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DTSTART;TZID=Europe/Paris:20250406T200000
DTEND;TZID=Europe/Paris:20250406T210000
DTSTAMP:20260423T165507
CREATED:20250417T072241Z
LAST-MODIFIED:20250417T072241Z
UID:15421-1743969600-1743973200@myriamgarciafidalgo.com
SUMMARY:Biennale Zagreb
DESCRIPTION:Systema Naturae is about discovery. It is a meditation on the process\, rather than the act. It depicts the ways in which we classify\, organise and most importantly give name to the minutiae of the natural world. The project draws inspiration from two traditions: phantasmagorical catalogues of animals\, plants\, and minerals\, such as the medieval bestiaries\, herbariums and lapidariums\, and Linnaeus’ taxonomy exhibited in his work Systema Naturae. \nEach composition in the cycle is structured as a catalogue: a collection of short pieces with fictitious Latin names thematises individual branches of nature or natural sciences. Through a four-part “play” – Regnum Animale (2013)\, Regnum Vegetabile (2014)\, Regnum Lapideum(2016) and Fossilia(2016/17) – Mauro Lanza and Andrea Valle created a vast\, wide-open metaphor of the world that reflects our own histories of observation and categorisation. Through an amalgam of medieval imagination and rational classification\, the cycle explores the way in which history and modernity can coexist in sound. \n/// \nComposer Mauro Lanza was born in Venice\, Italy. He is known for combining classical instruments with unconventional sources of sound such as toys\, sound machines\, and different found objects. His music is also often used in interdisciplinary projects such as dance and video-opera. \nAndrea Valle is a composer and researcher from the University of Turin\, whose work combines computer programming and analogue instruments. For example\, in the project Vedute della luna scritte in Braille\, he uses the hybrid instrument Rumentarium\, which he built and programmed himself\, in order to create a piece about Galileo’s descriptions of the Moon surface\, in which engines\, tins and Lego blocks produce uncommon\, weightless sounds. \nProgramm: \nMauro Lanza & Andrea Valle: Systema Naturae \nRegnum animale\, for violin\, viola\, cello and electromechanical devices\n           Regnum vegetabile\, for flute\, oboe\, clarinet\, violin\, viola\, cello and electromechanical devices\n           Regnum lapideum\, for flute\, saxophone\, percussion\, piano\, guitar\, viola\, cello and electromechanical devices\n           Fossilia\, for flute\, oboe\, clarinet\, saxophone\, percussion\, piano\, guitar\, violin\, viola\, cello and electromechanical devices \nsupported by the Austrian Cultural Forum
URL:https://myriamgarciafidalgo.com/event/biennale-zagreb/
LOCATION:Lauba\, Zagreb\, Croatia (Local Name: Hrvatska)
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2025/04/IMG_3558.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250320T203000
DTEND;TZID=Europe/Paris:20250320T220000
DTSTAMP:20260423T165507
CREATED:20240929T065931Z
LAST-MODIFIED:20251005T070830Z
UID:9105-1742502600-1742508000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - IGNM Basel
DESCRIPTION:(AUS DER NÄHE)\nProgram\n\nCaspar Johannes Walter: «Gesang der Töne (aus der Nähe)» (2000/2001)\nTimothy McCormack: «yours in the process of being absorbed» (2023)\n\nDruckereihalle im Ackermannshof\, St. Johanns-Vorstadt 19-21\, 4056 Basel
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-ignm-basel/
LOCATION:Druckereihalle im Ackermannshof\, St. Johanns-Vorstadt 19-21\, Basel\, Switzerland
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/09/Captura-de-pantalla-2024-09-25-a-las-18.20.59.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250318T080000
DTEND;TZID=Europe/Paris:20250318T170000
DTSTAMP:20260423T165507
CREATED:20250127T195839Z
LAST-MODIFIED:20250127T195839Z
UID:12208-1742284800-1742317200@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - (Aus der Nähe) Vienna
DESCRIPTION:This evening will explore different ways of introspection: Themes such as physicality (in sound and people) and liminality (in perception and identity) play a central role. Both works hint at a possible vocality: In ‘Gesang der Töne’ by Caspar Johannes Walter it is latent\, while in Timothy McCormack it is explored in its peripheral areas. Although the two compositions are based on different approaches\, they share a search for new expressive possibilities. \n  \nProgramme \nCaspar Johannes Walter: ‘Gesang der Töne (aus der Nähe)’ (2000/2001) \nTimothy McCormack: «yours in the process of being absorbed» (2023) \n  \nSchallfeld Ensemble \nSzilard Benes (clarinets) \nMaria Flavia Cerrato (piano) \nManuel Alcaraz Clemente (percussion) \nLorenzo Derinni (violin) \nMyriam García Fidalgo (violoncello) \nMargarethe Maierhofer-Lischka (double bass) \nDavide Gagliardi (sound direction and live electronics) \nSoloist: Ty Bouque (voice) \n  \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-aus-der-nahe-vienna/
LOCATION:Ehrbar Saal\, Mühlgasse 30\, Vienna\, Austria
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/12/Ausdernahe16.10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250317T200000
DTEND;TZID=Europe/Paris:20250317T213000
