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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250219T200000
DTEND;TZID=Europe/Paris:20250219T213000
DTSTAMP:20260423T214613
CREATED:20241211T210811Z
LAST-MODIFIED:20241212T205737Z
UID:10640-1739995200-1740000600@myriamgarciafidalgo.com
SUMMARY:impuls Festival: Schallfeld Ensemble. KORPUS I
DESCRIPTION:Claudio Panariello To learn the obscene art of suffering pain\, for flute\, clarinet\, saxophone\, percussion\, piano\, violin\, viola\, cello\, double bass\, electronics (2022) \nCarola Bauckholt Keil\, for flute\, clarinet\, percussion\, piano\, violin\, viola\, cello\, double bass (2000) \nChristophe Bertrand Madrigal\, for soprano\, flute\, clarinet\, percussion\, piano\, violin\, cello (2005) \nMisato Mochizuki Voilages\, for flute\, clarinet\, piano\, violin\, viola\, cello (2000) \nAlexander Khubeev don’t leave the room\, for performer\, flute\, clarinet\, trombone\, percussion\, piano\, violin\, cello\, electronics\, live-video (2020)* \n\nHaving been connected to impuls in various ways over the years\, Graz based Schallfeld Ensemble presents its first concert of the 2025 season – dedicated to „Body“ as main theme – within the impuls Festival. Starting with the experience of pain (and confrontation with hybridity\, otherness and detachment) in Panariello´s work\, the program clashes into the hyperbolic description of Gargantua’s gigantic body (Bertrand) and finally arrives at Khubeev’s paradoxical musical investigation of the body as a linguistic medium. Just like in former years\, with Carola Bauckholt and Misato Mochizuki two renowned composers teaching at the impuls Academy\, are included in the program\, opening up the possibility to work and exchange closely with them. \n  \nSchallfeld is an international ensemble for contemporary music based in Graz. The group sparks the interest of its audience by its vivid virtuosity and refined chamber music sound\, paired with interpretations that pay special attention to concert format\, creating events that adapt to the specific venue while aiming for a new dimension of listening. The ensemble was founded in 2013 by alumni of Klangforum Wien and composition students of Kunstuniversität Graz. It currently consists of musicians from 8 nationalities and reflects the diversity and different interests of its members in its artistic direction. In the last few years\, Schallfeld has been able to establish itself on international stages through exciting programming with a focus on young composers\, innovative concert-stagings as well as through the quality of its collective improvisations and innovative use of live-electronics. Schallfeld sees its mission in bringing music of international young composers to Austria and acting as an ambassador for new music production abroad. \nBesides its own concert cycle in Graz\, Schallfeld is regularly guest in festivals in Austria and abroad\, such as Wien Modern\, impuls Graz\, Klangspuren Schwaz\, musikprotokoll Graz\, Warsaw Autumn\, Darmstädter Ferienkurse\, Ensems (Spain)\, Romaeuropa (Rome)\, Afekt (Estonia)\, Daegu International Contemporary Music Festival (South Korea). In 2016 and 2017 Schallfeld has been selected by the Ministry of Foreign/cultural Affairs as representative of NASOM (New Austrian Sound of Music)\, a program designed to promote young Austrian artists internationally and\, since 2015\, is Ulysses- Network Ensemble in Residence. \nSchallfeld was Ensemble in Residence during the Darmstädter Ferienkursen (2016)\, impuls (2015\, 2017\, 2019\, 2021\, 2023)\, Klangspuren Schwaz (2023)\, Stanford University (2023)\, University of California San Diego (2020)\, Harvard University (2020) and has a fix collaboration with the IEM Graz since 2015. \nThe ensemble is also involved in pedagogical activities and collaborative theatre projects for children and adults. Schallfeld is funded by the municipality of Graz\, the federal state of Styria\, the Austrian federal Government and receives generous support from the University of Music and Performing Arts Graz and the iem (Institute for Electronic Music and Acoustics) Graz. Past projects by Schallfeld have also received grants by the EU (Youth in Action)\, Music Austria (MICA) and KulturKontakt Austria. 2022 Schallfeld Ensemble was awarded the Grand Interpretation Prize of Land Steiermark. \n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert \nTicket reservation: office@impuls.cc \nIn cooperation with Schallfeld Ensemble\, supported by IGNM Steiermark
URL:https://myriamgarciafidalgo.com/event/impuls-festival-schallfeld-ensemble-korpus-i/
LOCATION:Ligeti Saal Graz\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/12/impulsbanner_aussendung.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241031T213000
DTEND;TZID=Europe/Paris:20241031T223000
DTSTAMP:20260423T214613
CREATED:20240808T080859Z
LAST-MODIFIED:20240808T080859Z
UID:8880-1730410200-1730413800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Arte no tempo
DESCRIPTION:Katharina Roth Tot ist das Mädchen* for violin\, viola\, violoncello\, double bass\, piano (2024) \nDaria Scia Wir sind alle und niemand. Wir umarmen uns für immer* for violin\, viola\, violoncello\, double bass\, piano (2024) \nHristina Šušak  DELIRIUM* for violin\, viola\, violoncello\, double bass\, piano (2024) \nLorenzo Troiani Im Magen des Ungeheuers* for violin\, viola\, violoncello\, double bass\, piano (2024) \nJoão Carlos Pinto (1998) | black midi** (2024\, WP) \n  \n*impuls composition commissions\, premiered on the 18.10.2024 in Graz as part of Text im Klang #6 \n**comission by Arte no Tempo financed by Direcção Geral das Artes.
