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DTSTART;VALUE=DATE:20201201
DTEND;VALUE=DATE:20201203
DTSTAMP:20260608T114728
CREATED:20200627T164448Z
LAST-MODIFIED:20201109T092850Z
UID:3430-1606780800-1606953599@myriamgarciafidalgo.com
SUMMARY:STREAMING - Leicht über Linz - Schallfeld Ensemble
DESCRIPTION:Workshop and concert with students from the Anton Brucker University Linz.
URL:https://myriamgarciafidalgo.com/event/leicht-uber-linz-schallfeld-ensemble/
LOCATION:Anton Bruckner Privatuniversität\, Hagenstraße 57\, Linz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201126
DTEND;VALUE=DATE:20201127
DTSTAMP:20260608T114728
CREATED:20200627T164005Z
LAST-MODIFIED:20201105T114317Z
UID:3428-1606348800-1606435199@myriamgarciafidalgo.com
SUMMARY:POSTPONED Manipulationen V - Schallfeld Ensemble
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/manipulationen-v-schallfeld-ensemble/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201031
DTEND;VALUE=DATE:20201101
DTSTAMP:20260608T114728
CREATED:20200910T065919Z
LAST-MODIFIED:20200902T070352Z
UID:3492-1604102400-1604188799@myriamgarciafidalgo.com
SUMMARY:Wien Modern - Schallfeld Ensemble
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/wien-modern-schallfeld-ensemble-2/
LOCATION:Alte Schmiede Wien\, Schönlaterngasse 9\, Vienna\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201020
DTEND;VALUE=DATE:20201021
DTSTAMP:20260608T114728
CREATED:20200522T073148Z
LAST-MODIFIED:20200522T073148Z
UID:3390-1603152000-1603238399@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Manipulationen IV
DESCRIPTION:Francesca Verunelli New piece UA (Comissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \nSylvain Marty New piece UA \nDiego Jiménez Tamame – New piece UA \nDavide Gagliardi – The inner limit of an object UA \n 
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-manipulationen-iv/
LOCATION:Teather in Palais\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20201007T193000
DTEND;TZID=Europe/Paris:20201007T193000
DTSTAMP:20260608T114728
CREATED:20200901T113558Z
LAST-MODIFIED:20200920T060559Z
UID:3489-1602099000-1602099000@myriamgarciafidalgo.com
SUMMARY:POSTPONED Neofonía - Klagenfurt
DESCRIPTION:[:es]Postponed to March 2021[:en]Postponed to March 2021[:de] \n\n\n\nPostponed to March 2021\nEnsemble Neofonia: „Fragmente einer Erinnerung“\n\n\n\n\n\n\n\n\nAuf dem Programm stehen 5 völlig unterschiedliche Stücke\, vier von weniger bekannten jüngeren Komponist*innen und eines\, das Uroš Rojko für Neofonía geschrieben hat. Jedes Stück lebt in einer sehr eindrucksvollen und einzigartigen Klangwelt und präsentiert betörende Klänge\, die die Sinne und Erinnerungen des Hörers beharrlich zerstören\, bis etwas Kostbares gefunden wird: ein längst vergessenes Fragment einer Erinnerung\, das verschwindet\, bevor es wieder erfasst werden kann. \n\n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/neofonia-klagenfurt/
LOCATION:Konzerthaus Klagenfurt\, Mießtalerstraße 8\, 9020\, Klagenfurt am Wörthersee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200918T200000
DTEND;TZID=Europe/Paris:20200918T213000
DTSTAMP:20260608T114728
CREATED:20191217T201642Z
LAST-MODIFIED:20200522T071927Z
UID:3275-1600459200-1600464600@myriamgarciafidalgo.com
SUMMARY:[:es]Text im Klang - Schallfeld Ensemble[:en]Text im Klang #4. Premieres of impuls composition commissions\, reading-performance & brunch[:de]Text im Klang #4. Premieren von impuls Kompositionsaufträgen\, Leseperformance und Brunch[:]
DESCRIPTION:[:es]Obras de Anna Feliz Machais\, Joan Gómez Alemany\, Pedro Berardinelli y Yulan Yu[:en]Premieres of impuls commissions by \nFeliz Anne Reyes Macahis New work\, for flute\, clarinet\, violin\, cello (2019\, premiere) \nYulan Yu New work\, for flute\, clarinet and 2 musicians/tape-recorders (2019\, premiere) \nJoan Gómez Alemany  eros – tans – tngi – ugog – celö – esel\, for flute\, clarinet\, piano\, violin\, cello (2019\, premiere) \nPedro Berardinelli New work\, for flute\, clarinet\, cello (2019\, premiere) \n  \nText & reading-performance: Thomas Antonic \n  \nEnsemble Schallfeld \nAlessandro Baticci flutes \nSzilárd Benes clarinet \nPatrick Skrilecz piano \nLorenzo Derinni violin \nMyriam García