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BEGIN:VEVENT
DTSTART;VALUE=DATE:20201031
DTEND;VALUE=DATE:20201101
DTSTAMP:20260424T063139
CREATED:20200910T065919Z
LAST-MODIFIED:20200902T070352Z
UID:3492-1604102400-1604188799@myriamgarciafidalgo.com
SUMMARY:Wien Modern - Schallfeld Ensemble
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/wien-modern-schallfeld-ensemble-2/
LOCATION:Alte Schmiede Wien\, Schönlaterngasse 9\, Vienna\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200312T200000
DTEND;TZID=Europe/Paris:20200312T220000
DTSTAMP:20260424T063139
CREATED:20200225T120816Z
LAST-MODIFIED:20200225T120816Z
UID:3323-1584043200-1584050400@myriamgarciafidalgo.com
SUMMARY:Swing It - Schallfeld Ensemble
DESCRIPTION:[:es] \nPrograma\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:en] \nProgram\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:de] \n“…ein Übermaß an Klangmaterial\, an Energie\, Bewegung und an Klangfarbe…” *\n\nDer Komponist Franck  Bedrossian lebt und lehrt seit diesem Jahr in Graz\, Schallfeld widmet ihm am 12. März ein Willkommenskonzert.\nBedrossian schreibt eine Musik der Extreme: \nVirtuosität überlagert sich mit Noise\, raffinierte Farbschattierungen münden in tosende Kaskaden. \nIn ganz andere\, schillernde und unheimliche (Klang-)Welten entführen die kontrastierenden Werke von Clara Iannotta und Maura Lanza\, die um Fragen von Wahrnehmung\, Wiederholung und Erinnerung kreisen.\n\n“…Wiederholung ändert nichts im wiederholten Objekt\, aber ändert etwas in dem Kopf\, der es betrachtet…”**\n\n\n*Dominique Jameux\, 2008 \n** Gilles Deleuze\n\n\nProgramm\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem    \n\n[:]
URL:https://myriamgarciafidalgo.com/event/swing-it-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191106
DTEND;VALUE=DATE:20191107
DTSTAMP:20260424T063139
CREATED:20190617T093356Z
LAST-MODIFIED:20190617T093356Z
UID:3123-1572998400-1573084799@myriamgarciafidalgo.com
SUMMARY:Trilogy in two - Roma
DESCRIPTION:TRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art.
URL:https://myriamgarciafidalgo.com/event/trilogy-in-two-roma/
LOCATION:Auditorium Parco della Musica\, Roma\, Italia
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170127T200000
DTEND;TZID=Europe/Paris:20170127T213000
DTSTAMP:20260424T063139
CREATED:20170115T190424Z
LAST-MODIFIED:20170115T201448Z
UID:1718-1485547200-1485552600@myriamgarciafidalgo.com
SUMMARY:Schallfeld - Soirée acousmatique
DESCRIPTION:[:es] \n \n  \nPrograma: \nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Sound direction and Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Double bass\nSzilárd Benes – Clarinet\nPeter Venus – Sound direction and light[:en] \n \n  \nAn acousmatic sound is by definition a sound whereof the origin is unknown. In Soirée Acousmatique (Acousmatic evening)\, Schallfeld Ensemble presents an itinerary concert built upon the spaces of the Grazer Kunstverein. A site specific multimedia experience in which the relationship between acoustic instruments and the electronic is constantly exchanging\, ranging from the acousmatic tradition (Berio’s Thema Omaggio a Joyce) to a more performative experimental approach (van Eck’s Wings)\, exploring the acoustic of the spaces of the