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-arte-no-tempo/
LOCATION:Teatro aveirense\, Aveiro\, Portugal
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/08/ant-logoBranco250x250.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241022T200000
DTEND;TZID=Europe/Paris:20241022T210000
DTSTAMP:20260423T214613
CREATED:20240704T064257Z
LAST-MODIFIED:20240704T064257Z
UID:8781-1729627200-1729630800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Text im Klang #6
DESCRIPTION:Schallfeld: Text im Klang #6 \nVier neue Kompositionsaufträge für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier. Textimpulse von Elfriede Jelinek. \nProgramm:\nKatharina Roth Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA)\nDaria Scia Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA)\nHristina Šušak Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA)\nLorenzo Troiani Neues Werk für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA) \nSchallfeld Ensemble:\nLorenzo Derinni Violine\nFrancesca Piccioni Viola\nMyriam García Fidalgo Violoncello\nMargarethe Maierhofer-Lischka Kontrabass\nMaria Flavia Cerrato Klavier \nClaus Philipp Einführung zum Schaffen von Elfriede Jelinek \n„Text im Klang“ sieht heuer bereits seiner 6. Ausgabe entgegen. Von Anfang an verstand sich das Projekt als Labor\, das mediale Verschränkungen umzusetzen versucht\, deren Fokus auf dem Impuls liegen. Texte wie auch der aktive Austausch zwischen Komponisten und Autoren liefern dabei Initialimpulse zu neuen Kompositionen. Nicht Vertonungen im klassischen Sinn sind dabei intendiert\, keine Übersetzungen mit Stimme oder Sprecher\, keine klanglichen Repräsentationen der Texte – gefragt ist vielmehr der konkrete Text als Movens in seinen zum Beispiel rhythmischen und syntaktischen Qualitäten\, in seinen klangsprachlichen Färbungen\, in seiner atmosphärischen oder thematischen Dichte\, als semantische Widerlager … Die Versuchsanordnung von „Text im Klang“ wird im Rahmen der einzelnen Jahrgänge dabei immer wieder leicht modifiziert: 2014 und 2016 dienten den Komponisten Texte verschiedener österreichischer Autoren in verschiedenen Paarbildungen als Impulsgeber\, bei den Aufführungen wurden Musik und Text teils verschränkt\, letztere von Schauspielern oder den Autoren selbst vorgetragen\, teils dabei auch live oder beispielsweise als bearbeitete Zuspielung in den musikalischen Part integriert. 2018 lag der Fokus für alle Komponisten auf einem konkreten Kurztext\, 2020 entstanden sowohl Text wie Musik zu einem gemeinsam erarbeiteten Thema völlig neu. 2022 wiederum war Ferdinand Schmatz‘ „das gehörte feuer. orphische skizzen“ der Ausgangspunkt der neuen Kompositionen\, die teils Fragmente des Textes sowohl akustisch als auch visuell einbezogen\, teils auch vom Autor selbst gelesen wurden. \nIn den künstlerischen Austausch wie Prozess eingebunden sind nicht zuletzt mit Schallfeld Ensemble auch von Beginn an die Interpreten\, die ihrerseits für die Realisierung mit den Komponierenden in enger Zusammenarbeit stehen und über die Jahre auch in unterschiedlichen instrumentalen Formationen zu erleben sind. \nFür 2024 hat Elfriede Jelinek ihre Zustimmung gegeben\, dass jeder ihrer zahlreichen Texte als Impuls und Ausgangspunkt für neue musikalische Werke herangezogen werden kann. Die Besetzung ist diesmal mit Schuberts Forellenquintettinstrumentierung eine klassische. Den Uraufführungen voran geht eine Einführung zu Elfriede Jelinek durch Claus Philipp\, der das Projekt auch als Vermittler zur Schriftstellerin und ihrem literarischen Ouevre\, aber auch ihrem musikalischen Background und ihrer (gesellschafts-)politischen Rolle begleitet hat. Einmal mehr bietet „Text im Klang“ auch am 18. Oktober ein dramaturgisch schlüssiges Programm und schließt tags darauf mit einem öffentlich zugängigen Brunch ab\, bei dem der Gesamtprozess des Projekts nochmals reflektiert und die Eindrücke mit dem Publikum ausgetauscht werden können. \nEin Projekt von impuls:\nAm 18. Oktober 2024 um 20:00 Uhr wird dasselbe Programm in Graz im Florentinersaal des Palais Meran zu hören sein!\nhttps://www.impuls.cc/events-2024/1810-text-im-klang
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-text-im-klang-6-2/
LOCATION:echoraum\, Sechshauser Str. 66 \, Wien\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/01/schallfeld5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241018T200000
DTEND;TZID=Europe/Paris:20241018T213000
DTSTAMP:20260423T214613
CREATED:20240116T092211Z
LAST-MODIFIED:20240116T095451Z
UID:7917-1729281600-1729287000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Text im Klang #6
DESCRIPTION:Premieres of impuls composition commissions\n\n\nKatharina Roth New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nDaria Scia New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nHristina Šušak New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nLorenzo Troiani New work for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \n\nSchallfeld Ensemble \nLorenzo Derinni violin \nFrancesca Piccioni viola \nMyriam García Fidalgo violoncello \nMargarethe Maierhofer-Lischka double bass \nMaria Flavia Cerrato piano \n  \nClaus Philipp Introduction to the work of Elfriede Jelinek \n\n\n\n\n\n\n\n\n\n„Text im Klang” is already looking forward to its 6th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme and in 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author. \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \nFor 2024\, Elfriede Jelinek agreed that any of her numerous texts could function as impuls and starting point for new musical works\, which this time will be written for the very classical line-up of Schubert´s Forellenquintett. The world premieres will hereby come along with an introduction to Elfriede Jelinek by Claus Philipp\, who also accompanied the project as an intermediary to the writer and her literary work as well as to her musical background and (social-)political role. Once more „Text im Klang“ offers a dramaturgically coherent program on October 18th\, and concludes the following day with an open brunch\, allowing reflections on the overall process of the project and an exchange with the audience on their impressions. \n\n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert. \nTicket reservation: office@impuls.cc
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-text-im-klang-6/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/01/schallfeld5-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241008T200000
DTEND;TZID=Europe/Paris:20241008T213000
DTSTAMP:20260423T214613
CREATED:20240808T074216Z
LAST-MODIFIED:20240808T074318Z