Fidalgo cello \n  \n„Text im Klang” is a laboratory\, where medial interlacings with a focal point on impulse are put into practice. Like in former years impuls again commissions new works from young composers\, who this time take their initial impulses from the writings and specially from a personal exchange with the author Thomas Antonic. For the first time he in turn is commissioned to write and present new texts as reading-performance\, partly interwoven in the music\, for the premieres. During a first preparation phace the topic of „disappearance“ has emerged as common thread\,  leading to different positions\, interpretations\, formal and cenceptional developements. Hereby the intention of the project does not pursue a classical setting such as words to music or a simple translation of the words into music\, be it with singers or as purely tonal representations of the texts\, but is rather meant as cross-fertilization beyond genres and fruitful cooperation within the artists´ group. \nLike in former years Ensemble Schallfeld plays an important role as performer being both included in the process and the realisation of the compositions\, thus working in close cooperation with both the author and of course especially the composers. \n  \nIn cooperation with Kulturzentrum bei den Minoriten. \nEnsemble Schallfeld as Ensemble in Residency at impuls is performing with co-funding by the Creative Europe Programme of the European Union. \n  \n  \nEntry 18.9.: € 15.- / € 7.- \nEntry 19.9. Open Brunch: Free admission \nTickets: Box office\, ticket reservation: +43 (0)316 711133 31[:de] \n\nUraufführungen von impuls Kompositionsaufträgen von \nFeliz Anne Reyes Macahis Neues Werk\, für Flöte\, Klarinette\, Violine und Violoncello (2019\, UA) \nYulan Yu Neues Werk\, für Flöte\, Klarinette und 2 Musiker/Kassettenrekorder (2019\, UA) \nJoan Gómez Alemany  eros – tans – tngi – ugog – celö – esel\, für Flöte\, Klarinette\, Klavier\, Violine und Violoncello (2019\, UA) \nPedro Berardinelli Neues Werk\, für Flöte\, Klarinette und Violoncello (2019\, UA) \n  \nText & Leseperformance: Thomas Antonic \n  \nEnsemble Schallfeld \nAlessandro Baticci  Flöte \nSzilárd Benes Klarinette \nPatrick Skrilecz Klavier \nLorenzo Derinni Violine \nMyriam García Fidalgo Violoncello \n  \n  \n„Text im Klang” versteht sich als Labor\, das mediale Verschränkungen\, deren Fokus auf dem Impuls liegt\, umzusetzen versucht. Wie in den Jahren zuvor vergibt impuls wieder Kompositionsaufträge an junge Komponisten\, die diesmal ihre Initialimpulse aber von den Werken und vor allem auch dem persönlichen Austausch mit dem Autor Thomas Antonic beziehen. Erstmals erhält auch er den Auftrag\, zu diesem Anlass neue Texte zu schreiben und sie in Form einer Leseperformance\, die zum Teil in die Musik verwoben sein wird\, selbst zu präsentieren. Während einer ersten gemeinsamen Entwicklungsphase kristallisierte sich für alle Arbeiten dabei das Thema des Verschwindens heraus\, das naturgemäß zu verschiedenen Positionen\, Interpretationen\, formalen wie konzeptuellen Entwicklungen führen wird. Die Intention des Projektes verfolgt dabei weiterhin kein klassisches Setting\, keine klassischen Vertonungen\, keine direkte Übersetzung von Wort in Musik\, sei es mittels Sängern oder als bloße tonale Repräsentation des Textes\, sondern legt das Hauptgewicht vielmehr auf die gegenseitige Befruchtung über Genregrenzen hinweg und auf eine befruchtende Zusammenarbeit innerhalb der Künstlergruppe\, die zu neuen Resultaten führen soll. \nWiederum spielt dabei das Ensemble Schallfeld als Interpret eine wichtige Rolle\, ist über die Erarbeitung der Kompositionen hinaus auch in den Entstehungsprozess eingebunden\, steht sowohl mit dem Autor wie insbesondere mit den Komponisten in engem Austausch. \n  \nEine Koproduktion von impuls und dem Kulturzentrum bei den Minoriten. \nAls Ensemble in Residency bei impuls tritt das Ensemble Schallfeld mit Kofinanzierung des Creative Europe Programme der Europäischen Union auf. \n  \n  \nEintritt 18.9.: € 15.- / € 7.- \nEintritt 19.9: Open Brunch: Eintritt frei \nKarten: Abendkassa\, Kartenreservierung: +43 (0)316 711133 31 \n\n[:]
