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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220710T170000
DTEND;TZID=Europe/Paris:20220710T180000
DTSTAMP:20260424T030205
CREATED:20220616T163654Z
LAST-MODIFIED:20220616T164354Z
UID:5590-1657472400-1657476000@myriamgarciafidalgo.com
SUMMARY:Time of music I
DESCRIPTION:Composer course final concert I\nParish Hall | Free entrance \nSchallfeld Ensemble \nInternational Ensemble Modern Academy \nTímea Hvozdíková\nLi He\nMathias Schmidhammer\nZhuosheng Jin\nMatteo Gualandi\nÞorkell Nordal\nJinwook Jung \n(premieres)\n*** \nPart of the Ulysses project co-funded by Creative Europe
URL:https://myriamgarciafidalgo.com/event/time-of-music-i/
LOCATION:Parish Hall\, Pappilantie 6\, 44500\, Viitasaari\, Finland
CATEGORIES:Schallfeld Ensemble
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220525T200000
DTEND;TZID=Europe/Paris:20220525T213000
DTSTAMP:20260424T030205
CREATED:20220412T094932Z
LAST-MODIFIED:20220412T094932Z
UID:5116-1653508800-1653514200@myriamgarciafidalgo.com
SUMMARY:Nahe - Schallfeld Ensemble
DESCRIPTION:Pedro Berardinelli – NW\nErik Oña – Alles Nahe werde fern\nGerard Pesson\, Carmagnole\nWojtek Blecharz\, Small Talks\nEsaias Järnegard\, Y
URL:https://myriamgarciafidalgo.com/event/nahe-schallfeld-ensemble/
LOCATION:Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2344.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220330T193000
DTEND;TZID=Europe/Paris:20220330T210000
DTSTAMP:20260424T030205
CREATED:20211230T201238Z
LAST-MODIFIED:20220211T183450Z
UID:4809-1648668600-1648674000@myriamgarciafidalgo.com
SUMMARY:HIER & JETZT - Schallfeld Ensemble
DESCRIPTION:[:es] \n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n[:en] \n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n[:de]Carola Bauckholt und ihre Schüler*innen \nWie klingt die Gegenwart? Auch die Saison 2021/22 geht in den Konzerten der Reihe Hier & Jetzt dieser Frage nach und zeigt dabei nicht zuletzt\, wie wichtig das Lehrer*innen-Schüler*innen-Verhältnis bis heute ist. Hörend nachvollziehen lässt sich das etwa im Rahmen des Eröffnungskonzerts des Festivals Leicht über Linz bei den Schüler*innen von Carola Bauckholt\, der vielfach ausgezeichneten Komponistin und Professorin für Komposition an der Anton Bruckner Privatuniversität. Acht Studierende aus sieben Nationen präsentieren mit tatkräftiger Unterstützung des Grazer Schallfeld Ensembles\, das als Botschafter für die zeitgenössische Musik international geschätzt wird\, ein wahres Füllhorn an Uraufführungen. Mehr und klangvollere Gegenwart war selten im Brucknerhaus Linz! \nEröffnungskonzert des Festivals Leicht über Linz \nPROGRAMM\n\n\n\n\n\n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n[:]
URL:https://myriamgarciafidalgo.com/event/hier-jetzt-schallfeld-ensemble/
LOCATION:Brucknerhaus Linz\, Untere Donaulände 7 4010\, Linz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220308T080000
DTEND;TZID=Europe/Paris:20220308T170000
DTSTAMP:20260424T030205
CREATED:20220308T194525Z
LAST-MODIFIED:20220308T194525Z
UID:4997-1646726400-1646758800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble: Text im Klang #5
DESCRIPTION:[:es] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n\nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:en] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n  \nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:de] \nText im Klang #5\nPremieres of impuls composition commissions & Reading\n  \nPROGRAM: \nAlexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera New work for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, cello\, percussion\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet\nMirko Jevtović accordion\nManuel Clemente percussion\nMyriam García cello\nDavide Gagliardi electronics \n  \n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts\, as well as the active exchange between composer and the author\, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions\, Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (2016) not only thematically and in terms of sound language offers an ideal starting point for four new compositions commissioned by impuls. The world premieres and the reading is presented in a dramaturgically developed evening on November 5th\, which concludes the following day\, with an open brunch\, including reflections on the overall process of the project and a discussion with the audience on their impressions. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters \n    [:]
URL:https://myriamgarciafidalgo.com/event/text-im-klang-schallfeld/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/03/C0A2133.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220305T200000
DTEND;TZID=Europe/Paris:20220305T210000
DTSTAMP:20260424T030205
CREATED:20220224T155526Z
LAST-MODIFIED:20220224T155526Z
UID:4967-1646510400-1646514000@myriamgarciafidalgo.com
SUMMARY:Debris - Schallfeld Ensemble
DESCRIPTION:Das Ensemble Schallfeld widmet den ersten Abend des Konzertzyklus 2022 den offenen Fragen und ungelösten Problemen\, dem Kaputten und Unfertigen\, das uns alle trotz guter Vorsätze zum Jahresbeginn verfolgt. In welchem Zustand sind wir jetzt\, was bleibt von der letzen zwei Jahren Pandemie? Alles kaputt oder alles neu? In den musikalischen Beiträgen dieses Konzertabends hören\, spüren und schauen wir hinein in Ruinen\, wir sehen leere Stühle\, Monoliten und Fragmente\, die oft an die Grenzen der Wahrnehmbarkeit rühren oder deren Zerbrechlichkeit neue Formen der Aufmerksamkeit von uns verlangt. Kein Abend zum Aufatmen und Ausruhen\, aber vielleicht eine Art Neubeginn. \nEs erklingt Musik von Patricia Alessandrini\, Cathy van Eck\, Andrés Gutiérrez\, Hannes Kerschbaumer\, Dmitri Kourliandski und Salvatore Sciarrino. \nPROGRAMM \nCathy van Eck: Empty Chairs (ÖEA)\nAndres Gutiérrez: Monolito B (ÖEA)\nDmitri Kourliandsky: Punctuation Marks\nHannes Kerschbaumer: pedra-debris Expanded version II Salvatore Sciarrino: Codex Purpureus \nPatricia Alessandrini: Ada’s Song (ÖEA) \nSoprano: Kaoko Amano
URL:https://myriamgarciafidalgo.com/event/debris-schallfeld-ensemble/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/02/flyerdebris.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220222T203000
DTEND;TZID=Europe/Paris:20220222T213000
DTSTAMP:20260424T030205
CREATED:20220211T185719Z
LAST-MODIFIED:20220211T185719Z
UID:4942-1645561800-1645565400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble Milan
DESCRIPTION:The ULYSSES network selected Schallfeld as one of Europe’s best Young Ensembles and offered the group the opportunity to tour the venues of some of its partners. \nRachel Beja (1984)\, Frammenti di memoria abolita per strumenti ed elettronica* (2021) \nZeno Baldi (1988)\, Fondali (2019) \nDiana Soh (1984)\, Of Smaller Things (2020) \nSylvain Marty (nn)\, Discreet (2018) \nAgostino Di Scipio (1962)\, Texture multiple (1993-2005) \n* commissioned by Divertimento Ensemble and IRCAM\, endorsed by ULYSSES Network
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-milan-2/
LOCATION:Sala Donatoni\, Via Procaccini 4\, Milan\, Italy
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/02/C0A2319-e1759663518945.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220201
DTEND;VALUE=DATE:20220202
DTSTAMP:20260424T030205
CREATED:20211230T215404Z
LAST-MODIFIED:20211230T215404Z
UID:4815-1643673600-1643759999@myriamgarciafidalgo.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES – Vienna
DESCRIPTION:In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. The central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice \nLili M. Rampre (DE/BE) | Choreografie\, Movement \nConny Zenk (AT) | Light architecture \nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \nMore details coming soon!