UID:8877-1728417600-1728423000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - The great unlearning IV
DESCRIPTION:Music by Alessandro Perini and Luigi Nono. \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-the-great-unlearning-iv/
LOCATION:MUWA\, Friedrichgasse 41\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240615T080000
DTEND;TZID=Europe/Paris:20240615T170000
DTSTAMP:20260423T214613
CREATED:20240510T174609Z
LAST-MODIFIED:20240510T174642Z
UID:8608-1718438400-1718470800@myriamgarciafidalgo.com
SUMMARY:Brücken Festival
DESCRIPTION:18 uhr / Bahnhof Hofwartesalon – Neuberg \nJohannes Brahms (1833-1897)\, Klarinettenquintett h-moll\, op.111 (1891)\nTexte über Brahms‘ Wanderungen\nPeter Rosegger (1843-1918)\, Gedichte\nGérard Pesson (*1958)\, Nebenstück\, op.10/4 (1998) \nWanderung über die Promenade zur Josef Pillhofer Skulpturenhalle. Jan Tabaka begleitet\, auf Stelzen gehend\, mit einer Gruppe von Schüler:innen das Publikum. Musik aus Werner Pirchners (1940-2001) „Do you know Emperor Joe“(1982). \n19.30 uhr / Josef Pillhofer Skulpturenhalle \nFrancesco Filidei (*1973)\, L’Opera (forse) (2008/09) – Text: Pierre Senges\nfür 6 Musiker:innen und Sprecher \nSpaziergang zum ARTISTsMUSEUM\, begleitet von Werner Pirchners Musik und den Stelzengeher:innen. \n20.20 uhr / ARTISTsMUSEUM \nBeat Furrer (*1954)\, „intorno al bianco“ (2016) für Klarinette und Streichquartett \nSchallfeld Ensemble\nLeonard Garms – Dirigent\nSebastian Wendelin – Sprecher\nHannes Haider und Freunde – Bläserquintett\nJan Tabaka mit Schüler:innen der Viktor Kaplan Volksschule – Stelzenkünstler:innen \nNeuberg\, Bahnhof Hofwartesalon / Josef Pillhofer Skulpturenhalle / ARTISTs MUSEUM
URL:https://myriamgarciafidalgo.com/event/brucken-festival/
LOCATION:Neuberg an der Mürz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/05/sujet_website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240523T160000
DTEND;TZID=Europe/Paris:20240523T170000
DTSTAMP:20260423T214613
CREATED:20240510T173415Z
LAST-MODIFIED:20240510T173638Z
UID:8606-1716480000-1716483600@myriamgarciafidalgo.com
SUMMARY:Portraits - Baku Contemporary Music Days
DESCRIPTION:Szilárd Benes\, clarinet\nLorenzo Dernini\, violin\nMyriam García Fidalgo\, cello\nPatrick Skrilecz\, piano \nMikel Urquiza\, “Blond vénitien” (2022) for cello solo \nTurkar Gasimzada\, “two commentaries on White Painting#7” (2024\, World Premiere) for clarinet solo \nLorenzo Troiani\, “Cara è la fine” (2015) for violin solo \nTristan Murail\, “La Mandragore for Piano” (1993) for piano solo \nFrancisco Domínguez (*1993)\, “Kharir III” (2017) for cello solo \nKaija Saariaho\, “Duft” (2011) for clarinet solo \nSoloists: members of Schallfeld Ensemble
URL:https://myriamgarciafidalgo.com/event/portraits-baku-contemporary-music-days/
LOCATION:Baku\, Baku\, Azerbaijan
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/04/6453ac28876e96453ac28876ea16832051606453ac28876e76453ac28876e8-860x573-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240521T190000
DTEND;TZID=Europe/Paris:20240521T203000
DTSTAMP:20260423T214613
CREATED:20240425T144437Z
LAST-MODIFIED:20240510T172906Z
UID:8572-1716318000-1716323400@myriamgarciafidalgo.com
SUMMARY:Baku Contemporary Music Days
DESCRIPTION:Schallfeld Ensemble\nJohannes Maria Staud\, “Lagrein” (2008) for clarinet\, violin\, cello and piano \nBernhard Lang\, “Monadologie XXVII: Brahms-Variationen No.1“ for clarinet\, cello and piano \nTahir Ibishov\, “Passionate Hearts” (2024\, World Premiere) for clarinet\, violin\, cello\, and piano \nMárton Illés\, “Three watercolors” (2017/2020) for clarinet\, violin\, cello and piano \nTurkar Gasimzada\,  “noi..:y(our) little voi..” (2024\, World Premiere) for clarinet\, violin\, cello and piano \nMusicians: Szilárd Benes (clarinet)\, Lorenzo Derinni (violin)\, Myriam García Fidalgo (cello)\, Patrick Skrilecz (piano)
URL:https://myriamgarciafidalgo.com/event/baku-contemporary-music-days/
LOCATION:Baku\, Baku\, Azerbaijan
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/04/6453ac28876e96453ac28876ea16832051606453ac28876e76453ac28876e8-860x573-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240318T193000
DTEND;TZID=Europe/Paris:20240318T203000
DTSTAMP:20260423T214613
CREATED:20230512T172542Z
LAST-MODIFIED:20240116T100845Z
UID:6833-1710790200-1710793800@myriamgarciafidalgo.com
SUMMARY:NOUVELLES AVENTURES – KONZERTHAUS WIEN
DESCRIPTION:Luigi Nono’s 100th birthday on January 29\, 2024 is the occasion for an Italian program focus: the Minguet Quartet celebrates it with his string quartet and older pieces to which Nono refers in it. Already in November\, our »Great Talent« Anton Gerzenberg and Marco Stroppa will interpret\, among others\, Nono’s »Traiettoria«\, a concerto for piano and electronic sounds and one of the great masterpieces of the 1980s. In March\, the Schallfeld Ensemble\, founded by students of Klangforum Wien in Graz\, will present works by Scelsi and Sciarrino as well as string trios by young Italian composers. The focus on Italy is flanked by two monoliths: a large-scale\, full-length cycle by Mark Andre in St. Stephen’s Cathedral and an intimate portrait concert dedicated to the composer Kaija Saariaho. \n  \n\nSchallfeld Ensemble\nLorenzo Derinni\, Violine \nFrancesca Piccioni\, Viola \nMyriam García Fidalgo\, Violoncello \n  \n\nPROGRAM\nGiacinto Scelsi \nTrio à cordes (1958) \nLorenzo Troiani \nToccare. L’abisso che dunque sono (2022) (EA) \nClara Iannotta \nLimun (2011) \n*** \nHannes Kerschbaumer \nfirn (2019) \nCarlo Elia Praderio \nBrecce (2020) (EA) \nSalvatore Sciarrino \nCodex purpureus (1983)
URL:https://myriamgarciafidalgo.com/event/nouvelles-aventures-konzerthaus-wien/
LOCATION:Wiener Konzerthaus\, Lothringerstraße 20\, Wien
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/01/Schallfeld-trio-c.-Maria-Frodl-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240304T190000
DTEND;TZID=Europe/Paris:20240304T200000
DTSTAMP:20260423T214613
CREATED:20240207T141658Z
LAST-MODIFIED:20240207T141658Z
UID:8033-1709578800-1709582400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - The great unlearning I
DESCRIPTION:Benjamin Scheuer: Acht arten zu Atmen \nKlaus Lang: 31 ways and 8 waters \nEmre Sihan Kaleli: I am a Diptych \nPierluigi Billone: Mani.Stereos \n\nClarinet: Szilárd Benes \nAccordion: Mirko Jevtović \nViolin: Lorenzo Derinni \nVioloncello: Myriam García Fidalgo \n\n\nTickets: \n€ 15 | € 10* | € 5** \n* Students\, KUG employees and unemployed persons with valid identity card \n** Music students with valid ID\, children until 12 years \n*** Free entry for Hunger auf Kunst & Kultur members.