URL:https://myriamgarciafidalgo.com/event/text-im-klang-4-premieres-of-impuls-composition-commissions-reading-performance-brunch/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200912T220000
DTEND;TZID=Europe/Paris:20200912T230000
DTSTAMP:20260608T114728
CREATED:20200627T165143Z
LAST-MODIFIED:20200627T165143Z
UID:3436-1599948000-1599951600@myriamgarciafidalgo.com
SUMMARY:Hörsturm Festival
DESCRIPTION:Visibile Silenzio \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/horsturm-festival-2/
LOCATION:LANDESMUSIKSCHULE RIED IM INNKREIS\, Konviktstraße 8\, Ried im Innkreis\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200911T203000
DTEND;TZID=Europe/Paris:20200911T213000
DTSTAMP:20260608T114728
CREATED:20200627T164950Z
LAST-MODIFIED:20200627T164950Z
UID:3433-1599856200-1599859800@myriamgarciafidalgo.com
SUMMARY:Hörsturm Festival
DESCRIPTION:Duo with Frederick Neyrinck
URL:https://myriamgarciafidalgo.com/event/horsturm-festival/
LOCATION:LANDESMUSIKSCHULE RIED IM INNKREIS\, Konviktstraße 8\, Ried im Innkreis\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200813
DTEND;VALUE=DATE:20200814
DTSTAMP:20260608T114728
CREATED:20200627T163535Z
LAST-MODIFIED:20200627T163535Z
UID:3425-1597276800-1597363199@myriamgarciafidalgo.com
SUMMARY:[:es]Styrian Artist in Residence presentation - Schallfeld Ensemble[:en]Styrian Artist in Residence presentation - Schallfeld Ensemble[:de]Styrian Artist in Residence presentation[:]
DESCRIPTION:[:es]New piece by Cameron Graham\, Styrian Artist in Residence  2019 (program by Land Steiermark) \n  \n[:en]New piece by Cameron Graham\, Styrian Artist in Residence  2019 \n[:de]New piece by Cameron Graham\, Styrian Artist in Residence  2019 \n  \n[:]
URL:https://myriamgarciafidalgo.com/event/styrian-artist-in-residence-presentation-schallfeld-ensemble/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200703
DTEND;VALUE=DATE:20200707
DTSTAMP:20260608T114728
CREATED:20200522T070940Z
LAST-MODIFIED:20200522T070940Z
UID:3385-1593734400-1594079999@myriamgarciafidalgo.com
SUMMARY:Reading session and masterclass with Pierluigi Billone
DESCRIPTION:Schallfeld Ensemble and IGNM Austria present a call for scores:\nReading sessions with a recording in combination with a composition masterclass with Pierluigi Billone will take place on July 3rd to 6th 2020 in Graz.\nEach participant will have 1 individual lesson with Pierluigi Billone and 2 rehearsals + recording session with Schallfeld Ensemble. It is also possible to combine a lesson with a reading session\, in order to investigate compositional questions with M°Billone and the ensemble at the same time. \nScores for the following instruments can be submitted: flute (piccolo\, C\, G and Bass)\, clarinet (B and Bass)\, saxophone (SATB)\, violin\, cello\, double-bass (5 Strings)\, piano\, percussion*\, conductor\nMinimum instrumentation is trio.\nThere is no age limit for participants. \nThe participation fee of 100€ includes lesson\, rehearsals and recording without editing.\nPlease send your CV and 1 or 2 scores (with recording\, if available) to academy@schallfeldensemble.com\, submission deadline is may\, 31st.\nThe selected composers will be notified by June 10th. \n*please see detailed percussion instrumentarium under: \nhttps://www.schallfeld-archive.cloud/owncloud/index.php/s/OfoWoFLOgCiftnf
URL:https://myriamgarciafidalgo.com/event/reading-session-and-masterclass-with-pierluigi-billone/
LOCATION:Graz\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200619T080000
DTEND;TZID=Europe/Paris:20200619T170000
DTSTAMP:20260608T114728
CREATED:20200302T084419Z
LAST-MODIFIED:20200522T070645Z
UID:3337-1592553600-1592586000@myriamgarciafidalgo.com
SUMMARY:[:es]POSTPONED Der ferne Klang[:en]POSTPONED Der ferne Klang[:de]POSTPONED Der ferne Klang - Schallfeld Ensemble[:]
DESCRIPTION:[:es]Música de Franz Schreker\, Roman Haubenstock-Ramati entre otros[:en]Music by Franz Schreker\, Roman Haubenstock-Ramati and others[:de]Mit Werken von Franz Schreker\, Roman Haubenstock-Ramati u.a.[:]
URL:https://myriamgarciafidalgo.com/event/der-ferne-klang/
LOCATION:neue Galerie Graz\, Joanneumsviertel\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200608T190000
DTEND;TZID=Europe/Paris:20200608T200000
DTSTAMP:20260608T114728