DTSTAMP:20260423T165507
CREATED:20241213T102844Z
LAST-MODIFIED:20250127T193732Z
UID:10685-1742241600-1742247000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble Saison 2025 - (Aus der Nähe)
DESCRIPTION:This evening will explore different ways of introspection: Themes such as physicality (in sound and people) and liminality (in perception and identity) play a central role. Both works hint at a possible vocality: In ‘Gesang der Töne’ by Caspar Johannes Walter it is latent\, while in Timothy McCormack it is explored in its peripheral areas. Although the two compositions are based on different approaches\, they share a search for new expressive possibilities. \nProgramme \nCaspar Johannes Walter: ‘Gesang der Töne (aus der Nähe)’ (2000/2001) \nTimothy McCormack: «yours in the process of being absorbed» (2023) \n  \nSchallfeld Ensemble \nSzilard Benes (clarinets) \nMaria Flavia Cerrato (piano) \nManuel Alcaraz Clemente (percussion) \nLorenzo Derinni (violin) \nMyriam García Fidalgo (violoncello) \nMargarethe Maierhofer-Lischka (double bass) \nDavide Gagliardi (sound direction and live electronics) \nSoloist: Ty Bouque (voice)
URL:https://myriamgarciafidalgo.com/event/korpus-ii/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/12/Ausdernahe16.10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250219T200000
DTEND;TZID=Europe/Paris:20250219T213000
DTSTAMP:20260423T165507
CREATED:20241211T210811Z
LAST-MODIFIED:20241212T205737Z
UID:10640-1739995200-1740000600@myriamgarciafidalgo.com
SUMMARY:impuls Festival: Schallfeld Ensemble. KORPUS I
DESCRIPTION:Claudio Panariello To learn the obscene art of suffering pain\, for flute\, clarinet\, saxophone\, percussion\, piano\, violin\, viola\, cello\, double bass\, electronics (2022) \nCarola Bauckholt Keil\, for flute\, clarinet\, percussion\, piano\, violin\, viola\, cello\, double bass (2000) \nChristophe Bertrand Madrigal\, for soprano\, flute\, clarinet\, percussion\, piano\, violin\, cello (2005) \nMisato Mochizuki Voilages\, for flute\, clarinet\, piano\, violin\, viola\, cello (2000) \nAlexander Khubeev don’t leave the room\, for performer\, flute\, clarinet\, trombone\, percussion\, piano\, violin\, cello\, electronics\, live-video (2020)* \n\nHaving been connected to impuls in various ways over the years\, Graz based Schallfeld Ensemble presents its first concert of the 2025 season – dedicated to „Body“ as main theme – within the impuls Festival. Starting with the experience of pain (and confrontation with hybridity\, otherness and detachment) in Panariello´s work\, the program clashes into the hyperbolic description of Gargantua’s gigantic body (Bertrand) and finally arrives at Khubeev’s paradoxical musical investigation of the body as a linguistic medium. Just like in former years\, with Carola Bauckholt and Misato Mochizuki two renowned composers teaching at the impuls Academy\, are included in the program\, opening up the possibility to work and exchange closely with them. \n  \nSchallfeld is an international ensemble for contemporary music based in Graz. The group sparks the interest of its audience by its vivid virtuosity and refined chamber music sound\, paired with interpretations that pay special attention to concert format\, creating events that adapt to the specific venue while aiming for a new dimension of listening. The ensemble was founded in 2013 by alumni of Klangforum Wien and composition students of Kunstuniversität Graz. It currently consists of musicians from 8 nationalities and reflects the diversity and different interests of its members in its artistic direction. In the last few years\, Schallfeld has been able to establish itself on international stages through exciting programming with a focus on young composers\, innovative concert-stagings as well as through the quality of its collective improvisations and innovative use of live-electronics. Schallfeld sees its mission in bringing music of international young composers to Austria and acting as an ambassador for new music production abroad. \nBesides its own concert cycle in Graz\, Schallfeld is regularly guest in festivals in Austria and abroad\, such as Wien Modern\, impuls Graz\, Klangspuren Schwaz\, musikprotokoll Graz\, Warsaw Autumn\, Darmstädter Ferienkurse\, Ensems (Spain)\, Romaeuropa (Rome)\, Afekt (Estonia)\, Daegu International Contemporary Music Festival (South Korea). In 2016 and 2017 Schallfeld has been selected by the Ministry of Foreign/cultural Affairs as representative of NASOM (New Austrian Sound of Music)\, a program designed to promote young Austrian artists internationally and\, since 2015\, is Ulysses- Network Ensemble in Residence. \nSchallfeld was Ensemble in Residence during the Darmstädter Ferienkursen (2016)\, impuls (2015\, 2017\, 2019\, 2021\, 2023)\, Klangspuren Schwaz (2023)\, Stanford University (2023)\, University of California San Diego (2020)\, Harvard University (2020) and has a fix collaboration with the IEM Graz since 2015. \nThe ensemble is also involved in pedagogical activities and collaborative theatre projects for children and adults. Schallfeld is funded by the municipality of Graz\, the federal state of Styria\, the Austrian federal Government and receives generous support from the University of Music and Performing Arts Graz and the iem (Institute for Electronic Music and Acoustics) Graz. Past projects by Schallfeld have also received grants by the EU (Youth in Action)\, Music Austria (MICA) and KulturKontakt Austria. 2022 Schallfeld Ensemble was awarded the Grand Interpretation Prize of Land Steiermark. \n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert \nTicket reservation: office@impuls.cc \nIn cooperation with Schallfeld Ensemble\, supported by IGNM Steiermark