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-the-great-unlearning-i/
LOCATION:Kunst Universität Graz\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2024/02/2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240216T213000
DTEND;TZID=Europe/Paris:20240216T223000
DTSTAMP:20260423T214613
CREATED:20240114T092923Z
LAST-MODIFIED:20240127T125551Z
UID:7903-1708119000-1708122600@myriamgarciafidalgo.com
SUMMARY:Teatri del suono / ON THE EDGE
DESCRIPTION:With Schallfeld Ensemble \n\n\n\n\nProgramm: \nBenjamin Scheuer: Acht arten zu Atmen \nRamón Lazkano: Lur Itzalak \nKlaus Lang: 31 ways and 8 waters \nEmre Kaleli: I am a Diptych \n  \nClarinet: Szilárd Benes \nAccordion: Mirko Jevtović \nViolin: Lorenzo Derinni \nVioloncello: Myriam García Fidalgo \n  \nWith the kind support of
URL:https://myriamgarciafidalgo.com/event/teatri-del-suono-on-the-edge/
LOCATION:Sala Luttazzi\, Magazzino 26\, Porto Vecchio\, Trieste\, Italy
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2024/01/Teatridelsuono_OTE_Martel-768x389-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240125T200000
DTEND;TZID=Europe/Paris:20240125T210000
DTSTAMP:20260423T214613
CREATED:20231123T175731Z
LAST-MODIFIED:20240116T100438Z
UID:7673-1706212800-1706216400@myriamgarciafidalgo.com
SUMMARY:FOCUS ON PIERRE JODLOWKSI – OPEN MUSIC
DESCRIPTION:Pierre Jodlowksi Time & Money\, for percussion\, video\, electronics (2006) \nPierre Jodlowksi Criogenesis\, for cello\, text (2007) \nPierre Jodlowksi Outer Space\, for trombone\, electronics\, video\, lights (2018) \nPierre Jodlowksi People / Time\, for 5 musicians\, video\, electronics (2003) \n— \nPierre Jodlowski is a composer\, performer and multimedia artist. His music\, which is often made by means of a high level of joy\, spans the genre between acoustic and electronic music and is often directed towards a dramatic and political core. His work has taken him to France and abroad\, where he has been involved in the creation of venues for new music\, classical music and\, for example\, for tango\, theatre\, art and electronic music. His music is defined as an “active process” on the physical level (musical gestures\, energy and space) and on the psychological level. \nIn parallel to his work as a composer\, he is also active as a performer in various fields (experimental music\, jazz\, electronics) \nSchallfeld Ensemble will perform at “open music” as a Young Ensemble in Residence of the Ulysses Network funded by the Creative Europe Programme of the European Union and in cooperation with impuls\, whose associated partner is “open music” with several projects in 2023 and 2024. \nEnsemble Schallfeld\nSzilárd Benes clarinet \nManuel Alcaraz Clemente percussion \nLorenzo Derinni violin \nMyriam García Fidalgo cello \nLeonhard Garms conductor \nDavide Gagliardi video\, live-electronics\, sound design \n– \nMikael Rudolfsson trombone \nPierre Jodlowski electronics\, video\, lights \n 
URL:https://myriamgarciafidalgo.com/event/focus-on-pierre-jodlowksi-open-music/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/11/JODLOWSKI_Foto_-Gilles-VIDAL1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231119
DTSTAMP:20260423T214613
CREATED:20230512T172247Z
LAST-MODIFIED:20230512T172247Z
UID:6831-1700265600-1700351999@myriamgarciafidalgo.com
SUMMARY:ÜBER WEGE SAISON KONZERT IV: WACHSEN
DESCRIPTION:Schallfeld Ensemble \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/uber-wege-saison-konzert-iv-wachsen/
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/03/portadafb-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231113
DTEND;VALUE=DATE:20231114
DTSTAMP:20260423T214613
CREATED:20230512T172155Z
LAST-MODIFIED:20230512T172155Z
UID:6829-1699833600-1699919999@myriamgarciafidalgo.com
SUMMARY:ÜBER WEGE SAISON KONZERT III: LABYRINTHE
DESCRIPTION:Schallfeld Ensemble \nMore info coming soon
URL:https://myriamgarciafidalgo.com/event/uber-wege-saison-konzert-iii-labyrinthe/
LOCATION:Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/03/portadafb-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20231006T213000
DTEND;TZID=Europe/Paris:20231006T220000
DTSTAMP:20260423T214613
CREATED:20230702T073824Z
LAST-MODIFIED:20230702T073824Z
UID:7044-1696627800-1696629600@myriamgarciafidalgo.com
SUMMARY:musikprotokoll Schallfeld Ensemble
DESCRIPTION:Beat Furrer – intorno al bianco \nKatherina Klement – Monde II – Fortschreibung (WP) \nSehyung Kim – NN (WP) \nCarlo Elia Praderio – Dune (WP) \n  \nSchallfeld Ensemble misses the acoustic connections to the physical world. Carlo Elia Praderio calls his new work Dune. For him\, the gradual transitions from solo instrument to ensemble in this acoustic “dune” are metaphors for climate change: small changes with big effects. \nKatharina Klement also relates individuals and space: in Monde II\, she uses the sounds of concrete mixers filled with different materials such as sand or wood. She transfers the resulting loops into a circular spatial concept\, analogous to the model of several moons that individually circle to form an open whole\, thus creating a coherent monde (world). \nBeat Furrer’s Intorno al bianco for clarinet and string quartet is also about communication between the ensemble and the individual. Sehyung Kim sets nine instruments in relation to live electronics and the theme of plastic. \n  \nThe compositions by Sehyung Kim and Katharina Klement are commissioned by ORF musikprotokoll. The composition by Carlo Elia Praderio is a commission by Schallfeld Ensemble\, part of a series of new works that Schallfeld was able to commission thanks to the Province of Styria’s Großer Interpretationspreis 2022.