CREATED:20200301T214909Z
LAST-MODIFIED:20200522T070552Z
UID:3334-1591642800-1591646400@myriamgarciafidalgo.com
SUMMARY:POSTPONED StAiR Residency Concert
DESCRIPTION:Music by Alec Hall
URL:https://myriamgarciafidalgo.com/event/stair-residency-concert/
LOCATION:iem – CUBE\, Inffeldgasse 10/3\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200604
DTEND;VALUE=DATE:20200605
DTSTAMP:20260608T114728
CREATED:20200301T214120Z
LAST-MODIFIED:20200522T070452Z
UID:3332-1591228800-1591315199@myriamgarciafidalgo.com
SUMMARY:[:es]POSTPONED  Schallfeld Ensemble - Manipulationen[:en]POSTPONED Schallfeld Ensemble - Manipulationen[:de]POSTPONED Schallfeld Ensemble - Manipulationen[:]
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-manipulationen/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200512
DTEND;VALUE=DATE:20200513
DTSTAMP:20260608T114728
CREATED:20200301T213858Z
LAST-MODIFIED:20200320T192937Z
UID:3330-1589241600-1589327999@myriamgarciafidalgo.com
SUMMARY:CANCELLED Die blaue Stunde
DESCRIPTION:Schallfeld Ensemble with Severine Ballon \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/die-blaue-stunde/
LOCATION:echoraum\, Sechshauser Str. 66 \, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200508
DTEND;VALUE=DATE:20200510
DTSTAMP:20260608T114728
CREATED:20191217T203448Z
LAST-MODIFIED:20200320T204625Z
UID:3287-1588896000-1589068799@myriamgarciafidalgo.com
SUMMARY:[:es]POSTPONED Festival and Symposium Fragility of Sounds[:en]POSTPONED  Festival and Symposium Fragility of Sounds[:de]POSTPONED Festival and Symposium Fragility of Sounds[:]
DESCRIPTION:Festival and Symposium Fragility of Sounds\nat the KUG Kunstuniveristät Graz\, Austria\nwith\, among others\, ensemble Schallfeld\, Chaya Czernowin\, Elisabeth Schimana\, Electric Indigo\, Juliet Fraser\, Séverine Ballon\, Elaine Mitchener\, Paola Bianchi. More t.b.a.
URL:https://myriamgarciafidalgo.com/event/festival-and-symposium-fragility-of-sounds/
LOCATION:Kunst Universität Graz\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200425
DTEND;VALUE=DATE:20200426
DTSTAMP:20260608T114728
CREATED:20191217T203124Z
LAST-MODIFIED:20200522T071319Z
UID:3285-1587772800-1587859199@myriamgarciafidalgo.com
SUMMARY:CANCELLED Bridges 2020 - Konzerthaus Wien
DESCRIPTION:Schallfeld Ensemble \n 
URL:https://myriamgarciafidalgo.com/event/bridges-2020-konzerthaus-wien/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200331T200000
DTEND;TZID=Europe/Paris:20200331T213000
DTSTAMP:20260608T114728
CREATED:20200301T213211Z
LAST-MODIFIED:20200323T103632Z
UID:3328-1585684800-1585690200@myriamgarciafidalgo.com
SUMMARY:CANCELLED Jeunesse - Schallfeld Ensemble
DESCRIPTION:[:es] \n\nRojin Sharafi Synthesizer\, Elektronik \nElisabeth Harnik Klavier \nMarina Poleukhina expressive objects \nEnsemble Schallfeld Ensemble \nMatej Bunderla Saxophon \nAlexander Montgomery Smith Schlagzeug \nPatrick Skrilecz Klavier \nMyriam García Fidalgo Violoncello \nMargarethe Maierhofer-Lischka Kontrabass \nLeonhard Garms Dirigent \n  \n\n\nPROGRAMA\nElisabeth Harnik Floating shadows on flatland für Saxophon\, Violoncello und Kontrabass (2012) \nImprovisation von Elisabeth Harnik \nImprovisation von Marina Poleukhina \nMarina Poleukhina war nichts\, worin man Ihre Füße baden hätte dürfen für Violoncello\, Kontrabass und Klavier (2012) \n— Pause — \nNina Polaschegg im Gespräch mit Rojin Sharafi\, Elisabeth Harnik und Marina Poleukhina \nRojin Sharafi Elektroakustische Soloperformance \nRojin Sharafi Neues Werk (2019–2020\, Kompositionsauftrag von ORF und Jeunesse) \nRojin Sharafi\, Elisabeth Harnik\, Marina Poleukhina im Gespräch \n\n[:en] \n\nRojin Sharafi Synthesizer\, Elektronik \nElisabeth Harnik Klavier \nMarina Poleukhina expressive objects \nEnsemble Schallfeld Ensemble \nMatej Bunderla Saxophon \nAlexander Montgomery Smith Schlagzeug \nPatrick Skrilecz Klavier \nMyriam García Fidalgo Violoncello \nMargarethe Maierhofer-Lischka Kontrabass \nLeonhard Garms Dirigent \n— \nWolfgang Musil Sound \n\n\nPROGRAMM\nElisabeth Harnik Floating shadows on flatland für Saxophon\, Violoncello und Kontrabass (2012) \nImprovisation von Elisabeth Harnik \nImprovisation von Marina Poleukhina \nMarina Poleukhina war nichts\, worin man Ihre Füße baden hätte