URL:https://myriamgarciafidalgo.com/event/impuls-festival-schallfeld-ensemble-korpus-i/
LOCATION:Ligeti Saal Graz\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/12/impulsbanner_aussendung.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250115T193000
DTEND;TZID=Europe/Paris:20250115T210000
DTSTAMP:20260423T165507
CREATED:20250109T135919Z
LAST-MODIFIED:20250109T135959Z
UID:11418-1736969400-1736974800@myriamgarciafidalgo.com
SUMMARY:Musik hilft: Charity Concert for Valencia
DESCRIPTION:On 29 October last\, Valencia was hit by a DANA that flooded a large part of the so-called region of l’Horta Sud\, causing innumerable material damages and fatalities. The need to do something about this climatic catastrophe has mobilised musicians belonging to various contemporary music initiatives in Graz who have come together to offer a benefit concert to raise funds for musical associations in the region.\nMusicians members of Between Feathers\, Ensemble Coincidence\, LAKT\, Schallfeld Ensemble and Helena Sorokina will perform music by Kazu Fukushima\, Kaija Saariaho\, Salvatore Sciarrino\, Petra Stump-Linshalm\, Gundega Šmite\, James Tenney und Jeeyoung Yoo.\nAll donations from the concert will go to the Federation of Musical Societies of the Valencia Region (FSMCV).You can support the initiative also donating to their bank account: ES45 3159 0078 5630 4840 6023
URL:https://myriamgarciafidalgo.com/event/musik-hilft-charity-concert-for-valencia/
LOCATION:Sankt Andrä Kirche\, Kernstockgasse 9\, Graz
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2025/01/instagram-Valencia-II.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241206T080000
DTEND;TZID=Europe/Paris:20241206T170000
DTSTAMP:20260423T165507
CREATED:20240210T171514Z
LAST-MODIFIED:20240210T171514Z
UID:8065-1733472000-1733504400@myriamgarciafidalgo.com
SUMMARY:FESTKONZERT – 70 YEARS BEAT FURRER
DESCRIPTION:Schallfeld Ensemble with Cantando Admont \nMore info coming soon \n 
URL:https://myriamgarciafidalgo.com/event/festkonzert-70-years-beat-furrer/
LOCATION:Graz\, Graz
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/02/211130_2021_Beat_Furrer_585.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241126
DTEND;VALUE=DATE:20241127
DTSTAMP:20260423T165507
CREATED:20240901T071434Z
LAST-MODIFIED:20241012T091040Z
UID:8997-1732579200-1732665599@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Musikagileak
DESCRIPTION:Music by Ramón Lazkano\, Aurelio Edler-Copes\, Mikel Urquiza and Georg Friedrich Haas.
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-musikagileak/
LOCATION:Musikene\, San Sebastián - Donostia\, Spain
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2015/11/C0A2175.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241031T213000
DTEND;TZID=Europe/Paris:20241031T223000
DTSTAMP:20260423T165507
CREATED:20240808T080859Z
LAST-MODIFIED:20240808T080859Z
UID:8880-1730410200-1730413800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Arte no tempo
DESCRIPTION:Katharina Roth Tot ist das Mädchen* for violin\, viola\, violoncello\, double bass\, piano (2024) \nDaria Scia Wir sind alle und niemand. Wir umarmen uns für immer* for violin\, viola\, violoncello\, double bass\, piano (2024) \nHristina Šušak  DELIRIUM* for violin\, viola\, violoncello\, double bass\, piano (2024) \nLorenzo Troiani Im Magen des Ungeheuers* for violin\, viola\, violoncello\, double bass\, piano (2024) \nJoão Carlos Pinto (1998) | black midi** (2024\, WP) \n  \n*impuls composition commissions\, premiered on the 18.10.2024 in Graz as part of Text im Klang #6 \n**comission by Arte no Tempo financed by Direcção Geral das Artes.
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-arte-no-tempo/
LOCATION:Teatro aveirense\, Aveiro\, Portugal
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/08/ant-logoBranco250x250.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241027T180000
DTEND;TZID=Europe/Paris:20241027T193000
DTSTAMP:20260423T165507
CREATED:20240914T094606Z
LAST-MODIFIED:20251004T162758Z
UID:9046-1730052000-1730057400@myriamgarciafidalgo.com
SUMMARY:Vertixe Sonora
DESCRIPTION:CAMILO MÉNDEZ (CO) Cartography of Modular Spaces*1 (2024) para ensemble de 9 músicos\nRUBÉN SOTO KEMP (CL) Créatures* (2024) para voz\, guitarra eléctrica\, piano\nJIWON SEO (KR) The Wonderfull Johnny* (2023) para guitarra eléctrica\, fagote\, cuarteto de corda\, multimedia\nMATEU MALONDRA (ES) Within Modular Objects* (2021) para ensemble\nLEONARDO IDROBO (CO) Crust shifting*2 (2024) para ensemble de 15 músicos\nCHRISTIAN WINTHER CHRISTENSEN (DK) Song from the beach*3 (2024) para voz e ensemble de 15 músicos
URL:https://myriamgarciafidalgo.com/event/vertixe-sonora/
