kunstverein. A site specific multimedia experience in which the relationship between acoustic instruments and the electronic is constantly exchanging\, ranging from the acousmatic tradition (Berio’s Thema Omaggio a Joyce) to a more performative experimental approach (van Eck’s Wings)\, exploring the acoustic of the spaces of the Gallery\, through the realization of a live version of Lucier’s I’m sitting in a room\, and conceiving acoustic instruments as acousmatic sound sources. \nProgram:\nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Sound direction and Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Double bass\nSzilárd Benes – Clarinet\nPeter Venus – Sound direction and light[:de] \n \n“Acousmatique” steht im Französischen für einen Klang\, dessen Quelle unbekannt oder unsichtbar ist. In einer “akusmatischen Soiree” lädt Schallfeld zu einem Hörrundgang durch die Räume des Grazer Kunstvereins ein. Es erwartet Sie eine multimediales Raumerlebnis\, in dem die Beziehung zwischen akustischen Instrumenten und Elektronischem veränderlich bleibt. Der Streifzug führt von der Tradition der akusmatischen Tonbandmusik\, repräsentiert durch Luciano Berios “Omaggio a Joyce”\, bis hin zu neueren\, performativen Formaten (in Cathy van Ecks “wings”) und “instrumental-akusmatischen” Werken (Lorenzo Troianis “dalla voce.instabile”)\, eingerahmt von einer Performance von Alvin Luciers ikonischem “I am sitting in a room”. \nProgramm:\nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Klangregie und Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Kontrabass\nSzilárd Benes – Klarinet\nPeter Venus – Klangregie und Licht[:]
URL:https://myriamgarciafidalgo.com/event/soiree-acousmatique/
LOCATION:Grazer Kunstverein\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2017/01/Schallfeld-Flyer-.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170119T080000
DTEND;TZID=Europe/Paris:20170119T193000
DTSTAMP:20260424T182109
CREATED:20161128T155754Z
LAST-MODIFIED:20161128T155754Z
UID:1707-1484812800-1484854200@myriamgarciafidalgo.com
SUMMARY:Klangforum Wien - FESTLICHE TAGE ALTER MUSIK
DESCRIPTION:[:es]Director: Stefan Asbury \nMás información aquí[:en]Conductor: Stefan Asbury \nMore info here[:de]Dirigent: Stefan Asbury \nMehr Info hier[:]
URL:https://myriamgarciafidalgo.com/event/klangforum-wien-festliche-tage-alter-musik/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20161217T200000
DTEND;TZID=Europe/Paris:20161217T220000
DTSTAMP:20260424T182109
CREATED:20161214T111418Z
LAST-MODIFIED:20161214T111418Z
UID:2149-1482004800-1482012000@myriamgarciafidalgo.com
SUMMARY:Vogelgespräche
DESCRIPTION:[:de] \nSiavosh Banihashemi\nErzähler: Leonhard Garms\nWiedehopf: Andrejus Kalinovas (Tenor)\nNachtigall: Johanna Maria Kräuter (Sopran)\nHerold: Helena Sorokina (Alt)\nAndere Vögel: Chor\nSehnsucht: Anna van Scharrel (Blockflöten)\nMut: Sergio Lopez Bernardo (Oboe)\nHoffnung: Emilia Gladnishka (Bratsche) \nVokalensemble:\nHelena Sorokina\, Alt\nBelen Alonso\, Sopran\nPeixin Lee\, Sopran\nMario Lerchenberger\, Tenor\nStefan Jovanovic\, Bass\nFranz Jochum\, künstlerischer Leiter (Vokalensemble) \nSchallfeld Ensemble\nLeonhard Garms\, Dirigent \nMahshad Safaei\, Kostüm\nFady Abd El Malek\, Licht \nNeuesMusikTheater.graz[:]
URL:https://myriamgarciafidalgo.com/event/vogelgesprache-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20161214T200000
DTEND;TZID=Europe/Paris:20161214T220000
DTSTAMP:20260424T182109
CREATED:20161214T105908Z
LAST-MODIFIED:20161214T105908Z
UID:2139-1481745600-1481752800@myriamgarciafidalgo.com
SUMMARY:Vogelgespräche