dürfen für Violoncello\, Kontrabass und Klavier (2012) \n— Pause — \nNina Polaschegg im Gespräch mit Rojin Sharafi\, Elisabeth Harnik und Marina Poleukhina \nRojin Sharafi Elektroakustische Soloperformance \nRojin Sharafi Neues Werk (2019–2020\, Kompositionsauftrag von ORF und Jeunesse) \nRojin Sharafi\, Elisabeth Harnik\, Marina Poleukhina im Gespräch \n\n[:de] \n\nINTERPRETEN\nRojin Sharafi Synthesizer\, Elektronik \nElisabeth Harnik Klavier \nMarina Poleukhina expressive objects \nEnsemble Schallfeld Ensemble \nMatej Bunderla Saxophon \nAlexander Montgomery Smith Schlagzeug \nPatrick Skrilecz Klavier \nMyriam García Fidalgo Violoncello \nMargarethe Maierhofer-Lischka Kontrabass \nLeonhard Garms Dirigent \n— \nWolfgang Musil Sound \n\n\nPROGRAMM\nElisabeth Harnik Floating shadows on flatland für Saxophon\, Violoncello und Kontrabass (2012) \nImprovisation von Elisabeth Harnik \nImprovisation von Marina Poleukhina \nMarina Poleukhina war nichts\, worin man Ihre Füße baden hätte dürfen für Violoncello\, Kontrabass und Klavier (2012) \n— Pause — \nNina Polaschegg im Gespräch mit Rojin Sharafi\, Elisabeth Harnik und Marina Poleukhina \nRojin Sharafi Elektroakustische Soloperformance \nRojin Sharafi Neues Werk (2019–2020\, Kompositionsauftrag von ORF und Jeunesse) \nRojin Sharafi\, Elisabeth Harnik\, Marina Poleukhina im Gespräch \n\n[:]
URL:https://myriamgarciafidalgo.com/event/jeunesse-schallfeld-ensemble/
LOCATION:ORF RadioKulturhaus | Großer Sendesaal\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200312T200000
DTEND;TZID=Europe/Paris:20200312T220000
DTSTAMP:20260608T114728
CREATED:20200225T120816Z
LAST-MODIFIED:20200225T120816Z
UID:3323-1584043200-1584050400@myriamgarciafidalgo.com
SUMMARY:Swing It - Schallfeld Ensemble
DESCRIPTION:[:es] \nPrograma\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:en] \nProgram\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:de] \n“…ein Übermaß an Klangmaterial\, an Energie\, Bewegung und an Klangfarbe…” *\n\nDer Komponist Franck  Bedrossian lebt und lehrt seit diesem Jahr in Graz\, Schallfeld widmet ihm am 12. März ein Willkommenskonzert.\nBedrossian schreibt eine Musik der Extreme: \nVirtuosität überlagert sich mit Noise\, raffinierte Farbschattierungen münden in tosende Kaskaden. \nIn ganz andere\, schillernde und unheimliche (Klang-)Welten entführen die kontrastierenden Werke von Clara Iannotta und Maura Lanza\, die um Fragen von Wahrnehmung\, Wiederholung und Erinnerung kreisen.\n\n“…Wiederholung ändert nichts im wiederholten Objekt\, aber ändert etwas in dem Kopf\, der es betrachtet…”**\n\n\n*Dominique Jameux\, 2008 \n** Gilles Deleuze\n\n\nProgramm\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem    \n\n[:]
URL:https://myriamgarciafidalgo.com/event/swing-it-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200306T193000
DTEND;TZID=Europe/Paris:20200306T203000
DTSTAMP:20260608T114728
CREATED:20200225T120424Z
LAST-MODIFIED:20200225T120500Z
UID:3320-1583523000-1583526600@myriamgarciafidalgo.com
SUMMARY:Nou Ensemble - Pamplona
DESCRIPTION:[:es]Partiendo de la premisa de revisar/reinterpretar nuestra historia musical\, tanto la clásica como la popular\, Nou Ensemble propone un recorrido por obras/canciones del repertorio universal a través de la mirada de seis compositores actuales de estilos y estéticas contrastantes. \nPrecios: 16€ y 14€ \nLiteralmente\, el término anglosajón cover significa “cubierta”\, “portada”\, “tapa”. Durante la segunda mitad del siglo XX pasó a utilizarse para denominar a aquellas versiones de canciones grabadas con anterioridad por otros músicos. \nNou Ensemble propone un recorrido por temas del repertorio universal; obras de Alberto Bernal sobre Billie Holiday\, de Carolyn Cheng sobre Anton Bruckner\, de Jessie Marino sobre Boyz II Men\, de Germán Alonso sobre Nirvana\, de Román González quien presenta un estreno sobre Deep Purple; y de Raquel García Tomás sobre música de los aborígenes de Oceanía. \n  \nPrograma \nRitual I :: Commitment :: BiiM para percusionista\, luces y audio-tape \nJessie Marino (USA\, 1984) \n  \nWondjina para clarinete bajo\, electrónica y video \nRaquel García Tomás (España\, 1984) \n  \nRitratto senza voce – Billie Holiday para