LOCATION:Auditorio Martín Codax\, Vigo\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241022T200000
DTEND;TZID=Europe/Paris:20241022T210000
DTSTAMP:20260423T165507
CREATED:20240704T064257Z
LAST-MODIFIED:20240704T064257Z
UID:8781-1729627200-1729630800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Text im Klang #6
DESCRIPTION:Schallfeld: Text im Klang #6 \nVier neue Kompositionsaufträge für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier. Textimpulse von Elfriede Jelinek. \nProgramm:\nKatharina Roth Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA)\nDaria Scia Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA)\nHristina Šušak Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA)\nLorenzo Troiani Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA) \nSchallfeld Ensemble:\nLorenzo Derinni Violine\nFrancesca Piccioni Viola\nMyriam García Fidalgo Violoncello\nMargarethe Maierhofer-Lischka Kontrabass\nMaria Flavia Cerrato Klavier \nClaus Philipp Einführung zum Schaffen von Elfriede Jelinek \n„Text im Klang“ sieht heuer bereits seiner 6. Ausgabe entgegen. Von Anfang an verstand sich das Projekt als Labor\, das mediale Verschränkungen umzusetzen versucht\, deren Fokus auf dem Impuls liegen. Texte wie auch der aktive Austausch zwischen Komponisten und Autoren liefern dabei Initialimpulse zu neuen Kompositionen. Nicht Vertonungen im klassischen Sinn sind dabei intendiert\, keine Übersetzungen mit Stimme oder Sprecher\, keine klanglichen Repräsentationen der Texte – gefragt ist vielmehr der konkrete Text als Movens in seinen zum Beispiel rhythmischen und syntaktischen Qualitäten\, in seinen klangsprachlichen Färbungen\, in seiner atmosphärischen oder thematischen Dichte\, als semantische Widerlager … Die Versuchsanordnung von „Text im Klang“ wird im Rahmen der einzelnen Jahrgänge dabei immer wieder leicht modifiziert: 2014 und 2016 dienten den Komponisten Texte verschiedener österreichischer Autoren in verschiedenen Paarbildungen als Impulsgeber\, bei den Aufführungen wurden Musik und Text teils verschränkt\, letztere von Schauspielern oder den Autoren selbst vorgetragen\, teils dabei auch live oder beispielsweise als bearbeitete Zuspielung in den musikalischen Part integriert. 2018 lag der Fokus für alle Komponisten auf einem konkreten Kurztext\, 2020 entstanden sowohl Text wie Musik zu einem gemeinsam erarbeiteten Thema völlig neu. 2022 wiederum war Ferdinand Schmatz‘ „das gehörte feuer. orphische skizzen“ der Ausgangspunkt der neuen Kompositionen\, die teils Fragmente des Textes sowohl akustisch als auch visuell einbezogen\, teils auch vom Autor selbst gelesen wurden. \nIn den künstlerischen Austausch wie Prozess eingebunden sind nicht zuletzt mit Schallfeld Ensemble auch von Beginn an die Interpreten\, die ihrerseits für die Realisierung mit den Komponierenden in enger Zusammenarbeit stehen und über die Jahre auch in unterschiedlichen instrumentalen Formationen zu erleben sind. \nFür 2024 hat Elfriede Jelinek ihre Zustimmung gegeben\, dass jeder ihrer zahlreichen Texte als Impuls und Ausgangspunkt für neue musikalische Werke herangezogen werden kann. Die Besetzung ist diesmal mit Schuberts Forellenquintettinstrumentierung eine klassische. Den Uraufführungen voran geht eine Einführung zu Elfriede Jelinek durch Claus Philipp\, der das Projekt auch als Vermittler zur Schriftstellerin und ihrem literarischen Ouevre\, aber auch ihrem musikalischen Background und ihrer (gesellschafts-)politischen Rolle begleitet hat. Einmal mehr bietet „Text im Klang“ auch am 18. Oktober ein dramaturgisch schlüssiges Programm und schließt tags darauf mit einem öffentlich zugängigen Brunch ab\, bei dem der Gesamtprozess des Projekts nochmals reflektiert und die Eindrücke mit dem Publikum ausgetauscht werden können. \nEin Projekt von impuls:\nAm 18. Oktober 2024 um 20:00 Uhr wird dasselbe Programm in Graz im Florentinersaal des Palais Meran zu hören sein!\nhttps://www.impuls.cc/events-2024/1810-text-im-klang
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-text-im-klang-6-2/
LOCATION:echoraum\, Sechshauser Str. 66 \, Wien\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/01/schallfeld5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241018T200000
DTEND;TZID=Europe/Paris:20241018T213000
DTSTAMP:20260423T165507
CREATED:20240116T092211Z
LAST-MODIFIED:20240116T095451Z
UID:7917-1729281600-1729287000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Text im Klang #6
DESCRIPTION:Premieres of impuls composition commissions\n\n\nKatharina Roth New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nDaria Scia New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nHristina Šušak New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nLorenzo Troiani New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \n\nSchallfeld Ensemble \nLorenzo Derinni violin \nFrancesca Piccioni viola \nMyriam García Fidalgo violoncello \nMargarethe Maierhofer-Lischka double bass \nMaria Flavia Cerrato piano \n  \nClaus Philipp Introduction to the work of Elfriede Jelinek \n\n\n\n\n\n\n\n\n\n„Text im Klang” is already looking forward to its 6th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme and in 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author. \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \nFor 