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-vienna/
LOCATION:Brick5\, Fünfhausgasse 5\, Wien
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2021/12/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220131T200000
DTEND;TZID=Europe/Paris:20220131T210000
DTSTAMP:20260424T030205
CREATED:20211230T215003Z
LAST-MODIFIED:20211230T215003Z
UID:4812-1643659200-1643662800@myriamgarciafidalgo.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES - Schallfeld Ensemble
DESCRIPTION:[:es]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:en]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:de]In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice\nLili M. Rampre (DE/BE) | Choreografie\, Movement\nConny Zenk (AT) | Light architecture\nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.com \nIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies. \nSupported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.[:]
URL:https://myriamgarciafidalgo.com/event/self-portraits-in-imaginary-places-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2021/12/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211218T200000
DTEND;TZID=Europe/Paris:20211218T213000
DTSTAMP:20260424T030205
CREATED:20211017T152636Z
LAST-MODIFIED:20211017T152636Z
UID:4566-1639857600-1639863000@myriamgarciafidalgo.com
SUMMARY:Attentional Disorders - Schallfeld Ensemble
DESCRIPTION:Santiago Díez Fischer –  Moving as not moving \nKatharina Rosenberger – Blur \nAndreas Eduardo Frank – Noise is a common sound \nFausto Romitelli – Blood on the floor\, painting 1986
URL:https://myriamgarciafidalgo.com/event/attentional-disorders-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211214
DTEND;VALUE=DATE:20211215
DTSTAMP:20260424T030205
CREATED:20210906T172325Z
LAST-MODIFIED:20210906T172325Z
UID:4397-1639440000-1639526399@myriamgarciafidalgo.com
SUMMARY:NOW - Schallfeld Ensemble
DESCRIPTION:  \nYoav Levi Time Islands UA: sax\, percussion\, cello\, electronic \nFrederick Neyrinck – NW Saxophon\, Akkordeon und Schlagwerk UA \nZeno Baldi – Glaskörper für  Saxophon\, Akkordeon und Schlagwerk UA \nPedro Berardinelli –  “Contra” für Akkordeon (12’)
URL:https://myriamgarciafidalgo.com/event/now-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211104T190000
DTEND;TZID=Europe/Paris:20211104T200000
DTSTAMP:20260424T030205
CREATED:20211017T151252Z
LAST-MODIFIED:20211017T151252Z
UID:4561-1636052400-1636056000@myriamgarciafidalgo.com
SUMMARY:Wien Modern - Schallfeld Ensemble
DESCRIPTION:[:es] \nPierluigi Billone: MAAT ME (2020) – 30′ \n(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:en] \nPierluigi Billone: MAAT ME (2020) – 30′(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:de] \nPierluigi Billone: MAAT ME (2020) – 30′ \n(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n  [:]
URL:https://myriamgarciafidalgo.com/event/wien-modern-schallfeld-ensemble-3/
LOCATION:Reaktor\, Geblergasse 36-40\, Wien\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210510
DTEND;VALUE=DATE:20210511
DTSTAMP:20260424T030205
CREATED:20210419T102622Z
LAST-MODIFIED:20210419T102622Z
UID:3928-1620604800-1620691199@myriamgarciafidalgo.com
SUMMARY:Ensems Festival - Schallfeld Ensemble
DESCRIPTION:MAAT – ME (2020) Pierluigi Billone (1960) 30′ Premiere \nCommissioned by Schallfeld\, funded by the Ernst von Siemens Music Foundation \nFIGURE / ICONOSONICS 1 (2009) Clemens Gadenstätter (1966) 30′