URL:https://myriamgarciafidalgo.com/event/musikprotokoll-schallfeld-ensemble/
LOCATION:Helmut List Halle\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/07/347449498_797498078567246_3157729283221521613_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230918
DTEND;VALUE=DATE:20230919
DTSTAMP:20260423T214613
CREATED:20230214T101854Z
LAST-MODIFIED:20230214T101854Z
UID:6414-1694995200-1695081599@myriamgarciafidalgo.com
SUMMARY:COMPOSERS LAB – KLANGSPUREN
DESCRIPTION:Masterclass in Klangspuren Festival\, with tutors Chaya Czernowin and Klaus Lang. \nOn the 18.09\, the pieces by the participants of the academy will be presented in a concert. \nApplication open until the 13.4.23! \nhttps://klangspuren.at/en/future-lab-2023
URL:https://myriamgarciafidalgo.com/event/composers-lab-klangspuren/
LOCATION:Schwaz\, Schwaz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/02/klangspuren30.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230911T200000
DTEND;TZID=Europe/Paris:20230911T213000
DTSTAMP:20260423T214613
CREATED:20230601T150228Z
LAST-MODIFIED:20230601T150228Z
UID:6905-1694462400-1694467800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - Klangspuren Concert II
DESCRIPTION:Timothy McCormack: yours in the process of being absorbed\, 2023\, UA  \nKompositionsauftrag finanziert durch die Ernst von Siemens Musikstiftung \nAnna Korsun: Neues Werk\, 2023\, UA \nKompositionsauftrag finanziert durch die Ernst von Siemens Musikstiftung \nHannes Kerschbaumer: Umfaltet\, 2023\, UA  \nChaya Czernowin: Fast Darkness III: Moonwords\, 2022
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-klangspuren-concert-ii/
LOCATION:ORF Studio Tirol\, Innsbruck\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/05/Captura-de-Pantalla-2023-05-31-a-las-17.46.31.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230907T200000
DTEND;TZID=Europe/Paris:20230907T213000
DTSTAMP:20260423T214613
CREATED:20230531T152714Z
LAST-MODIFIED:20230531T152714Z
UID:6898-1694116800-1694122200@myriamgarciafidalgo.com
SUMMARY:Jubiläumskonzert  30x Klangspuren Schwaz
DESCRIPTION:Schallfeld Ensemble \nOle Hübner: Neues Werk\, 2023\, UA\nClara Olivares: Neues Werk\, 2023\, UA\nFausto Romitelli: Professor Bad Trip\, Lesson I\, for eight instruments and electronics\, 1998
URL:https://myriamgarciafidalgo.com/event/jubilaumskonzert-30x-klangspuren-schwaz/
LOCATION:SZentrum\, Silbersaal\, Schwaz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/05/Captura-de-Pantalla-2023-05-31-a-las-17.46.31.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230812T193000
DTEND;TZID=Europe/Paris:20230812T193000
DTSTAMP:20260423T214613
CREATED:20230512T171445Z
LAST-MODIFIED:20230527T185339Z
UID:6822-1691868600-1691868600@myriamgarciafidalgo.com
SUMMARY:a waiting – singspiel mit musik - Schallfeld Ensemble
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \n \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://myriamgarciafidalgo.com/event/a-waiting-singspiel-mit-musik/
LOCATION:Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230811T193000
DTEND;TZID=Europe/Paris:20230811T203000
DTSTAMP:20260423T214613
CREATED:20230512T171342Z
LAST-MODIFIED:20230527T185424Z
UID:6820-1691782200-1691785800@myriamgarciafidalgo.com
SUMMARY:a waiting – singspiel mit musik - Schallfeld Ensemble
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://myriamgarciafidalgo.com/event/a-waiting-singspiel-mit-musik-schallfeld-ensemble-2/
LOCATION:Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230810T193000
DTEND;TZID=Europe/Paris:20230810T203000
DTSTAMP:20260423T214613
CREATED:20230512T171216Z
LAST-MODIFIED:20230527T185459Z
UID:6818-1691695800-1691699400@myriamgarciafidalgo.com
SUMMARY:„a waiting – singspiel mit musik - Schallfeld Ensemble
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://myriamgarciafidalgo.com/event/a-waiting-singspiel-mit-musik-schallfeld-ensemble/
LOCATION:Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230723T200000
DTEND;TZID=Europe/Paris:20230723T213000
DTSTAMP:20260423T214613
CREATED:20230316T225527Z
LAST-MODIFIED:20230601T145132Z
UID:6563-1690142400-1690147800@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble: opening concert impuls Festival