Gallery\, through the realization of a live version of Lucier’s I’m sitting in a room\, and conceiving acoustic instruments as acousmatic sound sources. \nProgram:\nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Sound direction and Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Double bass\nSzilárd Benes – Clarinet\nPeter Venus – Sound direction and light[:de] \n \n“Acousmatique” steht im Französischen für einen Klang\, dessen Quelle unbekannt oder unsichtbar ist. In einer “akusmatischen Soiree” lädt Schallfeld zu einem Hörrundgang durch die Räume des Grazer Kunstvereins ein. Es erwartet Sie eine multimediales Raumerlebnis\, in dem die Beziehung zwischen akustischen Instrumenten und Elektronischem veränderlich bleibt. Der Streifzug führt von der Tradition der akusmatischen Tonbandmusik\, repräsentiert durch Luciano Berios “Omaggio a Joyce”\, bis hin zu neueren\, performativen Formaten (in Cathy van Ecks “wings”) und “instrumental-akusmatischen” Werken (Lorenzo Troianis “dalla voce.instabile”)\, eingerahmt von einer Performance von Alvin Luciers ikonischem “I am sitting in a room”. \nProgramm:\nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Klangregie und Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Kontrabass\nSzilárd Benes – Klarinet\nPeter Venus – Klangregie und Licht[:]
URL:https://myriamgarciafidalgo.com/event/soiree-acousmatique/
LOCATION:Grazer Kunstverein\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2017/01/Schallfeld-Flyer-.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20151124
DTEND;VALUE=DATE:20151125
DTSTAMP:20260424T063139
CREATED:20151102T201016Z
LAST-MODIFIED:20151102T201016Z
UID:1467-1448323200-1448409599@myriamgarciafidalgo.com
SUMMARY:Bridges into Europe: Brussels - Graz
DESCRIPTION:
URL:https://myriamgarciafidalgo.com/event/bridges-into-europe-brussels-graz/
LOCATION:Grazer Kunstverein\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151102T080000
DTEND;TZID=UTC:20151102T170000
DTSTAMP:20260424T063139
CREATED:20151102T203242Z
LAST-MODIFIED:20151102T203242Z
UID:1480-1446451200-1446483600@myriamgarciafidalgo.com
SUMMARY:Jeunesse Wien
DESCRIPTION:[:es] \n\nSchallfeld Ensemble\nPrograma\nJavier Quislant Materia-imagen\nfür Bassflöte\, Sopransaxophon\, Violine\, Violoncello und Kontrabass (2013) \nJohannes Maria Staud Lagrein\nfür Violine\, Klarinette\, Violoncello und Klavier \nAndrés Gutiérrez Io\nfür Violine\, Violoncello\, Kontrabass\, Flöte\, Saxophon\, Bassklarinette\, Klavier (2014) \nFranck Bedrossian IT\nfür Flöte\, Klarinette\, Altsaxophon\, Violine\, Violoncello\, Kontrabass und Klavier \nAnahita Abbasi Distorted Attitudes II / Labyrinth\nfür Flöte\, Fagott\, Saxophon\, zwei Violinen\, Violoncello\, Kontrabass (2014) \nDeno Kaufmann Lady Macbeth\nfür Flöte\, Saxophon\, Fagott\, Violine\, Violoncello\, Kontrabass (2014) \n\n[:en] \n\nProgram\nJavier Quislant Materia-imagen\nfür Bassflöte\, Sopransaxophon\, Violine\, Violoncello und Kontrabass (2013) \nJohannes Maria Staud Lagrein\nfür Violine\, Klarinette\, Violoncello und Klavier \nAndrés Gutiérrez Io\nfür Violine\, Violoncello\, Kontrabass\, Flöte\, Saxophon\, Bassklarinette\, Klavier (2014) \nFranck Bedrossian IT\nfür Flöte\, Klarinette\, Altsaxophon\, Violine\, Violoncello\, Kontrabass und Klavier \nAnahita Abbasi Distorted Attitudes II / Labyrinth\nfür Flöte\, Fagott\, Saxophon\, zwei Violinen\, Violoncello\, Kontrabass (2014) \nDeno Kaufmann Lady Macbeth\nfür Flöte\, Saxophon\, Fagott\, Violine\, Violoncello\, Kontrabass (2014) \n\n[:de] \n\nProgramm\nJavier Quislant Materia-imagen\nfür Bassflöte\, Sopransaxophon\, Violine\, Violoncello und Kontrabass (2013) \nJohannes Maria Staud Lagrein\nfür Violine\, Klarinette\, Violoncello und Klavier \nAndrés Gutiérrez Io\nfür Violine\, Violoncello\, Kontrabass\, Flöte\, Saxophon\, Bassklarinette\, Klavier (2014) \nFranck Bedrossian IT\nfür Flöte\, Klarinette\, Altsaxophon\, Violine\, Violoncello\, Kontrabass und Klavier \nAnahita Abbasi Distorted Attitudes II / Labyrinth\nfür Flöte\, Fagott\, Saxophon\, zwei Violinen\, Violoncello\, Kontrabass (2014) \nDeno Kaufmann Lady Macbeth\nfür Flöte\, Saxophon\, Fagott\, Violine\, Violoncello\, Kontrabass (2014) \n\n[:]
URL:https://myriamgarciafidalgo.com/event/jeunesse-wien/
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151016T200000
DTEND;TZID=UTC:20151016T200000
DTSTAMP:20260424T063139
CREATED:20151102T203108Z
LAST-MODIFIED:20151102T203108Z
UID:1479-1445025600-1445025600@myriamgarciafidalgo.com
SUMMARY:… solo – due – tutti … open music Graz
DESCRIPTION:[:es] \nPrograma\nOlga Neuwirth (*1968): Spleen III\nfür Baritonsaxophon (1999) \nRamon Lazkano (*1968): Itzalen Zikloa. Lur-Itzalak\nfür Violine und Violoncello (2003)\, ÖEA \nAndrés Gutiérrez Martínez (*1984): t(rr)t\nfür Bassklarinette solo (Neufassung 2015)\, UA \nLorenzo Troiani (*1989): Cara è fine\nfür Violine solo (2015)\, UA \nIannis Xenakis (1922-2001): Theraps\nfür Kontrabass solo (1976) \nFrancesco Filidei (*1973): Gagliarda\nfür Violoncello solo (2001-2006)\, ÖEA \nMichael Pelzel (1978) … psalmodie volubile …\nfür Flöte solo (2003) \nJavier Quislant (*1984): Materia – Imagen\nfür Ensemble (2013)[:en] \nProgram\nOlga Neuwirth (*1968): Spleen III\nfür Baritonsaxophon (1999) \nRamon Lazkano (*1968): Itzalen Zikloa. Lur-Itzalak\nfür Violine und Violoncello (2003)\, ÖEA \nAndrés Gutiérrez Martínez (*1984): t(rr)t\nfür Bassklarinette solo (Neufassung 2015)\, UA \nLorenzo Troiani (*1989): Cara è fine\nfür Violine solo (2015)\, UA \nIannis Xenakis (1922-2001): Theraps\nfür Kontrabass solo (1976) \nFrancesco Filidei (*1973): Gagliarda\nfür Violoncello solo (2001-2006)\, ÖEA \nMichael Pelzel (1978) … psalmodie volubile …\nfür Flöte solo (2003) \nJavier Quislant (*1984): Materia – Imagen\nfür Ensemble (2013)[:de] \nProgramm\nOlga Neuwirth (*1968): Spleen III\nfür Baritonsaxophon (1999) \nRamon Lazkano (*1968): Itzalen Zikloa. Lur-Itzalak\nfür Violine und Violoncello (2003)\, ÖEA \nAndrés Gutiérrez Martínez (*1984): t(rr)t\nfür Bassklarinette solo (Neufassung 2015)\, UA \nLorenzo Troiani (*1989): Cara è fine\nfür Violine solo (2015)\, UA \nIannis Xenakis (1922-2001): Theraps\nfür Kontrabass solo (1976) \nFrancesco Filidei (*1973): Gagliarda\nfür Violoncello solo (2001-2006)\, ÖEA \nMichael Pelzel (1978) … psalmodie volubile …\nfür Flöte solo (2003) \nJavier Quislant (*1984): Materia – Imagen\nfür Ensemble (2013)[:]
URL:https://myriamgarciafidalgo.com/event/solo-due-tutti-open-music-graz/
LOCATION:Grazer Kunstverein\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150926T200000