percusionista y video \nAlberto Bernal (España\, 1978) \n  \nEver get the feeling you’ve been cheated? para cello\, clarinete bajo\, guitarra eléctrica y electrónica \nGermán Alonso (España\, 1984) \n  \nAdagio para 3 intérpretes escuchando Bruckner \nCarolyn Cheng (USA\, 1983) \n  \nVariaciones sobre un púrpura profundo * para clarinete\, cello\, guitarra eléctrica y percusión \nRomán González Escalera (España\, 1987)[:en]Program \nRitual I :: Commitment :: BiiM para percusionista\, luces y audio-tape \nJessie Marino (USA\, 1984) \n  \nWondjina para clarinete bajo\, electrónica y video \nRaquel García Tomás (España\, 1984) \n  \nRitratto senza voce – Billie Holiday para percusionista y video \nAlberto Bernal (España\, 1978) \n  \nEver get the feeling you’ve been cheated? para cello\, clarinete bajo\, guitarra eléctrica y electrónica \nGermán Alonso (España\, 1984) \n  \nAdagio para 3 intérpretes escuchando Bruckner \nCarolyn Cheng (USA\, 1983) \n  \nVariaciones sobre un púrpura profundo * para clarinete\, cello\, guitarra eléctrica y percusión \nRomán González Escalera (España\, 1987)[:de]Programm \nRitual I :: Commitment :: BiiM para percusionista\, luces y audio-tape \nJessie Marino (USA\, 1984) \n  \nWondjina para clarinete bajo\, electrónica y video \nRaquel García Tomás (España\, 1984) \n  \nRitratto senza voce – Billie Holiday para percusionista y video \nAlberto Bernal (España\, 1978) \n  \nEver get the feeling you’ve been cheated? para cello\, clarinete bajo\, guitarra eléctrica y electrónica \nGermán Alonso (España\, 1984) \n  \nAdagio para 3 intérpretes escuchando Bruckner \nCarolyn Cheng (USA\, 1983) \n  \nVariaciones sobre un púrpura profundo * para clarinete\, cello\, guitarra eléctrica y percusión \nRomán González Escalera (España\, 1987)[:]
URL:https://myriamgarciafidalgo.com/event/nou-ensemble-pamplona-2/
LOCATION:Teatro Universidad de Navarra\, Pamplona
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200222T080000
DTEND;TZID=Europe/Paris:20200222T170000
DTSTAMP:20260608T114728
CREATED:20190706T174945Z
LAST-MODIFIED:20190706T174945Z
UID:3151-1582358400-1582390800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Harvard University
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-harvard-university/
LOCATION:Paine Hall\, 3 Oxford St\, Cambridge\, MA 02138\, Estados Unidos
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200214
DTEND;VALUE=DATE:20200215
DTSTAMP:20260608T114728
CREATED:20191217T200601Z
LAST-MODIFIED:20191217T200601Z
UID:3272-1581638400-1581724799@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - UCSD
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-ucsd/
LOCATION:UCSD\, San Diego\, Estados Unidos
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191129T200000
DTEND;TZID=Europe/Paris:20191129T213000
DTSTAMP:20260608T114728
CREATED:20191029T164807Z
LAST-MODIFIED:20191029T164807Z
UID:3253-1575057600-1575063000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Oh I see
DESCRIPTION:Oh\, I see!\n\n\nZwei Werke für Ensemble und Elektronik und zwei für Ensemble\, Elektronik und Video spielen auf teils humorvolle Weise mit verschiedenen Möglichkeiten des Zusammentreffen von Klang und Bild; individuellen Assoziationen ist dabei freier Raum gegeben. \nCarola Bauckholts „Oh\, I see“ verbindet lustvoll Augäpfel\, den Mond und zarte Habaneraweisen\, während Nick Morrish Rarity  mit seinem neuen Werk in den Grenzbereich von Klang und Bild vordringt – „optical sound“ nennt er es\, wenn Licht zu Klang wird. \nMit dem bei Wien Modern uraufgeführten Werk Tektono von Hannes Kerschbaumer bringen wir ein eindrucksvolles Klangkunstwerk zu Gehör: Bilder von urzeitlichen Plattenverschiebungen werden durch instrumentale und elektronische Klänge fast zu einer haptischen Erfahrung\, während Giuliano Braccis „Ritroverai le nubi“ (zu deutsch: „Du wirst die Wolken wiederfinden“) als eine zart poetische Innenschau gewissermaßen einen Gegenpol darstellt. \nPROGRAMM \nCarola Bauckholt: Oh I see (2015/16) \nNick Morrish Rarity*: New piece UA (2019) \nGiuliano Bracci: Ritroverai le nubi UA (2019) \nHannes Kerschbaumer: Tektono (2019) \n*Resident Styrian Artist in Residence (St.A.i.R) Programm \nPreise: 10€/5€ Ermäßigt/Kulturpass frei \n 