DESCRIPTION:Brian Ferneyhough La Chute d’Icare\, for mixed Ensemble (1988)* \nDmitri Kourliandski Banlieu\, for flute\, clarinet\, accordion\, violin\, viola\, cello\, double bass\, live-electronics (2023\, world premiere)** \nFrancesco Filidei Finito Ogni Gesto\, for flute\, clarinet\, horn\, percussion\, violin\, cello (2010) \nElena Rykova In the Presence of Absence\, for clarinet\, accordion\, piano\, violin\, cello\, amplification\, electronics (2022\, Austrian premiere) \nFrancesca Verunelli Cinemaolio\, for flute\, clarinet\, piano\, violin\, viola\, cello (2014) \n\n\n\n\n  \nA festival is by definition a time of celebration\, and there are many things we want to celebrate in the program of the Opening Concert of the 8th Edition of the impuls Festival: on the occasion of his 80th birthday\, we pay homage to Brian Ferneyhough\, and welcome Francesco Filidei and Francesca Verunelli\, who are tutoring at the impuls Academy for the first time. \nCertainly there is\, of course\, the new works: the Austrian premiere of an Ulysses Network commission to Elena Rykova and a new composition by Dmitri Kourliandksi\, created especially for Ensemble Schallfeld to be premiered at impuls 2023; and finally\, we also celebrate Schallfeld’s fifth participation in impuls during the tenth anniversary year of the ensemble. \nThe common thread of this program is the inspiration from extra-musical elements: Whether it is a historical painting (as in “La Chute d’Icare”)\, or the illusion of movement created by static images (as in “Cinemaolio”)\, a poem by Eduardo Sanguineti (in the case of “Finito Ogni Gesto”)\, or places\, lonely inner places in the case of Rykova\, or quite real and quite crowded ones in the case of Kourliandski. Through ekphrasis or synesthesia\, the music always seems to act as a metaphorical space. Therefore\, the score itself lends itself to becoming an abstract place that can be (re)written\, measured\, or “inhabited”. \n\nSchallfeld is an international ensemble for contemporary music based in Graz. The group sparks the interest of its audience by its vivid virtuosity and refined chamber music sound\, paired with interpretations that pay special attention to concert format\, creating events that adapt to the specific venue while aiming for a new dimension of listening. The ensemble was founded in 2013 by alumni of Klangforum Wien and composition students of Kunstuniversität Graz. It currently consists of musicians from 8 nationalities and reflects the diversity and different interests of its members in its artistic direction. In the last few years\, Schallfeld has been able to establish itself on international stages through exciting programming with a focus on young composers\, innovative concert-stagings as well as through the quality of its collective improvisations and innovative use of live-electronics. Schallfeld sees its mission in bringing music of international young composers to Austria and acting as an ambassador for new music production abroad. \nBesides its own concert cycle in Graz\, Schallfeld is regularly guest in festivals in Austria and abroad. In 2016 and 2017 Schallfeld has been selected by the Ministry of Foreign/Cultural Affairs as representative of NASOM (New Austrian Sound of Music)\, a program designed to promote young Austrian artists internationally and\, since 2015\, is Ulysses Network Ensemble in Residence. 2022 Schallfeld Ensemble was awarded the Grand Interpretation Prize of Land Steiermark. \n\n\n\n\n\n€ 16 | € 11* | € 6** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert \nTicket reservation: office@impuls.cc \n\nEnsemble Schallfeld performs with the kind support of the Creative Europe Programme of the European Union as Young Ensemble in Residence of the EU-funded Ulysses Networkand in cooperation with open music\, a Graz based concert series for contemporary music\, associate partner of the Ulysses Network. \nElena Rykova’s piece was commissoned by Internationale Ensemble Modern Akademie and Mixtur Festival within the Ulysses Network supported by the Creative Europe Programme of the European Union. \n\n\n\n 
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-impuls/
LOCATION:Ligeti Saal Graz\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/04/C0A2344.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230509T193000
DTEND;TZID=Europe/Paris:20230509T203000
DTSTAMP:20260423T214613
CREATED:20230316T233035Z
LAST-MODIFIED:20230506T220726Z
UID:6566-1683660600-1683664200@myriamgarciafidalgo.com
SUMMARY:Suena Festival - Schallfeld Ensemble
DESCRIPTION:Diego Jiménez Tamame –  …and they’ve got us in their cage\, ruined of grace and senses… (2016-17) \n  \nHelga Arias – Konturen (2014) \n  \nLula Romero – autonomous realities (2021) \n  \nMichelle Agnès Magalhaes – Vento Noroeste (2012) \n  \nPedro Berardinelli – Por em (2019/2020) \n  \nAndrés Gutiérrez Martínez – Gitterfenster (2016)
URL:https://myriamgarciafidalgo.com/event/suena-festival-schallfeld-ensemble/
LOCATION:Studio Moliere\, Liechtensteinstraße 37A\, Vienna
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/03/suena-festival.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230502T200000
DTEND;TZID=Europe/Paris:20230502T213000
DTSTAMP:20260423T214613
CREATED:20230317T193016Z
LAST-MODIFIED:20230317T193016Z
UID:6572-1683057600-1683063000@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble: Über Wege II
DESCRIPTION:Music by Pablo Galaz\, Eduardo Moguillansky\, Filippo Perocco and Lisa Streich . \nMore info coming soon!