DESCRIPTION:  \n \nSiavosh Banihashemi\nErzähler: Leonhard Garms\nWiedehopf: Andrejus Kalinovas (Tenor)\nNachtigall: Johanna Maria Kräuter (Sopran)\nHerold: Helena Sorokina (Alt)\nAndere Vögel: Chor\nSehnsucht: Anna van Scharrel (Blockflöten)\nMut: Sergio Lopez Bernardo (Oboe)\nHoffnung: Emilia Gladnishka (Bratsche) \nVokalensemble:\nHelena Sorokina\, Alt\nBelen Alonso\, Sopran\nPeixin Lee\, Sopran\nMario Lerchenberger\, Tenor\nStefan Jovanovic\, Bass\nFranz Jochum\, künstlerischer Leiter (Vokalensemble) \nSchallfeld Ensemble\nLeonhard Garms\, Dirigent \nMahshad Safaei\, Kostüm\nFady Abd El Malek\, Licht \nNeuesMusikTheater.graz
URL:https://myriamgarciafidalgo.com/event/vogelgesprache/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20161211T200000
DTEND;TZID=Europe/Paris:20161211T220000
DTSTAMP:20260424T182109
CREATED:20161214T110116Z
LAST-MODIFIED:20161214T110116Z
UID:2146-1481486400-1481493600@myriamgarciafidalgo.com
SUMMARY:Vogelgespräche
DESCRIPTION:  \n \nSiavosh Banihashemi\nErzähler: Leonhard Garms\nWiedehopf: Andrejus Kalinovas (Tenor)\nNachtigall: Johanna Maria Kräuter (Sopran)\nHerold: Helena Sorokina (Alt)\nAndere Vögel: Chor\nSehnsucht: Anna van Scharrel (Blockflöten)\nMut: Sergio Lopez Bernardo (Oboe)\nHoffnung: Emilia Gladnishka (Bratsche) \nVokalensemble:\nHelena Sorokina\, Alt\nBelen Alonso\, Sopran\nPeixin Lee\, Sopran\nMario Lerchenberger\, Tenor\nStefan Jovanovic\, Bass\nFranz Jochum\, künstlerischer Leiter (Vokalensemble) \nSchallfeld Ensemble\nLeonhard Garms\, Dirigent \nMahshad Safaei\, Kostüm\nFady Abd El Malek\, Licht \nNeuesMusikTheater.graz
URL:https://myriamgarciafidalgo.com/event/2146/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161119
DTEND;VALUE=DATE:20161120
DTSTAMP:20260424T182109
CREATED:20160817T191630Z
LAST-MODIFIED:20160817T191630Z
UID:1699-1479513600-1479599999@myriamgarciafidalgo.com
SUMMARY:The Hyena (G.F.Haas) - Klangforum Wien
DESCRIPTION:Huddersfield\, UK \nHuddersfield Contemporary Music Festival \nMollena Williams\, actress \nKlangforum Wien \n\nGeorg Friedrich Haas \nThe Hyena (UK premiere)
URL:https://myriamgarciafidalgo.com/event/hyena-g-f-haas-klangforum-wien-2/
LOCATION:tba\, Huddersfield\, Reino Unido
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20161112T193000
DTEND;TZID=Europe/Paris:20161112T210000
DTSTAMP:20260424T182109
CREATED:20160817T190114Z
LAST-MODIFIED:20160817T190114Z
UID:1695-1478979000-1478984400@myriamgarciafidalgo.com
SUMMARY:The Hyena (G.F.Haas) - Klangforum Wien
DESCRIPTION:Grosse Saal\, Konzerthaus Vienna\, AU \nWien Modern \nMollena Williams\, actress \nKlangforum Wien
URL:https://myriamgarciafidalgo.com/event/hyena-g-f-haas-klangforum-wien/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161030
DTEND;VALUE=DATE:20161102
DTSTAMP:20260424T182109
CREATED:20160817T182621Z
LAST-MODIFIED:20160817T190248Z
UID:1686-1477785600-1478044799@myriamgarciafidalgo.com
SUMMARY:Das kleine Ich-bin-ich - G.F.Haas (Klangforum Wien)
DESCRIPTION:[:es]30.10. 31.10 and 1.11 at 10:30\, 14:00 and 16:30[:en]30.10. 31.10 and 1.11 at 10:30\, 14:00 and 16:30[:de]30.10. 31.10 und 1.11 um 10:30\, 14:00 und 16:30[:]
URL:https://myriamgarciafidalgo.com/event/das-kleine-ich-bin-ich-g-f-haas-klangforum-wien/
LOCATION:Dschungel Wien\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161009
DTEND;VALUE=DATE:20161012
DTSTAMP:20260424T182109
CREATED:20160817T190845Z
LAST-MODIFIED:20160817T191035Z
UID:1698-1475971200-1476230399@myriamgarciafidalgo.com
SUMMARY:Paradise - Martin Hiendl