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-oh-i-see/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191114
DTEND;VALUE=DATE:20191115
DTSTAMP:20260608T114728
CREATED:20191029T164250Z
LAST-MODIFIED:20191029T164250Z
UID:3249-1573689600-1573775999@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - La chute d´Icare
DESCRIPTION:[:es]Open rehearsal with Brian Ferneyhough and performance of La Chute d´Icare (Soloist – Szilárd Benes) \n\n[:en]Open rehearsal with Brian Ferneyhough and performance of La Chute d´Icare (Soloist – Szilárd Benes)[:de]Open rehearsal with Brian Ferneyhough and performance of La Chute d´Icare (Soloist – Szilárd Benes)[:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-la-chute-dicare/
LOCATION:Kunst Universität Graz\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191108T200000
DTEND;TZID=Europe/Paris:20191108T220000
DTSTAMP:20260608T114728
CREATED:20190908T091352Z
LAST-MODIFIED:20191029T163839Z
UID:3215-1573243200-1573250400@myriamgarciafidalgo.com
SUMMARY:Büro Lunaire — Aufzeichnungen einer Blinden
DESCRIPTION:[:es]More info coming soon[:en] \n\nEine Produktion von büro lunaire in Kooperation mit dem InTaKT Festival Graz\, dem Blinden- und Sehbehindertenverband Salzburg und der Steiermark und dem Ensemble Schallfeld. \n\n\n\nDas Live-Hörspiel im Dunkeln beruht in erster Linie auf Gesprächen mit blinden Menschen\, die den Entstehungsprozess begleitet haben\, sowie einer Suchbewegung im Schreiben\, die wie ein Tasten im Ungewissen verläuft. Im Zentrum des Textes stehen zwei Frauenfiguren\, die sich wie zwei Linien aufeinander zu bewegen\, umgeben von Klanglandschaften\, die sich aus Geräuschen speisen\, die dem Text entnommen sind oder mit dem Vorgang des Lesens (von Blindenschrift) in Zusammenhang stehen: Die Hand\, die über das Papier streift\, der Schlägel\, der auf die Trommelhaut fällt\, das Tropfen des Wassers auf Glasröhren. Aufzeichnungen einer Blinden ist der Versuch einer Fokusierung auf den Hör- und Tastsinn. \n  \nTEXT: Gina Mattiello\nGeschrieben während eines von der Österreichischen Gesellschaft für Literatur und dem Bundeskanzleramt geförderten Aufenthaltes in der casa litterarum im Juli 2019 in Paliano.\nKOMPOSITIONEN: Peter Ablinger\, Reinhold Schinwald\, Germán Toro Pérez\nSTIMMEN: Gina Mattiello\, Ninja Reichert\nSCHLAGWERK: Manuel Alcaraz Clemente\nVIOLONCELLO: Myriam García Fidalgo\nKLANGREGIE: Reinhold Schinwald \n\n[:de] \n\nEine Produktion von büro lunaire in Kooperation mit dem InTaKT Festival Graz\, dem Blinden- und Sehbehindertenverband Salzburg und der Steiermark und dem Ensemble Schallfeld. \n\n\n\nDas Live-Hörspiel im Dunkeln beruht in erster Linie auf Gesprächen mit blinden Menschen\, die den Entstehungsprozess begleitet haben\, sowie einer Suchbewegung im Schreiben\, die wie ein Tasten im Ungewissen verläuft. Im Zentrum des Textes stehen zwei Frauenfiguren\, die sich wie zwei Linien aufeinander zu bewegen\, umgeben von Klanglandschaften\, die sich aus Geräuschen speisen\, die dem Text entnommen sind oder mit dem Vorgang des Lesens (von Blindenschrift) in Zusammenhang stehen: Die Hand\, die über das Papier streift\, der Schlägel\, der auf die Trommelhaut fällt\, das Tropfen des Wassers auf Glasröhren. Aufzeichnungen einer Blinden ist der Versuch einer Fokusierung auf den Hör- und Tastsinn. \n  \nTEXT: Gina Mattiello\nGeschrieben während eines von der Österreichischen Gesellschaft für Literatur und dem Bundeskanzleramt geförderten Aufenthaltes in der casa litterarum im Juli 2019 in Paliano.\nKOMPOSITIONEN: Peter Ablinger\, Reinhold Schinwald\, Germán Toro Pérez\nSTIMMEN: Gina Mattiello\, Ninja Reichert\nSCHLAGWERK: Manuel Alcaraz Clemente\nVIOLONCELLO: Myriam García Fidalgo\nKLANGREGIE: Reinhold Schinwald \n\n[:]
URL:https://myriamgarciafidalgo.com/event/buro-lunaire-aufzeichnungen-einer-blinden/
LOCATION:Schauspielhaus Graz\, Hofgasse 11\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191106
DTEND;VALUE=DATE:20191107
DTSTAMP:20260608T114728
CREATED:20190617T093356Z
LAST-MODIFIED:20190617T093356Z
UID:3123-1572998400-1573084799@myriamgarciafidalgo.com
SUMMARY:Trilogy in two - Roma
DESCRIPTION:TRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art.