URL:https://myriamgarciafidalgo.com/event/ensems-festival-schallfeld-ensemble/
LOCATION:Palau de les Arts\, Valencia\, Valencia\, Spain
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201031
DTEND;VALUE=DATE:20201101
DTSTAMP:20260424T030205
CREATED:20200910T065919Z
LAST-MODIFIED:20200902T070352Z
UID:3492-1604102400-1604188799@myriamgarciafidalgo.com
SUMMARY:Wien Modern - Schallfeld Ensemble
DESCRIPTION:More info coming soon
URL:https://myriamgarciafidalgo.com/event/wien-modern-schallfeld-ensemble-2/
LOCATION:Alte Schmiede Wien\, Schönlaterngasse 9\, Vienna\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200312T200000
DTEND;TZID=Europe/Paris:20200312T220000
DTSTAMP:20260424T030205
CREATED:20200225T120816Z
LAST-MODIFIED:20200225T120816Z
UID:3323-1584043200-1584050400@myriamgarciafidalgo.com
SUMMARY:Swing It - Schallfeld Ensemble
DESCRIPTION:[:es] \nPrograma\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:en] \nProgram\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:de] \n“…ein Übermaß an Klangmaterial\, an Energie\, Bewegung und an Klangfarbe…” *\n\nDer Komponist Franck  Bedrossian lebt und lehrt seit diesem Jahr in Graz\, Schallfeld widmet ihm am 12. März ein Willkommenskonzert.\nBedrossian schreibt eine Musik der Extreme: \nVirtuosität überlagert sich mit Noise\, raffinierte Farbschattierungen münden in tosende Kaskaden. \nIn ganz andere\, schillernde und unheimliche (Klang-)Welten entführen die kontrastierenden Werke von Clara Iannotta und Maura Lanza\, die um Fragen von Wahrnehmung\, Wiederholung und Erinnerung kreisen.\n\n“…Wiederholung ändert nichts im wiederholten Objekt\, aber ändert etwas in dem Kopf\, der es betrachtet…”**\n\n\n*Dominique Jameux\, 2008 \n** Gilles Deleuze\n\n\nProgramm\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem    \n\n[:]
URL:https://myriamgarciafidalgo.com/event/swing-it-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191106
DTEND;VALUE=DATE:20191107
DTSTAMP:20260424T030205
CREATED:20190617T093356Z
LAST-MODIFIED:20190617T093356Z
UID:3123-1572998400-1573084799@myriamgarciafidalgo.com
SUMMARY:Trilogy in two - Roma
DESCRIPTION:TRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art.
URL:https://myriamgarciafidalgo.com/event/trilogy-in-two-roma/
LOCATION:Auditorium Parco della Musica\, Roma\, Italia
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20170127T200000
DTEND;TZID=Europe/Paris:20170127T213000
DTSTAMP:20260424T030205
CREATED:20170115T190424Z
LAST-MODIFIED:20170115T201448Z
UID:1718-1485547200-1485552600@myriamgarciafidalgo.com
SUMMARY:Schallfeld - Soirée acousmatique
DESCRIPTION:[:es] \n \n  \nPrograma: \nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Sound direction and Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Double bass\nSzilárd Benes – Clarinet\nPeter Venus – Sound direction and light[:en] \n \n  \nAn acousmatic sound is by definition a sound whereof the origin is unknown. In Soirée Acousmatique (Acousmatic evening)\, Schallfeld Ensemble presents an itinerary concert built upon the spaces of the Grazer Kunstverein. A site specific multimedia experience in which the relationship between acoustic instruments and the electronic is constantly exchanging\, ranging from the acousmatic tradition (Berio’s Thema Omaggio a Joyce) to a more performative experimental approach (van Eck’s Wings)\, exploring the acoustic of the spaces of the Gallery\, through the realization of