2024\, Elfriede Jelinek agreed that any of her numerous texts could function as impuls and starting point for new musical works\, which this time will be written for the very classical line-up of Schubert´s Forellenquintett. The world premieres will hereby come along with an introduction to Elfriede Jelinek by Claus Philipp\, who also accompanied the project as an intermediary to the writer and her literary work as well as to her musical background and (social-)political role. Once more „Text im Klang“ offers a dramaturgically coherent program on October 18th\, and concludes the following day with an open brunch\, allowing reflections on the overall process of the project and an exchange with the audience on their impressions. \n\n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert. \nTicket reservation: office@impuls.cc
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-text-im-klang-6/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/01/schallfeld5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241008T200000
DTEND;TZID=Europe/Paris:20241008T213000
DTSTAMP:20260423T165507
CREATED:20240808T074216Z
LAST-MODIFIED:20240808T074318Z
UID:8877-1728417600-1728423000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - The great unlearning IV
DESCRIPTION:Music by Alessandro Perini and Luigi Nono. \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-the-great-unlearning-iv/
LOCATION:MUWA\, Friedrichgasse 41\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241005T210000
DTEND;TZID=Europe/Paris:20241005T220000
DTSTAMP:20260423T165507
CREATED:20241002T194823Z
LAST-MODIFIED:20241002T194823Z
UID:9128-1728162000-1728165600@myriamgarciafidalgo.com
SUMMARY:musikprotokoll - ensemble Phace
DESCRIPTION:PROGRAMM \nGrzegorz Pieniek\nCyberbrain für verstärktes Ensemble und Elektronik\, 2024 (UA)\nKompositionsauftrag von PHACE\, mit Unterstützung des BMKOES und der SKE der Austro Mechana \nNava Hemyari\nBlow für Ensemble\, 2024 (UA)\nKompositionsauftrag von PHACE\, mit Unterstützung der SKE der Austro Mechana  \nAnnesley Black\nScrap für Ensemble und Live-Elektronik\, 2019 \nAlessandro Baticci\nLuminal Mirage für Ensemble und Elektronik\, 2024 (UA)\nKompositionsauftrag von PHACE und Radio Österreich 1 in Kooperation mit ORF musikprotokol\, mit Unterstützung des SKE-Fonds und der Stadt Wien 
URL:https://myriamgarciafidalgo.com/event/musikprotokoll-ensemble-phace/
LOCATION:Helmut List Halle\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/10/mp24-banner-4_0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20240912
DTSTAMP:20260423T165507
CREATED:20240901T070907Z
LAST-MODIFIED:20240906T205012Z
UID:8993-1725667200-1726099199@myriamgarciafidalgo.com
SUMMARY:Lauftheater Graz
DESCRIPTION:Solo performance: \nFranck Bedrossian – The spider as an artist \nMore info in https://lauftheatergraz.com/programm/ \n  \nIn retrospect\, I do consider this piece already as a pivotal experience in my writing\, especially for string instruments. This is mainly because I was\, at that time\, willing to experiment and articulate new sound textures for the string instruments\, and still maintain and develop the polyphonic dimension of the musical discourse\, even though elaborated for a solo instrument.\nThis double aim had been in my mind for several years\, and composing it gave me a beautiful occasion to discover and combine techniques that would possibly allow me to achieve this goal. As a cause or as a consequence\, an invisible poem by Emily Dickinson\, as transparent as a spiderweb can be\, is present throughout the piece\, written with the bow on the body of the instrument. \n[Franck Bedrossian] \n  \nThe Spider as an Artist\nHas never been employed —\nThough his surpassing Merit\nIs freely certified\nBy every Broom and Bridget\nThroughout a Christian Land —\nNeglected Son of Genius\nI take thee by the Hand — \n[Emily Dickinson] \n\nThe Lauftheater is a response to our fast-paced lives and a society without time. An uninterrupted theatre machine; a theatre house that questions and breaks artistic boundaries; a space that tests and defines new art practices. We are three women from three different countries. We are united by an intersectional feminist approach to art and cultural policy. We question power structures within these and want to break up and change these structures\, hierarchies and patriarchal relationships with a different theatre house\, the Lauftheater\, and thus contribute to a fairer society!
URL:https://myriamgarciafidalgo.com/event/lauftheater-graz/
LOCATION:KUNST KLUB KRÄFTNER GRAZ\, Reitschulgasse 13\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/09/Instagram.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240719T210000
DTEND;TZID=Europe/Paris:20240719T220000
DTSTAMP:20260423T165507
CREATED:20240704T065018Z
LAST-MODIFIED:20240704T065018Z
UID:8783-1721422800-1721426400@myriamgarciafidalgo.com
SUMMARY:Ensemble Chromosom Trento