DESCRIPTION:[:es]Opera installation for singer\, speaker\, chorus\, ensemble\, electronics and video (120 min) in collaboration with stage designer Judith Selenko\, video by Monica Duncan for the Steirischer Herbst/Musikprotokoll 2016 and the Kunstuniversität Graz[:en]Opera installation for singer\, speaker\, chorus\, ensemble\, electronics and video (120 min) in collaboration with stage designer Judith Selenko\, video by Monica Duncan for the Steirischer Herbst/Musikprotokoll 2016 and the Kunstuniversität Graz \n“The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust”\, writes Donna Haraway in “A Cyborg Manifesto”. In this opera installation for eight voices\, ensemble\, electronics and video\, inspired by the 1995 science fiction anime classic “Ghost in the Shell” by Mamoru Oshii\, two protagonists search for their “natural” voices. One of them – She – might have been a cyborg once\, a creature of technology\, a human machine\, a machine-like human\, an asexual being\, and yet driven by a desire to know more about her origins. She has doubts about her identity. Having turned into a mass product\, her voice no longer signifies her uniqueness. The other one – He/She/It – is a new entity: A Golem\, Frankenstein or Puppet Master\, a living thing striving for individuality. A relationship develops between the two that tells of the nature and boundaries of identity\, of hybrid bodies\, split egos and the need for recognition. We are in PARADISE\, in the Garden of Eden\, which we don’t recognise\, which never existed. It is but a human invention – it means no more than a word to a cyborg. \nThis garden is a place designed for people to walk around. PARADISE is an opera consisting not of chronological sequences\, but of spatialised scenes\, of walk-in spaces. The music and bodies are trapped in these spaces\, leaving it to the audience when to enter a scene and when to leave it[:de]Opera installation for singer\, speaker\, chorus\, ensemble\, electronics and video (120 min) in collaboration with stage designer Judith Selenko\, video by Monica Duncan for the Steirischer Herbst/Musikprotokoll 2016 and the Kunstuniversität Graz \n“The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust”\, writes Donna Haraway in “A Cyborg Manifesto”. In this opera installation for eight voices\, ensemble\, electronics and video\, inspired by the 1995 science fiction anime classic “Ghost in the Shell” by Mamoru Oshii\, two protagonists search for their “natural” voices. One of them – She – might have been a cyborg once\, a creature of technology\, a human machine\, a machine-like human\, an asexual being\, and yet driven by a desire to know more about her origins. She has doubts about her identity. Having turned into a mass product\, her voice no longer signifies her uniqueness. The other one – He/She/It – is a new entity: A Golem\, Frankenstein or Puppet Master\, a living thing striving for individuality. A relationship develops between the two that tells of the nature and boundaries of identity\, of hybrid bodies\, split egos and the need for recognition. We are in PARADISE\, in the Garden of Eden\, which we don’t recognise\, which never existed. It is but a human invention – it means no more than a word to a cyborg. \nThis garden is a place designed for people to walk around. PARADISE is an opera consisting not of chronological sequences\, but of spatialised scenes\, of walk-in spaces. The music and bodies are trapped in these spaces\, leaving it to the audience when to enter a scene and when to leave it[:]
URL:https://myriamgarciafidalgo.com/event/paradise-martin-hiendl/
LOCATION:Mumuth\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20160813T160000
DTEND;TZID=Europe/Paris:20160813T170000
DTSTAMP:20260424T182109
CREATED:20160729T114714Z
LAST-MODIFIED:20160729T114714Z
UID:1682-1471104000-1471107600@myriamgarciafidalgo.com
SUMMARY:Darmstadt. Carte Blanche: Schallfeld
DESCRIPTION:Event
URL:https://myriamgarciafidalgo.com/event/darmstadt-carte-blanche-schallfeld/
LOCATION:Centralstation\, Darmstadt\, Alemania
END:VEVENT
END:VCALENDAR