a live version of Lucier’s I’m sitting in a room\, and conceiving acoustic instruments as acousmatic sound sources. \nProgram:\nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Sound direction and Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Double bass\nSzilárd Benes – Clarinet\nPeter Venus – Sound direction and light[:de] \n \n“Acousmatique” steht im Französischen für einen Klang\, dessen Quelle unbekannt oder unsichtbar ist. In einer “akusmatischen Soiree” lädt Schallfeld zu einem Hörrundgang durch die Räume des Grazer Kunstvereins ein. Es erwartet Sie eine multimediales Raumerlebnis\, in dem die Beziehung zwischen akustischen Instrumenten und Elektronischem veränderlich bleibt. Der Streifzug führt von der Tradition der akusmatischen Tonbandmusik\, repräsentiert durch Luciano Berios “Omaggio a Joyce”\, bis hin zu neueren\, performativen Formaten (in Cathy van Ecks “wings”) und “instrumental-akusmatischen” Werken (Lorenzo Troianis “dalla voce.instabile”)\, eingerahmt von einer Performance von Alvin Luciers ikonischem “I am sitting in a room”. \nProgramm:\nAlvin Lucier: I’m sitting in a room (solo electronics/performance)\nLorenzo Troaini: Dalla voce. Instabile (contrabass solo)\nCathy Van Eck: Wings (3 performers+electronics)\nLuciano Berio: Thema omaggio a Joyce (solo tape)\nAlexey Sioumak: cl.air ( clarinet solo)\nGerman Toro Perez: Rulfo /ecos 1 (cello + live electronics)\nDavide Gagliardi: BPD – Borderline Personality Disorder ( Double Bass\, Electronic and Feedback system) \nSchallfeld Ensemble \nDavide Gagliardi – Klangregie und Live Elektronik\nMyriam García Fidalgo – Violoncello\nMargarethe Maierhofer – Lischka – Kontrabass\nSzilárd Benes – Klarinet\nPeter Venus – Klangregie und Licht[:]
URL:https://myriamgarciafidalgo.com/event/soiree-acousmatique/
LOCATION:Grazer Kunstverein\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2017/01/Schallfeld-Flyer-.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20151124
DTEND;VALUE=DATE:20151125
DTSTAMP:20260424T030205
CREATED:20151102T201016Z
LAST-MODIFIED:20151102T201016Z
UID:1467-1448323200-1448409599@myriamgarciafidalgo.com
SUMMARY:Bridges into Europe: Brussels - Graz
DESCRIPTION:
URL:https://myriamgarciafidalgo.com/event/bridges-into-europe-brussels-graz/
LOCATION:Grazer Kunstverein\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151102T080000
DTEND;TZID=UTC:20151102T170000
DTSTAMP:20260424T030205
CREATED:20151102T203242Z
LAST-MODIFIED:20151102T203242Z
UID:1480-1446451200-1446483600@myriamgarciafidalgo.com
SUMMARY:Jeunesse Wien
DESCRIPTION:[:es] \n\nSchallfeld Ensemble\nPrograma\nJavier Quislant Materia-imagen\nfür Bassflöte\, Sopransaxophon\, Violine\, Violoncello und Kontrabass (2013) \nJohannes Maria Staud Lagrein\nfür Violine\, Klarinette\, Violoncello und Klavier \nAndrés Gutiérrez Io\nfür Violine\, Violoncello\, Kontrabass\, Flöte\, Saxophon\, Bassklarinette\, Klavier (2014) \nFranck Bedrossian IT\nfür Flöte\, Klarinette\, Altsaxophon\, Violine\, Violoncello\, Kontrabass und Klavier \nAnahita Abbasi Distorted Attitudes II / Labyrinth\nfür Flöte\, Fagott\, Saxophon\, zwei Violinen\, Violoncello\, Kontrabass (2014) \nDeno Kaufmann Lady Macbeth\nfür Flöte\, Saxophon\, Fagott\, Violine\, Violoncello\, Kontrabass (2014) \n\n[:en] \n\nProgram\nJavier Quislant Materia-imagen\nfür Bassflöte\, Sopransaxophon\, Violine\, Violoncello und Kontrabass (2013) \nJohannes Maria Staud Lagrein\nfür