DESCRIPTION:3RD EUROPEAN SAXOPHONE CONGRESS\nTristan Murail (*1947) – Treize Couleurs du soleil couchant (1978) \nSimone Movio (*1978): “INCANTO XXX” (première)\nSoloist: Angel Soria Diaz \nHannes Kerschbaumer (*1981) – hääl (2015/2024) *world premiere\nSoloist: Juan David Toro Martin \nGiorgio Musolesi (*1988) – Trovato per la cittá dell’acque (2022)\nSoloist: Michael Krenn \nPierre Jodlowski (*1971) – Coliseum (2008)\nSoloist: Alessandro Malagnino \n  \nConductor: Lars Mlekusch
URL:https://myriamgarciafidalgo.com/event/ensemble-chromosom-trento/
LOCATION:Filarmonica Trento\, Trento\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240615T080000
DTEND;TZID=Europe/Paris:20240615T170000
DTSTAMP:20260423T165507
CREATED:20240510T174609Z
LAST-MODIFIED:20240510T174642Z
UID:8608-1718438400-1718470800@myriamgarciafidalgo.com
SUMMARY:Brücken Festival
DESCRIPTION:18 uhr / Bahnhof Hofwartesalon – Neuberg \nJohannes Brahms (1833-1897)\, Klarinettenquintett h-moll\, op.111 (1891)\nTexte über Brahms‘ Wanderungen\nPeter Rosegger (1843-1918)\, Gedichte\nGérard Pesson (*1958)\, Nebenstück\, op.10/4 (1998) \nWanderung über die Promenade zur Josef Pillhofer Skulpturenhalle. Jan Tabaka begleitet\, auf Stelzen gehend\, mit einer Gruppe von Schüler:innen das Publikum. Musik aus Werner Pirchners (1940-2001) „Do you know Emperor Joe“(1982). \n19.30 uhr / Josef Pillhofer Skulpturenhalle \nFrancesco Filidei (*1973)\, L’Opera (forse) (2008/09) – Text: Pierre Senges\nfür 6 Musiker:innen und Sprecher \nSpaziergang zum ARTISTsMUSEUM\, begleitet von Werner Pirchners Musik und den Stelzengeher:innen. \n20.20 uhr / ARTISTsMUSEUM \nBeat Furrer (*1954)\, „intorno al bianco“ (2016) für Klarinette und Streichquartett \nSchallfeld Ensemble\nLeonard Garms – Dirigent\nSebastian Wendelin – Sprecher\nHannes Haider und Freunde – Bläserquintett\nJan Tabaka mit Schüler:innen der Viktor Kaplan Volksschule – Stelzenkünstler:innen \nNeuberg\, Bahnhof Hofwartesalon / Josef Pillhofer Skulpturenhalle / ARTISTs MUSEUM
URL:https://myriamgarciafidalgo.com/event/brucken-festival/
LOCATION:Neuberg an der Mürz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/05/sujet_website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240604
DTEND;VALUE=DATE:20240605
DTSTAMP:20260423T165507
CREATED:20240210T172818Z
LAST-MODIFIED:20240210T172818Z
UID:8070-1717459200-1717545599@myriamgarciafidalgo.com
SUMMARY:die andere saite
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/die-andere-saite-2/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240529
DTEND;VALUE=DATE:20240530
DTSTAMP:20260423T165507
CREATED:20240210T172330Z
LAST-MODIFIED:20240210T172330Z
UID:8068-1716940800-1717027199@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - The great unlearning III
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-the-great-unlearning-iii/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240523T160000
DTEND;TZID=Europe/Paris:20240523T170000
DTSTAMP:20260423T165507
CREATED:20240510T173415Z
LAST-MODIFIED:20240510T173638Z
UID:8606-1716480000-1716483600@myriamgarciafidalgo.com
SUMMARY:Portraits - Baku Contemporary Music Days
DESCRIPTION:Szilárd Benes\, clarinet\nLorenzo Dernini\, violin\nMyriam García Fidalgo\, cello\nPatrick Skrilecz\, piano \nMikel Urquiza\, “Blond vénitien” (2022) for cello solo \nTurkar Gasimzada\, “two commentaries on White Painting#7” (2024\, World Premiere) for clarinet solo \nLorenzo Troiani\, “Cara è la fine” (2015) for violin solo \nTristan Murail\, “La Mandragore for Piano” (1993) for piano solo \nFrancisco Domínguez (*1993)\, “Kharir III” (2017) for cello solo \nKaija Saariaho\, “Duft” (2011) for clarinet solo \nSoloists: members of Schallfeld Ensemble
URL:https://myriamgarciafidalgo.com/event/portraits-baku-contemporary-music-days/
LOCATION:Baku\, Baku\, Azerbaijan
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/04/6453ac28876e96453ac28876ea16832051606453ac28876e76453ac28876e8-860x573-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240521T190000
DTEND;TZID=Europe/Paris:20240521T203000
DTSTAMP:20260423T165507
CREATED:20240425T144437Z
LAST-MODIFIED:20240510T172906Z
UID:8572-1716318000-1716323400@myriamgarciafidalgo.com
SUMMARY:Baku Contemporary Music Days
DESCRIPTION:Schallfeld Ensemble\nJohannes Maria Staud\, “Lagrein” (2008) for clarinet\, violin\, cello and piano \nBernhard Lang\, “Monadologie XXVII: Brahms-Variationen No.1“ for clarinet\, cello and piano \nTahir Ibishov\, “Passionate Hearts” (2024\, World Premiere) for clarinet\, violin\, cello\, and piano \nMárton Illés\, “Three watercolors” (2017/2020) for clarinet\, violin\, cello and piano \nTurkar Gasimzada\,  “noi..:y(our) little voi..” (2024\, World Premiere) for clarinet\, violin\, cello and piano \nMusicians: Szilárd Benes (clarinet)\, Lorenzo Derinni (violin)\, Myriam García Fidalgo (cello)\, Patrick Skrilecz (piano)
URL:https://myriamgarciafidalgo.com/event/baku-contemporary-music-days/
LOCATION:Baku\, Baku\, Azerbaijan
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/04/6453ac28876e96453ac28876ea16832051606453ac28876e76453ac28876e8-860x573-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240504
DTEND;VALUE=DATE:20240505
DTSTAMP:20260423T165507
CREATED:20240408T070621Z
LAST-MODIFIED:20240408T070621Z
UID:8515-1714780800-1714867199@myriamgarciafidalgo.com
SUMMARY:Reading session Suena Festival
DESCRIPTION:With Alberto Posadas. \nMasterclass and reading session of the selected scores\, as part of Suena Festival.