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-uber-wege-ii/
LOCATION:Schaumbad\, Puchstrasse 41\, Graz\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/03/portadafb-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230315
DTEND;VALUE=DATE:20230316
DTSTAMP:20260423T214613
CREATED:20230112T191654Z
LAST-MODIFIED:20230112T191654Z
UID:6269-1678838400-1678924799@myriamgarciafidalgo.com
SUMMARY:CROMA – CICLO DE MÚSICA CONTEMPORÂNEA DE OEIRAS
DESCRIPTION:As part of the Croma festival\, Schallfeld will perform pieces by cello solo\, violin duo and string trio. In the program\, two pieces by Franck Bedrossian\, who will attend the festival\, two world premieres  by Isabel Soveral and Lorenzo Troiani)\, and two string trios by Giacinto Scelsi and Salvatore Sciarrino.\n\nProgram\n– Isabel Soveral: New Work for string trio\n– Franck Bedrossian: a chamber to be haunted for two violins (2017)\n– Franck Bedrossian : the spider as an artist for solo (amplified) cello (2014)\n– Lorenzo Troiani: Toccare. L´abisso che dunque sono (2022)*\n– Salvatore Sciarrino: Codex purpureus (1983) 10´\n– Giacinto Scelsi: String Trio (1958)\n\n*piece commissioned by Schallfeld Ensemble with the support of BMKOES (Austrian Ministery of Culture)
URL:https://myriamgarciafidalgo.com/event/croma-ciclo-de-musica-contemporanea-de-oeiras/
LOCATION:Auditório Municipal Ruy de Carvalho\, Oeiras\, Portugal
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/png:https://myriamgarciafidalgo.com/wp-content/uploads/2023/01/croma2.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230313T200000
DTEND;TZID=Europe/Paris:20230313T210000
DTSTAMP:20260423T214613
CREATED:20230129T193307Z
LAST-MODIFIED:20230129T193307Z
UID:6342-1678737600-1678741200@myriamgarciafidalgo.com
SUMMARY:Haunted Chambers
DESCRIPTION:Program\n\n– Franck Bedrossian: a chamber to be haunted for two violins (2017)\n– Franck Bedrossian : the spider as an artist for solo (amplified) cello (2014)\n– Lorenzo Troiani: Toccare. L´abisso che dunque sono (2022)*\n– Salvatore Sciarrino: Codex purpureus (1983) 10´\n– Giacinto Scelsi: String Trio (1958)\n\n*piece commissioned by Schallfeld Ensemble with the support of BMKOES (Austrian Ministery of Culture)
URL:https://myriamgarciafidalgo.com/event/haunted-chambers/
LOCATION:ImCUBUS\, Mariahilferplatz 3\, Graz
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2023/01/Schallfeld-trio-c.-Maria-Frodl-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230125T200000
DTEND;TZID=Europe/Paris:20230125T210000
DTSTAMP:20260423T214613
CREATED:20221212T172958Z
LAST-MODIFIED:20230112T182944Z
UID:6101-1674676800-1674680400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - echoraum Wien
DESCRIPTION:[:en]Pierre Jodlowski: In and Out  – 2004\nAaron Einbond: Xilography – 2015\nSivan Eldar: Archives  – 2010/11\nDavide Gagliardi: Borderline personality disorder  – 2016\nJorge Gómez Elizondo: Sonic Washing Youth Machine (– 2021) \n  \nSchallfeld Ensemble:\nLorenzo Derinni: Violine\nMyriam García Fidalgo: Violoncello\nMargarethe Maierhofer-Lischka: Kontrabass\nDavide Gagliardi: Klangregie\, Live Elektronik and Video\nJorge Gómez Elizondo: Video[:es]Pierre Jodlowski: In and Out  – 2004\nAaron Einbond: Xilography – 2015\nSivan Eldar: Archives  – 2010/11\nDavide Gagliardi: Borderline personality disorder  – 2016\nJorge Gómez Elizondo: Sonic Washing Youth Machine (– 2021 \n  \nSchallfeld Ensemble:\nLorenzo Derinni: Violine\nMyriam García Fidalgo: Violoncello\nMargarethe Maierhofer-Lischka: Kontrabass\nDavide Gagliardi: Klangregie\, Live Elektronik and Video\nJorge Gómez Elizondo: Video[:de]Schallfeld Ensemble: Sonic Washing \nSchallfeld Ensemble und echoraum wollen mit diesem Programm einen doppelten Schwerpunkt in der Musik für Streichinstrumente setzen: einerseits drei Kammermusikwerke mit Video\, andererseits Soli mit Live-Elektronik\, die vor allem mit unkonventioneller Mikrofonierung und der konsequenten Bearbeitung von Klang in Echtzeit arbeiten. Im Rahmen des Programms setzt sich das Ensemble erstmals mit der Musik von Pierre Jodlowski und Sivan Eldar auseinander und stellt deren Werke drei Wiener Erstaufführungen (Aaron Einbond\, Davide Gagliardi\, Jorge Gómez Elizondo) gegenüber\, die bereits zum Repertoire der Musiker*innen gehören. \nPierre Jodlowski: In and Out (für Vl\, Vlc\, Video und El) – 2004\nAaron Einbond: Xilography (für Vlc und Live El) – 2015\nSivan Eldar: Archives ( (für Vl\, Vlc\, Video und El) – 2010/11\nDavide Gagliardi: Borderline personality disorder (für Kb und Live El) – 2016\nJorge Gómez Elizondo: Sonic Washing Youth Machine (für Vl\, Vlc\, Kb\, Video und El) – 2021 \nSchallfeld Ensemble:\nLorenzo Derinni: Violine\nMyriam García Fidalgo: Violoncello\nMargarethe Maierhofer-Lischka: Kontrabass\nDavide Gagliardi: Klangregie\, Live Elektronik and Video\nJorge Gómez Elizondo: Video[:]
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-echoraum-wien/
LOCATION:echoraum\, Sechshauser Str. 66 \, Wien\, Austria
CATEGORIES:Schallfeld Ensemble
ATTACH;FMTTYPE=image/jpeg:https://myriamgarciafidalgo.com/wp-content/uploads/2022/12/linz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221217T210000
DTEND;TZID=Europe/Paris:20221217T220000
DTSTAMP:20260423T214613
CREATED:20221107T191857Z
LAST-MODIFIED:20221107T191933Z
UID:5956-1671310800-1671314400@myriamgarciafidalgo.com
SUMMARY:Schallfeld Ensemble - nuova consonanza
