Cellist
PROGRAM Beat Furrer - Aer Francesco Filidei - Gagliarda Francesco Filidei - Corde Vuote Johannes Maria Staud - Lagrein Mihai Măniceanu - NW Doina Rotaru - Metamorphosis SCHALLLFELD ENSEMBLE Szilárd Benes - clarinets Patrick Skrilecz - piano Lorenzo Derinni - violin Myriam Garcia Fidalgo - violoncello More info coming soon
Das Ensemble Schallfeld aus Graz führt an jedem Tag 4 Uraufführungen von Studierenden der ABPU auf
Programm Das Ensemble Schallfeld aus Graz führt an jedem Tag 4 Uraufführungen von Studierenden der ABPU auf. Schallfeld ist ein internationales Ensemble für zeitgenössische Musik mit Sitz in Graz. Die Gruppe begeistert durch Virtuosität und Klangsensibilität mit einer besonderen Aufmerksamkeit für KonzerCormate, die sich mit den jeweiligen räumlichen Gegebenheiten krea)v auseinandersetzen und eine neue Dimension des Hörens eröffnen. Schallfeld wurde 2013 von Alumni des Klangforum Wien gegründet. In der künstlerischen Programmation spiegeln sich die Diversität und Interessen seiner Mitglieder, derzeit MusikerInnen aus 8 verschiedenen Ländern, wieder. Aufmerksamkeit erregt das Ensemble sowohl durch spannende Programmgestaltung mit Fokus auf junge KomponistInnen und innovative Konzert-Inszenierungen. Cost Eintritt frei
Premieres of impuls composition commissions & Reading PROGRAM: Alexander Bauer New work for bass clarinet, accordion, percussion, cello, electronics (2022, world premiere) Víctor Morató Ribera New work for clarinet, accordion, percussion, cello (2022, world premiere) Sinan Samanlı New work for clarinet, accordion, percussion, electronics (2022, world premiere) Manuel Zwerger New work for clarinet, cello, percussion, ad hoc performer (2022, world premiere) Ferdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) Ensemble Schallfeld Szilárd Benes clarinet, bass clarinet Mirko Jevtović accordion Manuel Clemente percussion Myriam García cello Davide Gagliardi electronics „Text im Klang” is already looking forward to its 5th edition this year. From the very beginning, the project has seen itself as a laboratory, where medial interlacings with a focal point on impulses are put into practice. In specific, literary texts, as well as the active exchange between composer and the author, hereby provide the initial impulses for new compositions. The intention of the project does not pursue a classical setting such as words to music, nor a simple translation of the words with voices, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their, for example, rhythmic and syntactic qualities, in its tonal coloration, its timbre, in its atmospheric or thematic density, as semantic abutment, … The experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances, music and text were sometimes intertwined, the latter read by actors or the authors themselves, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn, the focus for all composers was put on one specific short text, and in 2020, both text and music were created from scratch on a jointly developed theme. Like in former years, with Ensemble Schallfeld also the musicians of course play an important role in the project, being included in the process from the very beginning and standing in close connection especially with the composers for the realisation of their new works. Throughout the different editions, Ensemble Schallfeld has hereby presented itself in various line-ups. For 2022, impuls has been able to interest Ferdinand Schmatz for the project, whose „das gehörte feuer. orphische skizzen“ (2016)…
Music by William Dougherty, Milica Djordjevic, Claudio Panariello and Misato Mochizuki.
New pieces by Anton Lindström, Damian Gorandi, Luca Guidarini, Tianyu Zou
Portrait concert Manuel ZwergerPortrait concert Manuel Zwerger Portrait concert Manuel Zwerger
A one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud's theory of the "death drive" described in his book Beyond the Pleasure Principle. Jonatan Sersam (SWE) | Konzept, Text, Komposition, Performance Anna-Karin Rasmusson (SWE) | Videokunst mit Schallfeld Ensemble A one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud's theory of the "death drive" described in his book Beyond the Pleasure Principle. Jonatan Sersam (SWE) | Konzept, Text, Komposition, Performance Anna-Karin Rasmusson (SWE) | Videokunst mit Schallfeld Ensemble Ein einaktiges Monodrama für einen Solodarsteller mit drei MusikerInnen. Die Inspiration stammt von Freuds Theorie des “Todestriebes”, die in seinem Buch Jenseits des Lustprinzips beschrieben wird. Jonatan Sersam (SWE) | Konzept, Text, Komposition, Performance Anna-Karin Rasmusson (SWE) | Videokunst mit Schallfeld Ensemble
Programm Anemone Actiniaria - anemone-d77ab88d, performance audio-video Germán Toro-Perez (1964) - Rulfo/ecos I (2006) for violoncello and live electronics Davide Gagliardi (1988) - Traces of the indivisible (2019), for violin, violoncello and live electronics Daniela Fantechi (1984) - Prossimo (2017) for violin and live electronics Davide Gagliardi (1988) - Incontro (2019) for violoncello and live electronics Maurizio Azzan (1987) - Diptych #1 (2017-21), for violin and live electronics Each mirror infects itself with the abyss of its own dream (WP) Schallfeld Ensemble Lorenzo Derinni - violin Myriam Garcia Fidalgo - violoncello Davide Gagliardi - live electronics Anemone Actiniaria Hanns Holger Rutz, David Pirrò - electronics and video
Music for violin, cello, doublebass, live electronics and video by Pierre Jodlowski, Aaron Einbond, Sivan Eldar, Davide Gagliardi and Jorge Gómez Elizondo.