DTEND;TZID=UTC:20150926T200000
DTSTAMP:20260424T063139
CREATED:20151102T203523Z
LAST-MODIFIED:20151102T203604Z
UID:1481-1443297600-1443297600@myriamgarciafidalgo.com
SUMMARY:SMOG Brussels
DESCRIPTION:[:es] \nSchallfeld Ensemble\nPrograma\nWOLFGANG MITTERER (*1956) Music for checking e-mails (2009)\nTape/ Installation – Open end \nKONZERT\nTHIERRY DE MEY (*1956) Musique de tables (1987)\nfor three performers \nPETER ABLINGER (*1959) Voices and Piano. Arnold Schoenberg (1998)\nfor piano and CD \nFREDERIK NEYRINCK (*1985) Transforming Construction II – [Kandinsky-Etüde 6] (2015)\nfor (amplified) cello solo\, double bass (as the soloist’s shadow) and two moving woodwinds in space \nPETER ABLINGER (*1959) Voices and Piano Morton Feldmann (1998)\nfor piano and CD \nDENOVAIRE (*1978) For John Coltrane (2015)\nfor flute\, sax\, cello and contrabass \nPETER ABLINGER (*1959) Voices and Piano. Billie Holiday (1998)\nfor piano and CD \nLORENZO ROMANO (1985) Scene from “Unleashed” with musicians\, without dancers (2015)\nFor flute\, sax\, cello\, contrabass\, tape and live electronics \nSTEFAN PRINS (*1978) Piano Hero #1 (2011)\nFor MIDI keyboard\, video and live electronics \n[:en] \nProgram\nWOLFGANG MITTERER (*1956) Music for checking e-mails (2009)\nTape/ Installation – Open end \nKONZERT\nTHIERRY DE MEY (*1956) Musique de tables (1987)\nfor three performers \nPETER ABLINGER (*1959) Voices and Piano. Arnold Schoenberg (1998)\nfor piano and CD \nFREDERIK NEYRINCK (*1985) Transforming Construction II – [Kandinsky-Etüde 6] (2015)\nfor (amplified) cello solo\, double bass (as the soloist’s shadow) and two moving woodwinds in space \nPETER ABLINGER (*1959) Voices and Piano Morton Feldmann (1998)\nfor piano and CD \nDENOVAIRE (*1978) For John Coltrane (2015)\nfor flute\, sax\, cello and contrabass \nPETER ABLINGER (*1959) Voices and Piano. Billie Holiday (1998)\nfor piano and CD \nLORENZO ROMANO (1985) Scene from “Unleashed” with musicians\, without dancers (2015)\nFor flute\, sax\, cello\, contrabass\, tape and live electronics \nSTEFAN PRINS (*1978) Piano Hero #1 (2011)\nFor MIDI keyboard\, video and live electronics \n[:de] \nSchallfeld Ensemble\nProgramm\nWOLFGANG MITTERER (*1956) Music for checking e-mails (2009)\nTape/ Installation – Open end \nKONZERT\nTHIERRY DE MEY (*1956) Musique de tables (1987)\nfor three performers \nPETER ABLINGER (*1959) Voices and Piano. Arnold Schoenberg (1998)\nfor piano and CD \nFREDERIK NEYRINCK (*1985) Transforming Construction II – [Kandinsky-Etüde 6] (2015)\nfor (amplified) cello solo\, double bass (as the soloist’s shadow) and two moving woodwinds in space \nPETER ABLINGER (*1959) Voices and Piano Morton Feldmann (1998)\nfor piano and CD \nDENOVAIRE (*1978) For John Coltrane (2015)\nfor flute\, sax\, cello and contrabass \nPETER ABLINGER (*1959) Voices and Piano. Billie Holiday (1998)\nfor piano and CD \nLORENZO ROMANO (1985) Scene from “Unleashed” with musicians\, without dancers (2015)\nFor flute\, sax\, cello\, contrabass\, tape and live electronics \nSTEFAN PRINS (*1978) Piano Hero #1 (2011)\nFor MIDI keyboard\, video and live electronics \n[:]
URL:https://myriamgarciafidalgo.com/event/smog-brussels/
CATEGORIES:Schallfeld Ensemble
END:VEVENT
END:VCALENDAR