DESCRIPTION:Programm\nAnemone Actiniaria – anemone-d77ab88d\, performance audio-video \nGermán Toro-Perez (1964) – Rulfo/ecos I (2006) for violoncello and live electronics \nDavide Gagliardi (1988) – Traces of the indivisible (2019)\, for violin\, violoncello and live electronics \nDaniela Fantechi (1984) – Prossimo (2017) for violin and live electronics \nDavide Gagliardi (1988) – Incontro (2019) for violoncello and live electronics \nMaurizio Azzan (1987) – Diptych #1 (2017-21)\, for violin and live electronics \nEach mirror infects itself \nwith the abyss of its own dream (WP) \nSchallfeld Ensemble\nLorenzo Derinni – violin \nMyriam Garcia Fidalgo – violoncello \nDavide Gagliardi – live electronics \nAnemone Actiniaria\nHanns Holger Rutz\, David Pirrò – electronics and video
URL:https://myriamgarciafidalgo.com/event/schallfeld-ensemble-nuova-consonanza/
LOCATION:Mattatoio La Pelanda\, piazza Orazio Giustiniani 4\, Rome\, Italy
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221206T193000
DTEND;TZID=Europe/Paris:20221206T203000
DTSTAMP:20260423T214613
CREATED:20220823T074856Z
LAST-MODIFIED:20220823T074856Z
UID:5722-1670355000-1670358600@myriamgarciafidalgo.com
SUMMARY:Beyond Pleasure - Schallfeld Ensemble
DESCRIPTION:[:es]A one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud’s theory of the “death drive” described in his book Beyond the Pleasure Principle. \n\nJonatan Sersam (SWE) | Konzept\, Text\, Komposition\, Performance \nAnna-Karin Rasmusson (SWE) | Videokunst \nmit Schallfeld Ensemble \n\n[:en]A one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud’s theory of the “death drive” described in his book Beyond the Pleasure Principle. \n\nJonatan Sersam (SWE) | Konzept\, Text\, Komposition\, Performance \nAnna-Karin Rasmusson (SWE) | Videokunst \nmit Schallfeld Ensemble \n\n[:de]Ein einaktiges Monodrama für einen Solodarsteller mit drei MusikerInnen. Die Inspiration stammt von Freuds Theorie des “Todestriebes”\, die in seinem Buch Jenseits des Lustprinzips beschrieben wird. \n\nJonatan Sersam (SWE) | Konzept\, Text\, Komposition\, Performance \nAnna-Karin Rasmusson (SWE) | Videokunst \nmit Schallfeld Ensemble \n\n[:]
URL:https://myriamgarciafidalgo.com/event/beyond-pleasure-schallfeld-ensemble/
LOCATION:Theater am Lend\, Wienerstraße 58a 8020\, Graz
CATEGORIES:Schallfeld Ensemble
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221109
DTEND;VALUE=DATE:20221110
DTSTAMP:20260423T214613
CREATED:20220823T155517Z
LAST-MODIFIED:20221107T192625Z
UID:5725-1667952000-1668038399@myriamgarciafidalgo.com
SUMMARY:The new normal - Schallfeld Ensemble
DESCRIPTION:[:es]William Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months. \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers. \nFree entry\, ticket reservation under office@schallfeldensemble.com.[:en]William Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months. \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers. \nFree entry\, ticket reservation under office@schallfeldensemble.com.[:de]William Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAls wir Ende 2021 unsere Saison 2022 konzipiert hatten\, wollten wir in unseren Projekten optimistisch\, wenn auch nicht unkritisch\, den Folgen von zwei Jahren Pandemie nachspüren\, die unser Leben und die Art\, wie wir Musik gemeinsam erleben\, verändert haben. \nSeit Februar 2022 haben Krieg und darauf folgende eskalierende Krisen in der Welt vielen Themen wie „Zerfall / Debris“ und „Nähe“ eine neue und unerwartete Wendung gegeben. \nDadurch ist das Motto dieses Konzerts\, „The New Normal“\, wahrscheinlich noch drängender und aktueller geworden als zuvor: wo und wie konstituieren wir Normalität in einer Welt\, die sich in unvorhergesehenen Wandlungsprozessen befindet? Das titelgebende Stück „the new normal“ von William Dougherty konfrontiert uns mit der Frage nach sozialer Ungleichheit (auf der ganzen Welt wie auch im Heimatland des Komponisten\, den USA) und vermittelt dies auf direkte Weise an das Publikum. Dougherty komponiert dazu eine dichte Collage aus ethnomusikologischem Material\, Zitaten aus alter Musik und anderen Samples. Die Frage nach Normen und „common ground truth“ beschäftigt auch die Naturwissenschaft\, wo der Fund neuer Phänomene wie etwa in der Astrophysik ganze Weltmodelle in Frage stellen kann. Ausgehend von scheinbar objektiven wissenschaftlichen Phänomenen (Oxidation und Hybridisierung) führen uns die Werke von Milica Djordjevic und Misato Mochizuki in den Zwiespalt zwischen Stasis und Veränderung\, Vertrautheit und Entfremdung und lassen uns auf emotionale Weise an Transformationsprozessen teilhaben. \nAuch Claudio Panariello (Styrian Artist in Residence 2022) führt uns in seinem Stück „to learn the obscene art of suffering pain“ in ein Zwischenreich. Er reflektiert über innere\, existenzielle Prozesse des Schmerzes und seiner möglichen Narrativität in unserer Gesellschaft. Dazu entwirft er ein akustisches Modell das den „unmöglichen“ antiphonalen Dialog zwischen Innenwelt und Außenwelt simuliert und lässt ein (menschliches) Instrumentalensemble mit seinem unsichtbaren Doppelgänger – einem von Piezomikrofonen und Lautsprechern angetriebenen Rückkopplungssystem – in Kontakt treten. \n  \n„The New Normal“ zeigt die Konfrontation mit dringenden sozio-politischen und existenziellen Themen auf\, die wir während der Pandemie sowie in den letzten Monaten vergessen oder völlig neu kontextualisiert haben\, und führt diese Auseinandersetzung auf musikalischer Ebene. Vielleicht kann uns so das Erlebnis von Unsicherheit im Hören\, das Suchen nach akustischem „common ground“ dabei unterstützen\, der Suche nach neuen Normalitäten in unserem Leben gelassener zu begegnen.[:]
URL:https://myriamgarciafidalgo.com/event/the-new-normal-schallfeld-ensemble/
LOCATION:Next Liberty\, Kaiser-Josef-Platz 10\, Graz
CATEGORIES:Schallfeld Ensemble
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END:VCALENDAR