Violine\, Klarinette\, Violoncello und Klavier \nAndrés Gutiérrez Io\nfür Violine\, Violoncello\, Kontrabass\, Flöte\, Saxophon\, Bassklarinette\, Klavier (2014) \nFranck Bedrossian IT\nfür Flöte\, Klarinette\, Altsaxophon\, Violine\, Violoncello\, Kontrabass und Klavier \nAnahita Abbasi Distorted Attitudes II / Labyrinth\nfür Flöte\, Fagott\, Saxophon\, zwei Violinen\, Violoncello\, Kontrabass (2014) \nDeno Kaufmann Lady Macbeth\nfür Flöte\, Saxophon\, Fagott\, Violine\, Violoncello\, Kontrabass (2014) \n\n[:de] \n\nProgramm\nJavier Quislant Materia-imagen\nfür Bassflöte\, Sopransaxophon\, Violine\, Violoncello und Kontrabass (2013) \nJohannes Maria Staud Lagrein\nfür Violine\, Klarinette\, Violoncello und Klavier \nAndrés Gutiérrez Io\nfür Violine\, Violoncello\, Kontrabass\, Flöte\, Saxophon\, Bassklarinette\, Klavier (2014) \nFranck Bedrossian IT\nfür Flöte\, Klarinette\, Altsaxophon\, Violine\, Violoncello\, Kontrabass und Klavier \nAnahita Abbasi Distorted Attitudes II / Labyrinth\nfür Flöte\, Fagott\, Saxophon\, zwei Violinen\, Violoncello\, Kontrabass (2014) \nDeno Kaufmann Lady Macbeth\nfür Flöte\, Saxophon\, Fagott\, Violine\, Violoncello\, Kontrabass (2014) \n\n[:]
URL:https://myriamgarciafidalgo.com/event/jeunesse-wien/
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151016T200000
DTEND;TZID=UTC:20151016T200000
DTSTAMP:20260424T030205
CREATED:20151102T203108Z
LAST-MODIFIED:20151102T203108Z
UID:1479-1445025600-1445025600@myriamgarciafidalgo.com
SUMMARY:… solo – due – tutti … open music Graz
DESCRIPTION:[:es] \nPrograma\nOlga Neuwirth (*1968): Spleen III\nfür Baritonsaxophon (1999) \nRamon Lazkano (*1968): Itzalen Zikloa. Lur-Itzalak\nfür Violine und Violoncello (2003)\, ÖEA \nAndrés Gutiérrez Martínez (*1984): t(rr)t\nfür Bassklarinette solo (Neufassung 2015)\, UA \nLorenzo Troiani (*1989): Cara è fine\nfür Violine solo (2015)\, UA \nIannis Xenakis (1922-2001): Theraps\nfür Kontrabass solo (1976) \nFrancesco Filidei (*1973): Gagliarda\nfür Violoncello solo (2001-2006)\, ÖEA \nMichael Pelzel (1978) … psalmodie volubile …\nfür Flöte solo (2003) \nJavier Quislant (*1984): Materia – Imagen\nfür Ensemble (2013)[:en] \nProgram\nOlga Neuwirth (*1968): Spleen III\nfür Baritonsaxophon (1999) \nRamon Lazkano (*1968): Itzalen Zikloa. Lur-Itzalak\nfür Violine und Violoncello (2003)\, ÖEA \nAndrés Gutiérrez Martínez (*1984): t(rr)t\nfür Bassklarinette solo (Neufassung 2015)\, UA \nLorenzo Troiani (*1989): Cara è fine\nfür Violine solo (2015)\, UA \nIannis Xenakis (1922-2001): Theraps\nfür Kontrabass solo (1976) \nFrancesco Filidei (*1973): Gagliarda\nfür Violoncello solo (2001-2006)\, ÖEA \nMichael Pelzel (1978) … psalmodie volubile …\nfür Flöte solo (2003) \nJavier Quislant (*1984): Materia – Imagen\nfür Ensemble (2013)[:de] \nProgramm\nOlga Neuwirth (*1968): Spleen III\nfür Baritonsaxophon (1999) \nRamon Lazkano (*1968): Itzalen Zikloa. Lur-Itzalak\nfür Violine und Violoncello (2003)\, ÖEA \nAndrés Gutiérrez Martínez (*1984): t(rr)t\nfür Bassklarinette solo (Neufassung 2015)\, UA \nLorenzo Troiani (*1989): Cara è fine\nfür Violine solo (2015)\, UA \nIannis Xenakis (1922-2001): Theraps\nfür Kontrabass solo (1976) \nFrancesco Filidei (*1973): Gagliarda\nfür Violoncello solo (2001-2006)\, ÖEA \nMichael Pelzel (1978) … psalmodie volubile …\nfür Flöte solo (2003) \nJavier Quislant (*1984): Materia – Imagen\nfür Ensemble (2013)[:]