URL:https://myriamgarciafidalgo.com/event/reading-session-suena-festival/
LOCATION:vienna\, Vienna\, Austria
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/03/83326.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240426T190000
DTEND;TZID=Europe/Paris:20240426T200000
DTSTAMP:20260423T165507
CREATED:20240310T174343Z
LAST-MODIFIED:20240310T174343Z
UID:8296-1714158000-1714161600@myriamgarciafidalgo.com
SUMMARY:Solo concert - Emptying the body
DESCRIPTION:Music by Fernanda Aoki Navarro\, Francisco Domínguez\, Núria Giménez-Comas\,Michelle Agnes Magalhaes Daniel Serrano and Mikel Urquiza. \nMore info coming soon \n\nAs part of the Suena Festival in collaboration with the Alte Schmiede Vienna. \nWith the friendly support of the Ernst von Siemens Music Foundation. \n 
URL:https://myriamgarciafidalgo.com/event/solo-concert-emptying-the-body/
LOCATION:Alte Schmiede Wien\, Schönlaterngasse 9\, Vienna\, Austria
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/03/SetRatioSize400400-p1400941.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240409T180000
DTEND;TZID=Europe/Paris:20240409T190000
DTSTAMP:20260423T165507
CREATED:20231210T162542Z
LAST-MODIFIED:20240407T072155Z
UID:7782-1712685600-1712689200@myriamgarciafidalgo.com
SUMMARY:Workshop for violoncello and live electronics - Milan Conservatory
DESCRIPTION:The workshop is intended to be an experience of professional collaboration between composers and electronic performers with the aim of creating new contemporary chamber music repertoire for cello and live electronics. \nThe workshop will focus on the production of new pieces written by the participants\, exploring the extended instrumental possibilities of the instrument and investigating the relationships between this and electronics. The history of music teaches us that the combination of skills and the intellectual exchange between the personalities involved in the realisation of a piece can become the key to the research and development of new artistic-musical languages. The direct contact between the participants\, through a series of guided encounters to explore and study the possibilities that a chamber duo can offer\, will become a moment of professional growth for them\, allowing them not only to broaden their technical-musical skills\, but also to dialectically exchange opinions\, rehearse and experiment. \nMyriam Garcia Fidalgo – violoncello \nDavide Gagliardi – electronics \nFinal concert \nFederico Ambruosi\nAntigone per violoncello\, video\, luci ed elettronica (2024)\nFrancesca Seggioli\nRealizzazione informatica\, regia del suono\, live electronics \nAlessandro Casolino\nIncontro casuale con creatura d’altri mondi\nper violoncello ed elettronica (2024)\nMirko Angelo Colombo\nRealizzazione informatica\, regia del suono\, live electronics \nCristiano Pomante\nTotem per violoncello ed elettronica (2024)\nDavide Bardi\nRealizzazione informatica\, regia del suono\, live electronics \nGiulio Cattaneo\nMabon per violoncello ed elettronica (2024)\nGiulio Cattaneo realizzazione informatica\nMarco Rotondella regia del suono e live electronics
URL:https://myriamgarciafidalgo.com/event/workshop-for-violoncello-and-live-electronics-milan-conservatory-5/
LOCATION:Conservatorio G. Verdi\, Milan
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/12/WhatsApp-Image-2023-12-10-at-17.00.25.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240406
DTEND;VALUE=DATE:20240407
DTSTAMP:20260423T165507
CREATED:20231210T162305Z
LAST-MODIFIED:20231210T162305Z
UID:7780-1712361600-1712447999@myriamgarciafidalgo.com
SUMMARY:Workshop for violoncello and live electronics - Milan Conservatory
DESCRIPTION:The workshop is intended to be an experience of professional collaboration between composers and electronic performers with the aim of creating new contemporary chamber music repertoire for cello and live electronics. \nThe workshop will focus on the production of new pieces written by the participants\, exploring the extended instrumental possibilities of the instrument and investigating the relationships between this and electronics. The history of music teaches us that the combination of skills and the intellectual exchange between the personalities involved in the realisation of a piece can become the key to the research and development of new artistic-musical languages. The direct contact between the participants\, through a series of guided encounters to explore and study the possibilities that a chamber duo can offer\, will become a moment of professional growth for them\, allowing them not only to broaden their technical-musical skills\, but also to dialectically exchange opinions\, rehearse and experiment. \nMyriam Garcia Fidalgo – violoncello \nDavide Gagliardi – electronics \nDates: \n\n\n\n\n6.12.2023 \n20.12. 2023 \n17.01. 2024 \n09.03. 2024 \n06.04. 2024 \n09.04.2024
URL:https://myriamgarciafidalgo.com/event/workshop-for-violoncello-and-live-electronics-milan-conservatory-4/
LOCATION:Conservatorio G. Verdi\, Milan
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/12/WhatsApp-Image-2023-12-10-at-17.00.25.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240318T193000
DTEND;TZID=Europe/Paris:20240318T203000
DTSTAMP:20260423T165507
CREATED:20230512T172542Z
LAST-MODIFIED:20240116T100845Z
UID:6833-1710790200-1710793800@myriamgarciafidalgo.com
SUMMARY:NOUVELLES AVENTURES – KONZERTHAUS WIEN