URL:https://myriamgarciafidalgo.com/event/trilogy-in-two-roma/
LOCATION:Auditorium Parco della Musica\, Roma\, Italia
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191103T203000
DTEND;TZID=Europe/Paris:20191103T220000
DTSTAMP:20260608T114728
CREATED:20191029T164550Z
LAST-MODIFIED:20191029T164550Z
UID:3251-1572813000-1572818400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble: Wien Modern
DESCRIPTION:PROGRAMM\n\n\nCathy van Eck: Stumme Diener (2011) – Performance für Musiker und Notenständer \nDiana Soh: Modicum (2019) EA \nLorenzo Troiani: La fine è senza fine (2017) \nSylvain Marty: Discreet for ensemble \nHannes Kerschbaumer: Neues Stück* UA \n*Kompositionsauftrag von Wien Modern und Schallfeld Ensemble\, gefördert von der Ernst von Siemens Musikstiftung. \n\n  \nKuratiert vom Schallfeld Ensemble | Produktion Wien Modern | Koproduktion Schallfeld Ensemble mit freundlicher Unterstützung von Pro Helvetia Schweizer Kulturstiftung \n  \n                                        
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-wien-modern/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191022
DTEND;VALUE=DATE:20191031
DTSTAMP:20260608T114728
CREATED:20190617T093153Z
LAST-MODIFIED:20190617T093153Z
UID:3119-1571702400-1572479999@myriamgarciafidalgo.com
SUMMARY:Trilogy in two - Genova
DESCRIPTION:TRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art.
URL:https://myriamgarciafidalgo.com/event/trilogy-in-two-genova/
LOCATION:Teatro Modena\, Genova\, Italia
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191019
DTEND;VALUE=DATE:20191021
DTSTAMP:20260608T114728
CREATED:20190617T092827Z
LAST-MODIFIED:20190617T092856Z
UID:3116-1571443200-1571615999@myriamgarciafidalgo.com
SUMMARY:TRILOGY IN TWO – Reggio Emilia
DESCRIPTION:[:es] \n\nTRILOGY IN TWO\n\n\n\na mosaic opera  by Andrea Liberovici with Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art. \n \n\n\n[:en] \n\nTRILOGY IN TWO\n\n\n\na mosaic opera  by Andrea Liberovici with  Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva  \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director.  \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art. \n \n\n\n[:de] \n\nTRILOGY IN TWO\n\n\n\na mosaic opera  by Andrea Liberovici with Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art. \n \n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/trilogy-in-two-reggio-emilia/
LOCATION:Teatro Cavallerizza\, Reggio Emilia\, Italia
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191010T200000
DTEND;TZID=Europe/Paris:20191010T200000
DTSTAMP:20260608T114728
CREATED:20190525T063552Z
LAST-MODIFIED:20190525T063552Z
UID:3100-1570737600-1570737600@myriamgarciafidalgo.com
SUMMARY:Overload and emptiness - Schallfeld Ensemble
DESCRIPTION:Program\n\n\n\n Cathy van Eck: Stumme Diener (2011). Performance für Musiker und Notenständer \nAlexander Khubeev: Neues Werk (2019). Kompositionsauftrag BTZM \nSara Caneva: Neues Stück UA \nDiana Soh: Modicum (2019) EA \nLorenzo Troiani:  Chronicles of the after bomb (2019) UA
URL:https://myriamgarciafidalgo.com/event/overload-and-emptiness-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191004
DTEND;VALUE=DATE:20191005
DTSTAMP:20260608T114728
CREATED:20190422T155145Z
LAST-MODIFIED:20190422T155145Z
UID:3075-1570147200-1570233599@myriamgarciafidalgo.com
SUMMARY:Bludenzer Tage zeitgemäßer Musik
DESCRIPTION:Schallfeld Ensemble \nProgram coming soon
URL:https://myriamgarciafidalgo.com/event/bludenzer-tage-zeitgemaser-musik/
LOCATION:Bludenz\, Austria
END:VEVENT
END:VCALENDAR