URL:https://myriamgarciafidalgo.com/event/solo-due-tutti-open-music-graz/
LOCATION:Grazer Kunstverein\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150926T200000
DTEND;TZID=UTC:20150926T200000
DTSTAMP:20260424T030205
CREATED:20151102T203523Z
LAST-MODIFIED:20151102T203604Z
UID:1481-1443297600-1443297600@myriamgarciafidalgo.com
SUMMARY:SMOG Brussels
DESCRIPTION:[:es] \nSchallfeld Ensemble\nPrograma\nWOLFGANG MITTERER (*1956) Music for checking e-mails (2009)\nTape/ Installation – Open end \nKONZERT\nTHIERRY DE MEY (*1956) Musique de tables (1987)\nfor three performers \nPETER ABLINGER (*1959) Voices and Piano. Arnold Schoenberg (1998)\nfor piano and CD \nFREDERIK NEYRINCK (*1985) Transforming Construction II – [Kandinsky-Etüde 6] (2015)\nfor (amplified) cello solo\, double bass (as the soloist’s shadow) and two moving woodwinds in space \nPETER ABLINGER (*1959) Voices and Piano Morton Feldmann (1998)\nfor piano and CD \nDENOVAIRE (*1978) For John Coltrane (2015)\nfor flute\, sax\, cello and contrabass \nPETER ABLINGER (*1959) Voices and Piano. Billie Holiday (1998)\nfor piano and CD \nLORENZO ROMANO (1985) Scene from “Unleashed” with musicians\, without dancers (2015)\nFor flute\, sax\, cello\, contrabass\, tape and live electronics \nSTEFAN PRINS (*1978) Piano Hero #1 (2011)\nFor MIDI keyboard\, video and live electronics \n[:en] \nProgram\nWOLFGANG MITTERER (*1956) Music for checking e-mails (2009)\nTape/ Installation – Open end \nKONZERT\nTHIERRY DE MEY (*1956) Musique de tables (1987)\nfor three performers \nPETER ABLINGER (*1959) Voices and Piano. Arnold Schoenberg (1998)\nfor piano and CD \nFREDERIK NEYRINCK (*1985) Transforming Construction II – [Kandinsky-Etüde 6] (2015)\nfor (amplified) cello solo\, double bass (as the soloist’s shadow) and two moving woodwinds in space \nPETER ABLINGER (*1959) Voices and Piano Morton Feldmann (1998)\nfor piano and CD \nDENOVAIRE (*1978) For John Coltrane (2015)\nfor flute\, sax\, cello and contrabass \nPETER ABLINGER (*1959) Voices and Piano. Billie Holiday (1998)\nfor piano and CD \nLORENZO ROMANO (1985) Scene from “Unleashed” with musicians\, without dancers (2015)\nFor flute\, sax\, cello\, contrabass\, tape and live electronics \nSTEFAN PRINS (*1978) Piano Hero #1 (2011)\nFor MIDI keyboard\, video and live electronics \n[:de] \nSchallfeld Ensemble\nProgramm\nWOLFGANG MITTERER (*1956) Music for checking e-mails (2009)\nTape/ Installation – Open end \nKONZERT\nTHIERRY DE MEY (*1956) Musique de tables (1987)\nfor three performers \nPETER ABLINGER (*1959) Voices and Piano. Arnold Schoenberg (1998)\nfor piano and CD \nFREDERIK NEYRINCK (*1985) Transforming Construction II – [Kandinsky-Etüde 6] (2015)\nfor (amplified) cello solo\, double bass (as the soloist’s shadow) and two moving woodwinds in space \nPETER ABLINGER (*1959) Voices and Piano Morton Feldmann (1998)\nfor piano and CD \nDENOVAIRE (*1978) For John Coltrane (2015)\nfor flute\, sax\, cello and contrabass \nPETER ABLINGER (*1959) Voices and Piano. Billie Holiday (1998)\nfor piano and CD \nLORENZO ROMANO (1985) Scene from “Unleashed” with musicians\, without dancers (2015)\nFor flute\, sax\, cello\, contrabass\, tape and live electronics \nSTEFAN PRINS (*1978) Piano Hero #1 (2011)\nFor MIDI keyboard\, video and live electronics \n[:]
URL:https://myriamgarciafidalgo.com/event/smog-brussels/
CATEGORIES:Schallfeld Ensemble
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