DESCRIPTION:Luigi Nono’s 100th birthday on January 29\, 2024 is the occasion for an Italian program focus: the Minguet Quartet celebrates it with his string quartet and older pieces to which Nono refers in it. Already in November\, our »Great Talent« Anton Gerzenberg and Marco Stroppa will interpret\, among others\, Nono’s »Traiettoria«\, a concerto for piano and electronic sounds and one of the great masterpieces of the 1980s. In March\, the Schallfeld Ensemble\, founded by students of Klangforum Wien in Graz\, will present works by Scelsi and Sciarrino as well as string trios by young Italian composers. The focus on Italy is flanked by two monoliths: a large-scale\, full-length cycle by Mark Andre in St. Stephen’s Cathedral and an intimate portrait concert dedicated to the composer Kaija Saariaho. \n  \n\nSchallfeld Ensemble\nLorenzo Derinni\, Violine \nFrancesca Piccioni\, Viola \nMyriam García Fidalgo\, Violoncello \n  \n\nPROGRAM\nGiacinto Scelsi \nTrio à cordes (1958) \nLorenzo Troiani \nToccare. L’abisso che dunque sono (2022) (EA) \nClara Iannotta \nLimun (2011) \n*** \nHannes Kerschbaumer \nfirn (2019) \nCarlo Elia Praderio \nBrecce (2020) (EA) \nSalvatore Sciarrino \nCodex purpureus (1983)
URL:https://myriamgarciafidalgo.com/event/nouvelles-aventures-konzerthaus-wien/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/01/Schallfeld-trio-c.-Maria-Frodl-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240309
DTEND;VALUE=DATE:20240310
DTSTAMP:20260423T165507
CREATED:20231210T161906Z
LAST-MODIFIED:20231210T161906Z
UID:7778-1709942400-1710028799@myriamgarciafidalgo.com
SUMMARY:Workshop for violoncello and live electronics - Milan Conservatory
DESCRIPTION:The workshop is intended to be an experience of professional collaboration between composers and electronic performers with the aim of creating new contemporary chamber music repertoire for cello and live electronics. \nThe workshop will focus on the production of new pieces written by the participants\, exploring the extended instrumental possibilities of the instrument and investigating the relationships between this and electronics. The history of music teaches us that the combination of skills and the intellectual exchange between the personalities involved in the realisation of a piece can become the key to the research and development of new artistic-musical languages. The direct contact between the participants\, through a series of guided encounters to explore and study the possibilities that a chamber duo can offer\, will become a moment of professional growth for them\, allowing them not only to broaden their technical-musical skills\, but also to dialectically exchange opinions\, rehearse and experiment. \nMyriam Garcia Fidalgo – violoncello \nDavide Gagliardi – electronics \nDates: \n\n\n\n\n6.12.2023 \n20.12. 2023 \n17.01. 2024 \n09.03. 2024 \n06.04. 2024 \n09.04.2024
URL:https://myriamgarciafidalgo.com/event/workshop-for-violoncello-and-live-electronics-milan-conservatory-3/
LOCATION:Conservatorio G. Verdi\, Milan
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/12/WhatsApp-Image-2023-12-10-at-17.00.25.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240304T190000
DTEND;TZID=Europe/Paris:20240304T200000
DTSTAMP:20260423T165507
CREATED:20240207T141658Z
LAST-MODIFIED:20240207T141658Z
UID:8033-1709578800-1709582400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - The great unlearning I
DESCRIPTION:Benjamin Scheuer: Acht arten zu Atmen \nKlaus Lang: 31 ways and 8 waters \nEmre Sihan Kaleli: I am a Diptych \nPierluigi Billone: Mani.Stereos \n\nClarinet: Szilárd Benes \nAccordion: Mirko Jevtović \nViolin: Lorenzo Derinni \nVioloncello: Myriam García Fidalgo \n\n\nTickets: \n€ 15 | € 10* | € 5** \n* Students\, KUG employees and unemployed persons with valid identity card \n** Music students with valid ID\, children until 12 years \n*** Free entry for Hunger auf Kunst & Kultur members.
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-the-great-unlearning-i/
LOCATION:Kunst Universität Graz\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/02/2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240216T213000
DTEND;TZID=Europe/Paris:20240216T223000
DTSTAMP:20260423T165507
CREATED:20240114T092923Z
LAST-MODIFIED:20240127T125551Z
UID:7903-1708119000-1708122600@myriamgarciafidalgo.com
SUMMARY:Teatri del suono / ON THE EDGE
DESCRIPTION:With Schallfeld Ensemble \n\n\n\n\nProgramm: \nBenjamin Scheuer: Acht arten zu Atmen \nRamón Lazkano: Lur Itzalak \nKlaus Lang: 31 ways and 8 waters \nEmre Kaleli: I am a Diptych \n  \nClarinet: Szilárd Benes \nAccordion: Mirko Jevtović \nViolin: Lorenzo Derinni \nVioloncello: Myriam García Fidalgo \n  \nWith the kind support of
URL:https://myriamgarciafidalgo.com/event/teatri-del-suono-on-the-edge/
LOCATION:Sala Luttazzi\, Magazzino 26\, Porto Vecchio\, Trieste\, Italy
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/01/Teatridelsuono_OTE_Martel-768x389-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240130T200000
DTEND;TZID=Europe/Paris:20240130T213000
DTSTAMP:20260423T165507
CREATED:20231123T190559Z
LAST-MODIFIED:20240116T101344Z
UID:7677-1706644800-1706650200@myriamgarciafidalgo.com
SUMMARY:Echos - Ensemble Chromosom
DESCRIPTION:Music by Hannes Kerschbaumer\, Manuela Kerer\, Clara Iannotta and Leopold Hurt \n 
URL:https://myriamgarciafidalgo.com/event/echos-ensemble-chromosom/
LOCATION:Forum\, Brixen\, Italy
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/11/1.jpg
END:VEVENT
END:VCALENDAR